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DaVinci Resolve Control Surface

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Our PN: BMDN5660002
Manufacturer: Blackmagic Design
Platform(s): Mac & Win

List Price:$29,995.00

You Save: $1,500.00 (5%)


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Quick Overview

The world's greatest color correction solution now for Mac and Linux!



Manufacturer Part Number: DV/RESOLVE

Hollywoods most powerful color corrector is now also the worlds most amazing editor!
DaVinci Resolve 11 combines the worlds most advanced color corrector with professional multi track editing, so now you can edit, color correct, finish and deliver all from one system! Davinci Resolve is completely scalable and resolution independent so it can be used on set, in a small studio or integrated into the largest Hollywood production pipeline! Only DaVinci Resolve features the creative tools, compatibility, speed and legendary image quality you need to manage your entire workflow, which is why it is the number one solution used on Hollywood feature films.

The worlds most advanced grading tools.
DaVinci color correctors have been the standard in post production since 1984. There are thousands of colorists worldwide who understand the performance, quality and workflow of DaVinci. DaVinci Resolve features unlimited grading with the creative tools colorists need and incredible multi GPU real-time performance. Thats why DaVinci is the name behind more feature films, commercials, television productions, documentaries and music videos than any other grading system!

Collaborate with over 70 new editing features!
DaVinci Resolve 11 includes over 70 new editing features including an amazing new collaborative workflow that lets multiple people work together on the same timeline at the same time. Editing tools are context sensitive, that means DaVinci Resolve automatically knows how you want to trim based on the position of the mouse so you dont have to waste time switching tools! You also get customizable keyboard shortcuts so you can edit quickly and move between applications with ease. DaVinci Resolve 11 has the most advanced collaborative editing tools that help you work fast so you can focus on the visual flow of your edit!

Scalable power and real-time performance.
DaVinci Resolve is scalable and supports multiple GPUs all working together as found in the new MacPro, as well as the latest Windows and Linux computers. You get support for up to 8 GPUs so that you can build dedicated systems that are super fast and deliver blazing real-time performance. Thats important when you are working on high pressure projects with a room full of clients! Whether you are working in your own post production suite or grading the next Hollywood blockbuster, workstations running DaVinci Resolve can be super charged to keep up with you and your clients!Work faster with absolute control!
When you have a client looking over your shoulder you need to work fast. The DaVinci Resolve control surface lets you adjust multiple parameters simultaneously, making grading faster. The control surface features dedicated buttons, knobs and perfectly weighted trackballs that give you the subtle control you need for creating the most amazing looks! You get 32 soft knobs with automatic LCD labels so youll never have to page through multiple menus to find common adjustments. Save and recall grades to memory, load gallery stills and more at the push of a button while you keep grading at full speed!

Ensure complex jobs are well organized.
Saving and managing media is a critical part of every project! DaVinci Resolves new clone tool will back up your valuable camera files on location so you can check your footage before striking the set! The clone tool copies your camera files to multiple destinations with checksum validation for safekeeping. DaVinci Resolve can also edit metadata, sync sound and organize footage for editing, color grading or visual effects. DaVinci Resolve helps you manage media on local drives or over your network and because it works with virtually every camera and video format you dont need to convert files to begin editing or grading!

Finish and deliver to virtually any format!
Whether youre creating a master for TV release, a digital cinema package for theatrical distribution or finishing for delivery over the internet, DaVinci Resolve includes powerful delivery options for versioning, finishing and delivery at any resolution. You can export your media in a variety of formats with optional burn-ins, output EXR or DPX files for visual effects work and uncompressed 10 bit or ProRes files for editing in applications like Final Cut Pro X. DaVinci Resolve works from your camera originals so you always get the highest quality output. That means your finished master is a first generation graded copy of the original camera RAW files!

