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Adobe Announced Premiere Pro CS4 v.4.0.1

Posted by Safe Harbor Staff
December 1, 2008

Adobe Systems Incorporated has introduced Adobe Premiere Pro CS4 version 4.0.1 software, a major update to the leading start-to-finish professional video production solution.

A pivotal component of Adobe Creative Suite 4 Production Premium, Adobe Premiere Pro CS4 version 4.0.1 leads the way in delivering open, flexible post-production workflows by providing virtually seamless project exchange with Final Cut Pro, Digidesign Pro Tools, and Avid workflows. Adobe Premiere Pro CS4 version 4.0.1 enables users to import Final Cut Pro projects via XML interchange, export to Open Media Framework (OMF) format, and import and export projects in Advanced Authoring Format (AAF). Adobe Premiere Pro CS4 version 4.0.1 also offers significant performance and stability enhancements, including full support for 64-bit computing platforms to accelerate compute-intensive post-production tasks.

Top new features in Adobe Premiere Pro CS4 version 4.0.1 include:

More flexible, open workflows: Editors who are using Final Cut Pro, Digidesign Pro Tools, and Avid solutions can now more easily tap the high level of integration and unique features offered in Adobe Creative Suite 4 Production Premium. Final Cut Pro users can transfer projects directly to Adobe Premiere Pro CS4 version 4.0.1 without conversions or re-rendering, preserving commonly used effects and transitions. Once files are in Adobe Premiere Pro CS4, features such as Adobe Dynamic Link provide tighter-than-ever integration when moving assets among Adobe After Effects CS4, Adobe Premiere Pro CS4, and Soundbooth CS4, saving invaluable time that would otherwise be spent in intermediate rendering. To help users manage footage, Speech Search in Adobe Premiere Pro CS4 turns spoken dialog into text-based metadata that makes video searchable. Project output can be delivered virtually anywhere, including exporting through Adobe Encore CS4 to Blu-ray, DVD, and the Web. Customers can also streamline audio editing by exporting audio in OMF for interchange with audio workstations, and then importing the final mix back into Adobe Premiere Pro CS4. Adobe Premiere Pro CS4 version 4.0.1 also includes enhanced AAF project interchange for improved integration with high-end workflows and tools.
Native RED R3D support: Both Adobe Premiere Pro CS4 version 4.0.1 and Adobe After Effects CS4 version 9.0.1 provide a true file-based workflow for RED R3D files, without transcoding or rewrapping, via RED’s beta plug-in available at www.red.com/support. Native handling of RED R3D augments Adobe’s existing support of Sony XDCAM EX, Panasonic P2, and AVCHD tapeless formats, providing users with software-only HD workflows from capture to output. In addition to downloading the RED plug-in, customer must update their software to Adobe Premiere Pro CS4 version 4.0.1 and Adobe After Effects CS4 version 9.0.1, accessible for free throughout the Adobe update manager in the Help menu of the applications. Click here to learn more about RED workflows with Adobe video solutions.
Faster performance and responsiveness, with full support for 64-bit computing platforms to accelerate compute-intensive post-production tasks. Adobe Premiere Pro CS4 version 4.0.1 is architected to take advantage of the additional memory available in 64-bit systems. In addition, version 4.0.1 includes numerous performance enhancements in all areas of the workflow.

Adobe and RED Collaborate to Create Next-Generation Raw Workflows

Posted by Safe Harbor Staff
November 17, 2008

RED and Adobe share the goal of developing a native raw workflow that keeps filmmakers close to the lens, so that you’re always working with the sensor data the camera captured. By always working close to the lens, without proxies or other restrictions, editors can adjust the look and feel of their work all the way through the production process, knowing that their changes are completely accurate.

The first step of this long-term partnership is the importer plug-in bringing native support for RED R3D files to Adobe Premiere Pro CS4, Adobe Encore CS4 and Adobe After Effects CS4, allowing 4K resolution native R3D files to be dropped straight onto the timeline without transcoding or rewrapping. It is now in beta and available for download at www.red.com/support.RED is making the beta plug-in available as early as possible to provide customers a more flexible workflow immediately, and in order to obtain feedback from the community on how best to develop this workflow. Over the coming months, you can expect to see new developments that move both companies closer towards our shared vision for advanced raw workflows.

Adobe Creative Suite 4 Production Premium software is an indispensable part of a film and video professional’s toolkit and leads the way in tapeless and raw workflows. The alliance with RED underscores Adobe’s commitment to integrate tapeless camera formats into its line of professional video products, and will enable advanced post-production workflows to be faster and more flexible.

