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Atomos Sumo 19in Directors Kit Free Shipping!

Atomos Sumo 19in Directors Kit

Our PN: MOSN5010104
Manufacturer: Atomos
Platform(s): Mac & Win

Availability: Usually ships in 2-business days or less.

$4,499.00

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Quick Overview

Director's dedicated tool on set. Record and monitor with one, while the director has a dedicated unit to be always in control. Includes: 1xSumo19 + 1xSumo19M. Save $700!

Description

Details

The Aluminium alloy chassis with built-in armor houses ten mounting points around the top/bottom/side, a rear panel VESA mount and an included stand for a variety of mounting configurations. Alongside of the XLR connections for power and balanced audio, there is a 3.5mm stereo headphone jack and built-in speakers.

The optional mounting plates connect dual V-Lock or Anton Bauer batteries work in tandem with our patent pending continuous power system. This allows batteries to be hot swapped to ensure you are never without power in the field.

ON SET
For the first time your on-set production monitors can be HDR capable and have recording capability. Now every monitor is not only for high quality shot preview, it can also record dailies, proxies or 4Kp60 masters and has playback controls away from the camera team on a high quality, calibrated 19' 1200nit 10-bit HDR screen.

IN STUDIO
Take Sumo into the studio to use as a HDR grading monitor. Simply connect with your grading software to take Log, PQ or HLG signals from your Mac/PC and instantly see color accurate HDR in 10-bit quality with 10 stops of dynamic range.

QUAD SDI and HDMI 2.0 IN/OUT
Seamlessly connect any SDI or HDMI device and convert between HDMI 2.0 and SDI (3G QuadLink/6G/12G) in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G SDI outputs without the need for converters. HDMI 2.0 supports up to 4Kp60 input/output along with support for Genlock and LTC timecode.

PROFESSIONAL RECORDING- 12-bit Raw, 10-bit ProRes/DNxHR up to 4Kp60
Capture the RAW output from Sony FS5/FS7/FS700, Canon C300MKII/ C500 or Panasonic Varicam LT over SDI up to 12-bit 4Kp30 as CDNG or 10-bit Apple ProRes / Avid DNxHR up to 4Kp60 / 2Kp240 depending on the cameras capability. The processing power of Sumo preserves pristine quality direct from the sensor with data rates of up to 3.2 Gbps.

XLR MONITOR and RECORD
Eliminate the need for a separate audio recorder by using the full size XLR connections to connect and power external microphones for balanced analogue audio with dedicated meters and adjustments for frame delay and gain. 48V phantom mics or line level audio are all seamlessly synchronized for the most advanced audio feature set in a monitor today. There is also a 3.5mm stereo headphone jack and built-in speakers for on set instant immersive review or complete internal recording review anytime anywhere with clients or production team.

MONITOR. SWITCH. RECORD.
Live Switch* and Record up to four 1080/60p channels, 4 x ISO record and playback. Make working with multi-cam a breeze. With a free future firmware update, you will be able to switch and mixing a live recording and stream or record 4 x HD ISO recordings using the QuadLink SDI connections. Switch between feeds on screen with cueing, cross fade and hard cuts from the locked sources or tag and adjust final edits with advanced metadata tagging preserving ISO feeds, with the desired final result infinitely editable.

GO HDR TODAY.
Sumos 19' 1920x1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps the Log/PQ/HLG from popular cameras, game consoles or TV makers to perfectly resolve 10+ stops of HDR in real-time. The brightness range and vivid colors of HDR bring scenes to life either on the monitor itself, or when output to larger HDR/Rec709 displays for on set review. It can also be used with popular NLE or grading suites for affordable HDR or SDR editing or grading in the studio.

TRUST WHAT YOU SEE
Like all high-end monitors, Sumo also has optional calibration to compensate for the natural color and brightness drift that monitors exhibit over time. Sumos calibration input lets you use X-Rites i1DisplayPro to always ensure accurate HDR and Rec709 monitoring.