Unique YRGB 32 bit float processing.
DaVincis high quality image processing is so revolutionary it won an Emmy award for contributions to the television industry! All image processing is at the deepest 32 bit floating point and DaVinci Resolve uses a unique YRGB color space for grading. This allows you to adjust the luminance gain of your video without rebalancing the color of your whites, mids, or blacks. That means you wont have to chase the correction youre aiming for! 32 bit processing combined with YRGB color science gives you a dramatically wider color correction range, so you can generate looks that other systems simply cannot match!

The worlds most compatible post production solution!
Move projects between your favorite NLE and VFX software! DaVinci Resolve can share sequences and round trip projects with Final Cut Pro X, Media Composer, Premiere Pro and more! That means you can edit your project on any system, then using XML, AAF or EDLs, you can link back to your full quality camera RAW files and finish in greater bit depth with DaVinci Resolve. You can also drop VFX shots from After Effects and Nuke directly into the timeline for final grading and finishing. DaVinci Resolve is the worlds most compatible post production solution and can be used with dozens of other software tools so you can focus on getting your job done.


Even though DaVinci Resolve is known for its color correction ability, its also been designed to be an extremely powerful editor as well as a manager of your entire creative workflow. Each page in DaVinci Resolve is logically organized into work areas for each stage in the post production workflow.


Invented in partnership with Hollywood studios, DaVinci has been the standard in post production for over 30 years. DaVinci Resolve is the real-time grading system thats been used worldwide on more feature films, episodic television productions, commercials, independent films and music videos than any other. DaVinci color correction is the difference that makes high end work so breathtaking!

Unlimited Grades
DaVinci Resolve uses node based processing where each node can have color correction, power windows and effects. Nodes are similar to layers, but more powerful because you can join unlimited nodes sequentially or in parallel. That means you can combine grades, effects, mixers, keys and even plug-ins in any order to create limitless color effects and unique looks.

Grading from RAW Files
Cinematographers will love the new camera RAW palette in DaVinci Resolve 11. You get high quality debayer with highlight recovery, white balance, color space and gamma controls, along with adjustments for fine tuning exposure, color temperature, tint, sharpness and more so that you have virtually unlimited creative control over RAW images. Now you can take advantage of the full wide dynamic range of RAW images and pull the maximum detail out of the highlights, shadows, and mid tones in real-time!

Powerful Primaries
Great color correction starts with a well balanced image. Get perfect looking images with the worlds most powerful primary color corrector for setting lift, gamma and gain with the control and precision of DaVincis unique YRGB color space. Primary controls include shadows, mid tones and highlight log controls with offset.

Precision Secondaries
Target specific colors or areas of the image with DaVincis precision secondary color correctors. Precise HSL, RGB color and LUM qualification lets you target specific areas of the image. And with DaVinci Resolves new keyer controls you always get clean edges, so no matter how complex your grade it blends seamlessly.

Automatic Color Match
Whether your footage was shot on film, video or is RAW, DaVinci Resolves new Color Match can automatically give you a primary base grade by analyzing shots containing standard color charts! Color Match lets you set the source gamma, target gamma and target color space for the chart used in your shot. Simply use the chip grid to identify the color chip chart and Resolve will automatically balance the images, even if they were shot on different cameras, under different lighting conditions and with different color temperatures!

Power Windows
Invented by DaVinci, Power Windows revolutionized grading by letting you isolate specific areas in the image. You can create an unlimited number of Power Windows using circular, linear, gradient and PowerCurve shapes and then combine them using matte and mask controls. Windows can automatically follow objects in the image using Resolves built in multi point tracker!

Image Stabilization and Tracking
DaVinci Resolve includes the worlds most powerful 3D tracker for locking Power Windows to on screen objects. Tracking is automatic so you dont have to waste time generating keyframes. You can also use the tracker to stabilize images and clean up shots that would otherwise be unusable!