Hollywood-caliber digital cinematography made more affordable: RED cameras have taken the digital filmmaking world by storm, making high-resolution digital cinematography accessible to many more productions. RED cameras capture extremely high resolution raw files, opening up the possibility of a digital production workflow that allows filmmakers to make image processing decisions throughout the post production process because raw files keep the image sensor data directly. Until now, a truly native, nondestructive workflow has not been possible in desktop video tools.
A native, raw workflow today: Importing R3D files directly into Adobe Premiere Pro, Adobe Encore and Adobe After Effects without conversion delivers a faster, color-rich workflow that gives users control of the look when they edit. Filmmakers can dynamically change the resolution; applying color correction to the footage in full resolution for example, and then lowering the resolution on the fly to gain better performance from their hardware as they scrub through edits.
A more powerful, streamlined workflow tomorrow: Because Adobe Premiere Pro works directly with the sensor data, editors can work with footage as close to what the lens saw as possible, opening up much richer, more powerful ways of working non-destructively on the color and look of their work.

Customers who want to get started with the RED and Adobe workflow today can download the free Adobe Premiere Pro CS4 and After Effects CS4 trials for Mac OS X or Windows at www.adobe.com/downloads and the RED importer plug-in at www.red.com/support.

NVIDIA Introduces NVIDIA Quadro CX

Posted by Safe Harbor Staff
October 17, 2008

NVIDIA has introduced its new accelerator for Adobe® Creative Suite® 4 software, the NVIDIA® Quadro® CX. This new GPU provides creative professionals with a faster, better, more reliable way to maximize their creativity. Quadro CX was architected to deliver the best performance for the new GPU-optimized features of Adobe Creative Suite 4.

"Adobe is at the forefront of the Visual Computing Revolution," said Dan Vivoli, executive vice president of marketing at NVDIA. "CS4’s GPU features are sending shockwaves through the creative industry."

"Photoshop users are always looking for maximum performance, and we recognized that tapping into the power of the GPU is one way to give it to them," said Kevin Connor, vice president of product management for Professional Digital Imaging at Adobe. "Thanks to NVIDIA’s efforts to optimize the Quadro CX product for CS4, users can be assured of a dramatically fast and fluid experience on tasks such as panning, zooming, and rotating large images as well as manipulating 3D content."

NVIDIA specifically designed and optimized the Quadro CX to enhance the performance of Adobe Creative Suite 4 product line and meet the unique needs of the Creative Suite 4 professional. Adding NVIDIA Quadro CX to the pipeline gives creative professionals a faster, better, and more reliable experience. With NVIDIA Quadro CX users can encode H.264 videos at lightning-fast speeds with the NVIDIA CUDA™-enabled plug-in for Adobe Premiere® Pro CS4, RapiHD™ from Elemental Technologies; accelerate rendering time for advanced effects; and accurately preview what deliverables will look like with 30-bit color or uncompressed 10-bit/12-bit SDI before final output.

Adobe Creative Suite 4 software now has added optimization to take advantage of GPU technology, including the parallel processing capability in the Quadro CX GPU. These enhancements accelerate a number of visually intensive operations, including:

Adobe® Photoshop® CS4 uses the NVIDIA Quadro CX GPU to bring unprecedented fluidity to image navigation. The GPU enables real-time image rotation, zooming, and panning, and makes changes to the view instantaneous and smooth. Adobe Photoshop CS4 also taps the GPU for on-screen compositing of both 2D and 3D content, ensuring smoothly anti-aliased results regardless of zoom level. Brush resizing and brushstroke preview, 3D movement, high-dynamic-range tone mapping, and color conversion are also accelerated by the GPU.
Adobe After Effects® CS4 now has added optimization features to accelerate a variety of creative effects, making it easier than ever to add graphics and visual effects to video, which allows the artist to quickly move from concept to final product and speeds up the workflow. Effects accelerated include depth of field, bilateral blur effects, turbulent noise such as flowing water or waving flags, and cartoon effects. NVIDIA Quadro CX takes advantages of these workflow enhancements.
Adobe Premiere Pro CS4 can take advantage of Quadro CX to accelerate high-quality video effects such as motion, opacity, color, and image distortion. Quadro CX also enables faster editing of multiple high-definition video streams and graphic overlays and provides a variety of video output choices for high-quality preview, including DisplayPort, component TV, or uncompressed 10-bit or 12-bit SDI.