CHOOSE THE SSD TO SUIT YOUR WORKFLOW
Sumo records using our patented Master Caddy system. High capacity and widely available 2.5' SSD's provide an affordable solution for long recording times. We've tested and approved over 20 drives for Sumo (atomos.com/drives) that neatly slot into the provided Master Caddy or use the custom Atomos caddy from G-Technology to integrate directly into their EV series of Raid and desktop solutions for the ultimate in workflow efficiency.

CONTINUOUS POWER
The optional mounting plates connect dual V-Lock or Anton Bauer batteries that work in tandem with our patent pending continuous power system. Sumo automatically swaps to the second battery when power is low, allowing the drained battery to be hot swapped to ensure you are never without power in the field.

Specifications

  • Weight
    • Without batteries, media and stand 5.45kg / 12.0lb
    • With stand 6.0kg / 13.2lb
  • Dimensions (W x H x D mm)
    • 504 x 310 x 63mm, 19.8in x 12.2in x 2.5in (without stand)
    • 504 x 330 x 180mm, 19.8in x 13in x 7.1in (with stand)
  • Construction Aluminium alloy chassis with built in armor protection
  • Mounting Points
    • 1/4-20 screw; 4 x top, 4 x bottom, 2 x side
    • 3/8-16 screw; 2 x top, 2 x bottom, 1 x side
  • VESA mount rear
  • Power
    • Operating power 75W
    • Compatible batteries
      • V-Lock / Anton Bauer via XLR terminal (optional mounting plates available)
      • 95Wh or larger recommended.
    • Input voltage (battery) 14.4V nominal
    • Battery time Depends on Watt Hours specification of battery used
    • DC In 1 x DC in (12 - 16.8V)
    • Continuous power * Patent pending Primary-secondary battery system.
      • Change batteries without losing power
      • Loop batteries continuously
  • Size
    • 19in
    • Resolution 1920 x 1200
    • PPI 120
    • Aspect ratio 16:9 native
    • Color Gamut REC709 HDTV
    • Look up table (LUT) support 3D LUT (.cube format)
    • Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
    • Technology
      • SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
  • HDR
    • AtomHDR Yes
    • Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm
    • Supported Gamuts
      • Sony SGamut / SGamut3 / SGamut3.cine
      • Canon Cinema / BT2020 / DCI P3 / DCI P3+
      • Panasonic V Gamut
      • Arri Alexa Wide Gamut
    • Bit depth 10-bit (8+2 FRC)
    • Brightness 1200nit (+/- 10% @ center)
    • HDR input (PQ/HLG) Yes / Yes
    • HDR output (PQ/HLG) Yes / Yes
  • Video Input/Loop Out
    • HDMI 1 x HDMI (2.0)
    • SDI Quad link 4 x 3G SDI* or up to 12G single link SDI
    • Signal Uncompressed true 10-bit or 8-bit 422 (camera dependent)
  • Video Output (Play Out)
    • HDMI 1 x HDMI (2.0)
    • SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
    • Signal Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
  • Supported Loop Out Formats
    • HDMI to HDMI
      • 720p 50/60, 1080i 50/60,
      • 1080p 24/25/30/50/60/100/120
      • 2160p 24/25/30/50/60
    • SDI to SDI
      • 720p 50/60, 1080i 50/60
      • 1080pSF 24/25/30
      • 1080p 24/25/30/50/60/100/120
      • 2160p 24/25/30/50/60
  • Video Signal Conversion
    • HDMI to SDI 720p
      • 50/60, 1080i 50/60,
      • 1080p 24/25/30/50/60/100/120/200*/240*
      • 2160p 24/25/30/50/60
    • SDI to HDMI 720p
      • 50/60, 1080i 50/60,
      • 1080p 24/25/30/50/60/100/120/200*/240*
      • 2160p 24/25/30/50/60
  • Supported Codecs and Frame Rates (Record and Playback)
    • Sony FS5/FS7^^/FS700 CDNG
      • 4K DCI; 24/25/30p