Optical Quality Reframing
When you need to reframe a shot, its vital that you dont loose image quality. DaVinci Resolve includes optical quality sub pixel processing so when you reframe, zoom or even rotate a shot, quality is retained. This lets you fix shots in full quality.

RGB Mixing
For extreme looks and innovative creative styles, DaVinci Resolve supports RGB mixer grading to control individual red, green and blue gain for each color channel, blend and mix channels. You can even swap inputs for extreme effects or make sections of your image monochrome.

Unique YRGB Color Space
All image processing within DaVinci Resolve is GPU based at the deepest 32 bit floating point quality and with YRGB color space. Deeper bit depths combined with YRGB control mean you get dramatically wider color correction range and can generate looks' that simple NLE color correction cannot match. DaVincis YRGB processing means you can adjust the luminance gain without rebalancing the color of your whites, mids or blacks, so youre not chasing the correction youre aiming for!

Custom Curves and Soft Clip
When youre after subtle control, Custom Curves let you define a specific curve thats applied for your corrections. Then add DaVincis unique high and low soft clip processing with high and low softness for that magical look. These can be ganged for all channels or set per channel. Custom Curves also support YSFX luminance and saturation effects.

HSL Curve Grading
Curve grading is a very popular grading method and lets you adjust hue, saturation or luminance on a curve graph with a workflow thats similar to grading with popular editing software. You can pick colors from the image and even use bezier handles for precise curve control.

Creative Tools
Add OpenFX plug-ins or the built in gaussian blurs, sharpen and mist on unlimited nodes in real-time! DaVinci Resolves image sharpening and professional mist effects give you even finer control over the atmosphere and texture of your images!

Real Time Noise Reduction
Using todays powerful GPUs, you can take advantage of DaVinci Resolves spatial and temporal noise reduction. DaVinci Resolves advanced noise reduction can clean up material shot on film as well as remove noise from images shot on digital cameras. You can even apply noise reduction within Power Windows!

Open FX Plug-ins
Resolve 11 supports OpenFX plug-ins on both the editing timeline and within color nodes so you get almost limitless creative options! Work with third party plug-ins from developers like Red Giant, Sapphire and more. DaVinci Resolve uses full 32 bit float GPU based image processing so youll always get the best looking results as fast as possible, even when using third party OpenFX plug-ins!

Gallery Stills and Grades
When youre grading its important to keep stills from earlier in the job or even other projects so you can compare shots to keep your grades consistent. DaVinci Resolves Gallery lets you quickly save and share stills and also copy color grades from your work. Grades can be copied to individual clips, to all clips from the same reel, or to any selected group of clips.

Hardware Control Surface
To get the full DaVinci Resolve experience and to accelerate your workflow, use the award winning DaVinci control surface. You can make multiple adjustments simultaneously and use dozens of soft keys and knobs so that youll never have to mouse through multiple menus looking for common adjustments again! The DaVinci control surface lets you work fast, which is especially important when youre on a deadline and collaborating with a client in your suite!

Real Time 3D Stereoscopic Grading and Editing
When you are working on a 3D stereoscopic project its important to be able to match the grade on both eyes and bring everything into perfect alignment! DaVinci Resolve will edit, grade and display 3D stereoscopic timelines in real-time. You can perform side by side, line by line, checkerboard and anaglyph comparison between eyes and use automatic 3D alignment tools to remove slight color or image alignment errors between cameras on 3D rigs. Adjust convergence pan, tilt and zoom and immediately see the results. You can even begin with a 2D timeline and copy all the grades to the other eye ready for trimming.

Move Grades Between Systems
DaVinci Resolve can grade and finish projects that were started in Final Cut Pro X, Avid Media Composer, Adobe Premiere Pro and more! DaVinci Resolve also supports ASC color decision lists including full slope, offset, power and saturation metadata. As all CDL events are synchronized with EDL events you can import basic grading decisions made on other systems for final grading and delivery from within Resolve. DaVinci Resolve is more compatible with popular editing and grading systems than any other solution.