NVIDIA Quadro CX is available starting today, from leading resellers, e-tailers, and retailers, for $1,999 USD. For more information on NVIDIA Quadro and the new Quadro CX, please visit: www.nvidia.com/quadrocx.

Adobe Introduces Creative Suite 4 Product Family

Posted by Safe Harbor Staff
September 23, 2008

Adobe Systems Incorporated (Nasdaq:ADBE) today announced the Adobe® Creative Suite® 4 product family, a milestone release of the industry-leading design and development software for virtually every creative workflow. Delivering radical workflow breakthroughs that bring down the walls between designers and developers — and packed with hundreds of feature innovations—the new Creative Suite 4 product line advances the creative process across print, Web, mobile, interactive, film and video production. With new levels of integration and expressiveness for Flash technology across the entire product line, Adobe’s biggest software release to date includes Adobe Creative Suite 4 Design editions, Creative Suite 4 Web editions, Creative Suite 4 Production Premium, Creative Suite 4 Master Collection, as well as 13 point products, 14 integrated technologies and seven services.

Adobe Creative Suite Master Collection CS4 combines virtually all of Adobe's new design and development applications, technologies and services in a single box — the most comprehensive creative environment ever delivered.

"Designers and developers are shaping the way that people consume information, share ideas, sell products, tell stories and create memorable experiences — in print, online and via mobile handsets," said Shantanu Narayen, president and chief executive officer at Adobe. "Whether you’re creating a rich Internet application, a video or a best-selling magazine, Adobe Creative Suite 4 delivers powerful cross-media technologies that have the ability to elevate products, brands and ideas above the clutter."

Adobe Creative Suite 4 offers unprecedented choice among editions and stand-alone products, with comprehensive support for the most cutting-edge workflows for virtually any design discipline. Customers can choose from six suites or full version upgrades of 13 stand-alone applications, including Photoshop® CS4, Photoshop CS4 Extended, InDesign® CS4 (see separate releases), Illustrator® CS4, Flash® CS4 Professional, Dreamweaver® CS4, After Effects® CS4, and Adobe Premiere® Pro CS4.

A simplified workflow in Adobe Creative Suite 4 enables users to design across media more efficiently by making it easier to complete common tasks and switch between mediums without leaving a project. InDesign CS4 includes a new Live Preflight tool that allows designers to catch production errors and a newly customizable Links panel to place files more efficiently. The revolutionary new Content-Aware Scaling tool in Photoshop CS4 and Photoshop CS4 Extended automatically recomposes an image as it is resized, preserving vital areas as it adapts to new dimensions. An expanded version of Dynamic Link in CS4 Production Premium enables users to move content between After Effects CS4, Adobe Premiere Pro CS4, Soundbooth® CS4, and Encore® CS4, so updates can be seen instantly without rendering.

Designers using the Adobe Creative Suite 4 product family will be able to gain unprecedented creative control using the new expressive features and visual performance improvements in Adobe Flash Player 10 to deliver breakthrough Web experiences across multiple browsers and operating systems.

Adobe Creative Suite 4 brings 3D center-stage providing the ability to paint, composite, and animate 3D models using familiar tools. Flash CS4 Professional now offers the ability to apply tweens to objects instead of keyframes, providing greater control over animation attributes. Also in Flash, the new Bones tool helps create more realistic animations between linked objects. With a searchable library of more than 450 dynamically updated device profiles from leading manufacturers, Adobe Device Central CS4 (see separate release) enables users to easily test mobile content designed using many of the Creative Suite 4 products.

Adobe Creative Suite 4 significantly expands access to services* available to creative professionals and developers who want to collaborate online. Adobe ConnectNow, a service of Acrobat.com, can be accessed from InDesign CS4, Illustrator CS4, Photoshop CS4 and Photoshop Extended CS4, Flash CS4 Professional, Dreamweaver CS4, Fireworks® CS4, and Acrobat® 9 Pro, allowing real-time collaboration with two colleagues or clients. Designers can also share color harmonies with Adobe Kuler™, which is now accessible from within InDesign CS4, Illustrator CS4, Photoshop CS4 and Photoshop Extended CS4, Flash CS4 and Fireworks CS4. Other online resources include: Adobe Community Help for technical questions; Resource Central for accessing video and audio product-related news and tutorials, as well as Soundbooth scores, sound effects, and other stock media; and Adobe Bridge Home, a customizable resource for tips, tutorials, news and inspirational content.