      • 4K UHD;
      • 2K; 24/25/30/50/60/100/120p
      • 1080; not supported in camera
    • Canon C300MKII/C500 CDNG
      • 4K DCI; 24/25/30p
      • 4K UHD; 24/25/30p
      • 2K; not supported in camera
      • 1080; not supported in camera
    • Panasonic VaricamLT CDNG
      • 4K DCI; 24/25/30p 10/12 bit
      • 4K UHD; 24/25/30p 10/12 bit
      • 2K HD; 100/120p 10 bit
      • 1080 HD; 100/120p 10 bit
    • Arri Alexa Mini .ARI*
      • 2880x1620; 24/25/30/50/60p
      • 2880x2160; 24/25/30/50/60p
  • Raw to ProRes / DNxHR
    • Sony FS5/FS7/FS700
      • ProRes (HQ, 422, LT)
      • DNxHR (HQX, HQ, SQ, LB)
      • 4K DCI; 24/25/30/50/60p
      • 4K UHD;
      • 2K; 24/25/30/50/60/100/120/200/240p
      • 1080; not supported in camera
    • Canon C300MKII/C500
      • ProRes (HQ, 422, LT)
      • DNxHR (HQX, HQ, SQ, LB)
      • 4K DCI; 24/25/30p
      • 4K UHD; 24/25/30p
      • 2K; not supported in camera
      • 1080; not supported in camera
    • Panasonic VaricamLT
      • ProRes (HQ, 422, LT)
      • DNxHR (HQX, HQ, SQ, LB)
      • 4K DCI; 24/25/30/50/60p
      • 4K UHD; 24/25/30/50*/60p
      • 2K DCI; 100/120/200/240p
      • 1080 HD; 100/120/200/240p
  • Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper) Codecs
    • Apple ProRes HQ, 422, LT
    • AVID DNxHR HQX. HQ, SQ, LB
  • Frame rates
    • 4K DCI; 24/25/30/50/60p
    • 4K UHD; 24/25/30/50/60p
    • 2K; N/A
    • 1080p; 24/25/30/50/60/100^/120^/200/240p
    • 1080i; 50/60i
    • 720p; 50/60p
  • Onboard Processing
    • Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)
    • 60i > 24p (3:2 pulldown)
    • 4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in RAW)
  • Audio In/Out (48kHz PCM Audio)
    • HDMI 2 or 8ch 24-bit, camera dependent
    • SDI 12ch 48kHz 24-bit
    • Audio
      • 2ch balanced XLR analog in/out (direct XLR connection)
      • Dynamic range >90dB
      • Max signal level +24dBu
      • Max analog gain +52dB
      • 48V Phantom Power for Mic
    • Headphone Out 3.5mm
    • Built-in Speakers Yes
  • Remote Start/Stop
    • HDMI
      • Auto HDMI Trigger
      • Supported Protocols - Canon, Sony, Atomos Open Standard
    • SDI SDI trigger camera selectable
    • Other LANC control - Slave
  • Playback
    • Paylist / Genlock Yes / Yes
    • CDNG (Recorded content) No support
    • ProRes (Recorded content) All recorded files can playback. Playback in slow motion >= 100fps
    • DNxHR / DNxHD (recorded content) All recorded files can playback. Playback in slow motion >= 100fps
  • Recording
    • Pre-roll record Yes (HD 8s, 4K 2s)
    • Custom timelapse Yes
    • Meta data tagging Yes (10 tags available)
    • Supported media 2.5in SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
    • Master caddy case Master Caddy II (included) 75mm x 105mm x 12mm
    • Master caddy dock 2.5in SATA to USB 2.0/3.0
  • Supported Applications
    • FCPX/FCP7+
    • Media Composer 5.0+
    • Premiere 5.5+
    • EDIUS 6.0+
    • Vegas Pro 10+
    • Lightworks /
    • Autodesk Smoke 2015
  • XML support FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
  • Warranty 1 year. Extended to 3 years on product registration


Included Items

  • Sumo unit
  • 1x Master Caddy II
  • 1x BattWing mounting bracket with 4x screws
  • 2x Desktop Feet with 4x 1/4' Mounting screws
  • AC power supply

Optional extras (NOT INCLUDED)

  • Sunhood
  • VESA battery adapter plate
  • Atomos HDMI cable
  • X-Rite i1DisplayPro calibration

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