DaVinci Resolve has a familiar, editor friendly interface with all the tools that editors need to craft the perfect story! You can trim and finish projects started in professional editing software like Final Cut Pro X, or you can start editing a project from scratch in the Resolve timeline. Whether you like to use the mouse for drag and drop editing or prefer the precision of editing on your keyboard, DaVinci Resolve is easy to learn and features all of the timeline tools professional editors need to work creatively and fast!

Comprehensive Editing Tools
DaVinci Resolve editing features full multi track support with fast and familiar editing tools. There are keyboard shortcuts and toolbar buttons to mark edit points, insert tracks, delete clips and more. You can also simply drop your clips directly into the timeline or drag clips over the edit pop up window to quickly perform insert, overwrite, replace, fit to fill, superimpose, 3 point, add and swap edits.

Context Sensitive Trimming
Quickly fine tune your edit using Resolves innovative context sensitive tools! Depending on where you place the cursor, you can ripple, roll, slip, slide, extend or shorten edits without changing tools. That means you can spend more time fine tuning edits instead of switching tools! Trim clips on multiple tracks simultaneously in the same direction or asymmetrically.

Mixed Format Timeline
Mix and match different formats and resolution media in the timeline all at the same time with real-time sizing and playback. You can edit wide dynamic range camera RAW files or one of many camera or file codecs without having to worry about wasting time ingesting or transcoding footage or loosing quality while making proxies. Thats because DaVinci Resolve will debayer and process everything in real-time, regardless of the native format!

Creative Transitions
You get multiple built in real-time transitions including cross and additive dissolves, wipes, dip to color, and more. Transitions can be aligned on the center of the edit, or at the start or end of the edit. You can even adjust transition duration dynamically and set ease in and out as you need. Transitions from FCP X and other editing software come in via imported XML and AAFs and you can even use your favorite OpenFX plug-in for those extra special transitions between clips or tracks.

Optical Quality Re-Framing
Colorists know that DaVinci Resolve has the highest quality reframing and resize tools in the industry. Now editors can reframe shots directly in the edit page and take advantage of the amazing optical quality sub pixel image processing in real-time! 4K images look incredible when resized to HD and you can even reformat older standard definition footage for your HD and 4K projects!

Optical Flow Retiming
Changing speeds can cause undesirable artifacts like stepping shots on slow downs due to missing frames' or that jump frame you see on speed ups. DaVinci Resolve features nearest, frame blend and a superb Optical Flow' image processing engine that uses advanced algorithms to create in between frames in real-time! That means you can always select the smoothest, highest quality retimed clips whether you create slow and fast motion speed changes and its all in real-time.

Custom Titles
DaVinci Resolve includes rich title tools for creating lower thirds, scrolling text and title cards with drop shadows, backgrounds, borders and more! Set your text position, tracking and line spacing, or adjust the stroke color and opacity to create professional looking titles. There are composite modes, title transforms, cropping tools and you can even import titles from other NLEs. Now you can add high quality anti aliased titles to your project that look great in every resolution, even 4K!

OpenFX Plug-Ins
Expand your creative toolset with a huge variety of 3rd party plug-in effects for even more creative options! Plug-ins can be adjusted directly in the DaVinci Resolve editing timeline making it easy to create truly stunning and unique looks for your images!

Keyframe Control
DaVinci Resolves advanced keyframe editor is integrated into the edit timeline so that you can see your keyframe positions directly under each clip and in context with your program! Now you can animate real-time effects with keyframe precision and use the spline curve editor to modify individual parameters or groups of parameters!

Audio Editing and Mixing
No matter if your audio files are Mono, Stereo, 5.1 or more, DaVinci Resolve lets you quickly mix your audio with full level control and fade handles for each clip directly in the timeline. You get VU meters with peak and limit indicators for monitoring playback and you can even mute and solo channels while editing. Using the built in mixer you can mix multi track audio sources, adjust levels, pan and set output channels for either clips or entire tracks. You can also adjust the audio level of individual audio tracks directly in the timeline.

Collaborate With Other Editors
You can edit directly in DaVinci Resolve or work with editors from other facilities using popular editing software like Final Cut Pro X, Media Composer, Premier and more! Resolves powerful round tripping can import and conform your sequences using everything from basic EDLs to AAF and Final Cut XMLs. That means DaVinci Resolve is the worlds most compatible post production application.


The powerful media management tools in DaVinci Resolve 11 are compatible with virtually every workflow and file type imaginable which makes it the perfect media manager on set or in a large post production facility. From legacy videotape to modern file based workflows, DaVinci Resolve has the tools you need to backup, organize and manage massive pools of your most valuable media!

Managing Media
DaVinci Resolve simplifies media management by centralizing key functions on the media page so you can see everything you need all in one place! You can view and playback files, sync sound and trim longer shots into shorter manageable clips. Media can be organized into bins and there are also tools to update timecode, apply look up tables, change pixel aspect ratio and more!

Clone and Backup Camera Files
When working with file based cameras and removable media its critical to have reliable backups of your footage. DaVinci Resolves new clone tool copies media drives, memory cards and camera packs to multiple simultaneous destinations while you are still on set. All copies are checksum verified, that means you get exact bit for bit digital copies of your source media. Now you can strike the set with confidence knowing that you have cloned backups and verified all your shots are perfect!

Metadata Tagging and Logging
DaVinci Resolve is a valuable on set tool for logging and organizing footage. Resolve stores the metadata from cameras and digital slates with the clips you add to your Media Pool. You can even add your own metadata templates and log data in real-time so youre ready for editing the minute the camera stops rolling! All metadata can be exported to an ALE file that is compatible with Media Composer and other systems in your project workflow.

Organize Media in Bins
DaVinci Resolve lets you create bins to organize your footage and has advanced search, sort and sift tools that help you quickly find the shots youre looking for. Now you can create separate bins for source footage and even VFX shots that you know will update daily. When the next batch of VFX shots are ready, simply update the timeline using the new bins to automatically relink and update to the latest version of the shots.

Audio Syncing
If your production is using sound recorded by a separate audio engineer, you will need to sync sound with your picture before screening and editing. DaVinci Resolve can manually or automatically sync your footage while you are still on set! Da Vinci Resolves audio syncing tools save valuable time when preparing footage for editing and will help you create super fast dailies for the production team to view each days shoot.

Works With Everything
No other system handles more types of file formats in real-time so you can edit and grade virtually anything a client brings through the door! DaVinci Resolve allows full unlimited editing and grading of DPX, CIN, EXR, Tiff, QuickTime, ProRes, DNxHD and MXF files all in real-time. You can even work with AVI, JPEG2000, HQ and HQX in MOV, JPEG, TGA and BMP and multi channel audio!

Camera RAW Support
DaVinci Resolve includes more native camera file support than any other solution! That means youre editing and grading directly from the wide dynamic range camera originals. DaVinci Resolve is compatible with CinemaDNG RAW, ARRI Alexa RAW and Amira. RED One, EPIC, Scarletand Dragon R3D files including +5K, monochrome and HDRx images. Also supported are Cineform, Cineform 3D, Phantom Raw, GoPro, Nikon, Canon C300, C500 and 1D, 5D, 7D and the raw cameras from Sony F65/F55/F5 RAW and their XAVC variants and many, many more!


DaVinci Resolves delivery page is used to output your files, whether its for other systems in your post production pipeline or delivering the final master for broadcast. You can prepare files for round tripping with other NLEs, create EXR or DPX image sequences for visual effects artists, or even make QuickTime movies with watermark burn-ins for review and approval! DaVinci Resolve lets you master video to tape, create files for playback over the internet, or even author DCP digital cinema package files for theatrical distribution!

Creating Files for Editorial
If youre collaborating with other video editors using Final Cut Pro X, Avid Media Composer or Adobe Premiere Pro you need to create files for them to use. You can use DaVinci Resolve to debayer camera RAW images and export ProRes or DNxHD files to editorial. Once a sequence is created, the editor can send an XML or AAF file back to DaVinci Resolve, every time the cut changes. DaVinci Resolve tracks the relationship between the editorial files and the camera original RAW masters and instantly conforms the cut back to the highest resolution files available. That means you can edit and grade at the same time, round trip files with editorial and never lose any grading work!

Creating Files for Visual Effects
You can export EXR or DPX image sequences for visual effects work. VFX shots on large projects are usually being worked on right up to the last minute, as the work in progress sequences come back, you can create a folder for each days VFX that can be automatically linked to the DaVinci Resolve timeline. That means youll always have an up to date conform with the most recent VFX plates in place.

Delivering Master Output Files
When your project is finished you can choose to output the program as it appears on the DaVinci Resolve timeline, or you can output individual graded source clips. That means you can export a high quality graded program or individual clips sequentially by reel name and source timecode. DaVinci Resolve can conform projects using the original RAW footage, that means your final output is a first generation graded copy of the camera original files!

Digital Cinema Package Files
DaVinci Resolve gives you the only way to go from native camera RAW files all the way to the silver screen in a single generation! Creating a Digital Cinema Package requires a license of EasyDCP that when entered into DaVinci Resolve opens an extended set of DCP authoring features to generate a formal DCP for theatrical distribution. Its like going straight from your digital negative to a digital print on the big screen! Only DaVinci Resolve lets you finish your project with first generation quality on everything, regardless of your final delivery format!

Delivering Files for the Web
If you need to create files for the web, you can export a huge range of compressed Quicktime formats including H.264 directly from the delivery page. You can even author multiple files simultaneously from the same timeline at different sizes and resolutions for custom delivery formats. Files exported from DaVinci Resolve can be used as the final delivery master or recompressed by internet streaming software for web delivery.

Flexible Render Queue
Clients often ask for multiple versions of a finished project. From full quality masters to low res preview copies, DaVinci Resolve can handle it all! You can easily create queues for outputting jobs at a variety of sizes and in dozens of different formats. As each job is completed in the render queue the next is automatically started, so you dont have to wait hours to kick off each render individually! Workstations with fast CPUs, multiple GPUs, and high speed storage can output HD material at more than 150fps!

Master to Tape
DaVinci Resolve can be used to control professional broadcast decks, like HDCAM-SR, so you can record your finished video master to tape. Using a Blackmagic DeckLink card or UltraStudio Thunderbolt capture and playback solution, you can connect to professional decks using standard RS-422 remote connections for complete deck control and SDI for audio and video. DaVinci Resolves deck control makes frame accurate play out to tape quick and easy!


Exotic locations, far off places, and even entire worlds are created on the stages and inside the computers of major Hollywood film studios. Bringing it all together and making it look real requires the most powerful tools and the highest quality image processing. DaVinci Resolve was developed in collaboration with the leading post production companies around the world and is the only solution that gives colorists the control they need to create realistic images that make us believe in what we see on the silver screen!

DaVinci Control Surface
When you want the best available, then you need the amazing DaVinci control surface. The control surface and software have been designed by colorists to work together in total harmony. Controls have been placed near your natural hand positions and lift, gamma and gain can all be adjusted at the same time. Each correction control has a separate button or knob, so you can instinctively reach out and touch every part of your image.

High Resolution LCD Displays
5 super bright full color displays show menus and indicators for a massive 32 soft knobs and 30 soft keys. Menus update automatically to show the quickest and most direct keys to every feature so you never waste time searching through long menus.

Illuminated Keys
Custom backlit keys feature RGB color and intensity to suit your mood and taste! No other control surface looks as amazing in a darkened room!

Soft Knobs
Each soft knob allows super fine parameter adjustment and with a simple push, you can set each parameter back to the default.

Lift, Gamma, Gain and Offset
Trackballs provide RGB balance adjustments and gain for lift, gamma and gain, each with a master level control. You also have a RGB offset and master gain to adjust the brightness of the entire image.

Shadows, Tones and Highlights
With a single key you can switch your trackballs to grading shadows, mid tones and highlights using log controls with high and low range, contrast and master pivot.

Individual Camera RAW Controls
You get direct GPU de bayer controls on the panel for exposure, contrast, lift, gain, color temperature, tint, highlight and lowlight recovery, saturation, color boost and mid tone detail. Adjusting camera RAW files has never been easier or faster.

Reference Keys and Fader T-bar
Colorists constantly grab and play stills to compare grades using the gallery. The DaVinci Resolve control panel has dedicated memory keys to quickly save and recall stills. You can use the fader T-bar to wipe between saved stills and your live grading timeline.

Slide out Keyboard
Use the slide out keyboard when you need to enter clip metadata, name files, nodes or put notes on markers. When your finished the keyboard retracts into the control surface.

Transport Controls
The jog/shuttle knob and transport control keys give you full control of your project timeline or deck.


Hollywood post houses have built some of the fastest networks and super computer systems on the planet because theyre working on major motion pictures for the big studios. Theyre dealing with incredibly high resolution images, massive amounts of data and super tight deadlines. They are also working with some of the most demanding clients in the world! When it comes to final color and image enhancement, Hollywood turns to DaVinci Resolve because they can build massive, multi GPU systems, connect them to high speed storage area networks and work in real-time, all while the client is watching!

Unlimited Power
Computer based solutions are always limited to the single computer youre running on. DaVinci Resolve on Linux smashes this limitation, because its based on a cluster of Linux computers with high performance GPU cards, so all processing is always real-time. This means DaVinci Resolve has all the power of a super computer for the real-time performance you need when youre in a room full of clients. Add dozens of primaries, secondaries, power windows, multi point tracking, blurs and more, then just hit play. It always works.

Super Computer Based Grading
When you need the power to do the worlds leading feature films, television commercials and programming, DaVinci Resolve is the solution that allows you to expand without limits. Simply build your own super computer' to allow high speed processing to handle high frame rates and high resolutions beyond 4K. Its easy to buy a multi GPU off the shelf system such as the new Apple MacPro or customize your own multi GPU system. Fast workstations can be based on expander chassis or large workstation class PCs with multiple clustered GPU cards and even multiple computers linked via high speed 56 Gb/s InfiniBand links! Your DaVinci Resolve specialist reseller can recommend the computing platform you need customized specifically for your type of work you need to do.

Storage Area Network Collaboration
The multi GPU processing power of DaVinci Resolve systems means you can process at incredible speed. When working with multiple people collaborating on large jobs, a storage area network SAN' is ideal for allowing everyone to access the same media. Storage area networks allow a high speed direct connection to shared storage and are commonly used by leading Hollywood facilities with the power they need to work in real-time and always have access to the material they need! DaVinci Resolve has all the shared project database and collaborative features to handle large SAN based workflows so you can keep growing into the largest television facility in the world!

Complex Facility Management
DaVinci Resolve systems are perfect when youre a mid range facility that regularly handles multiple jobs at the same time and then can suddenly need to handle very large feature film jobs. The perfect solution is to use a central equipment room with multiple DaVinci Resolve systems installed and then combine facility design into large client based areas, or a theatrette and then multiple smaller spaces where colorists and editors can quietly work without clients. Then when you have a client arrive, simply patch monitoring into the large rooms so you can transfer jobs between spaces instantly. This is a fantastic solution to optimizing the space in a post production facility and allows you to grow large without limits.



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