Adobe Creative Suite 4 and its associated point products are scheduled to ship in October 2008 with availability through Adobe Authorized Resellers and the Adobe Store at www.adobe.com/go/gn_store . Estimated street price for the Adobe Creative Suite 4 Design Premium will be US$1799, US$1699 for Adobe Creative Suite 4 Web Premium, US$1699 for Adobe Creative Suite 4 Production Premium, and US$2499 for Adobe Creative Suite 4 Master Collection. Adobe plans to offer tiered upgrade pricing from previous versions. For a limited time, validly licensed customers of eligible versions of Adobe Creative Suite, Adobe Production Studio and Macromedia Studio will be able to upgrade to Creative Suite 4 for the CS3 upgrade price. For more detailed information about features, upgrade policies, pricing, and international versions please visit: www.adobe.com/creativesuite.

Adobe Flash Player 10 is currently available in beta as a free download from Adobe Labs at www.adobe.com/go/astro with general availability expected by the end of the year. Adoption of the previous update to Adobe Flash Player 9 set all-time records by achieving over 80 percent reach on Internet enabled desktops in less than six months and Flash Player 10 is expected to achieve a similar adoption rate.

Adobe revolutionizes how the world engages with ideas and information - anytime, anywhere and through any medium. For more information, visit www.adobe.com.

Adobe Releases Creative Suite 4 Production Premium

Posted by Safe Harbor Staff
September 23, 2008

Adobe Systems Incorporated (Nasdaq:ADBE) today announced Adobe® Creative Suite® 4 Production Premium, a complete solution for creative professionals who craft world-class video, audio, and interactive media — for delivery on-air, online, and on device. Adobe Creative Suite 4 Production Premium offers unprecedented levels of integration across major new releases of its video, audio, design, and Web tools, including Adobe After Effects® CS4 Professional, Adobe Premiere® Pro CS4, Adobe Encore® CS4, Adobe Photoshop® CS4 Extended (see separate release), Adobe Illustrator® CS4, Adobe Flash® CS4 Professional, Adobe® Soundbooth® CS4 and Adobe OnLocation™ CS4 — now redesigned to natively support Intel-based Macs.

"With new tools for creating searchable video content in Adobe Creative Suite 4 Production Premium, we’re opening up incredible opportunities for media professionals of all kinds," said John Loiacono, senior vice president of Creative Solutions at Adobe. "Imagine being able to create world-class content, distribute it online, and precisely target rich-media advertising based on the embedded metadata. These capabilities forge a new interactive media paradigm for distributing, differentiating, and monetizing content in ways that were not possible until now."

Adobe Creative Suite 4 Production Premium offers unique features for professional production. Powerful new Speech Search in Adobe Premiere Pro CS4 and Adobe Soundbooth CS4 uses spoken dialogue to make video searchable, significantly reducing the time spent searching for clips and creating rough cuts, and makes content searchable when delivered online. With deep XMP metadata support, the production workflow is simplified, resulting in online content that gives viewers new ways to interact with and search for video, while giving content owners new opportunities to track and monetize content. In addition, After Effects CS4 has enhanced support for Adobe Flash CS4 workflows providing new, powerful paths for creating compelling interactive content.

With Adobe Creative Suite 4 Production Premium, Adobe strengthens its support for film and broadcast production, as well as extending its industry leadership in supporting efficient, tapeless, cross-platform workflows. Editors can work natively with RED, P2, XDCAM, and AVCHD without transcoding or rewrapping, giving them one of the fastest possible workflows to see what the camera captured without loss of fidelity. Adobe OnLocation CS4 enables the capture of DV, HDV and DVCPROHD footage directly to disk and offers powerful on-set clip annotation and metadata editing, then couples with Adobe Premiere Pro CS4 for a streamlined editorial workflow. For final output, Adobe Creative Suite 4 has powerful workflows for large and small screens, efficiently exporting to film, DVD, Web DVD, Blu-ray disc, the web and mobile devices.

"At Disney Online we marry our world-class content with cutting-edge technology to create top-quality, high-impact guest experiences," said Eric Freeman, vice president of Technology, Disney Online. "We rely heavily on Adobe solutions to support the creation and distribution of our content and the new features of Adobe Creative Suite 4 Production Premium will further enhance our ability to deliver innovative offerings to our guests."

The Adobe Creative Suite 4 product line, which includes Adobe Creative Suite Design editions, Adobe Creative Suite Web editions, Adobe Creative Suite Production Premium and Adobe Creative Suite 4 Master Collection (see separate releases), offers access to online services* to creative professionals and developers who work and collaborate online. Adobe ConnectNow, a service of Acrobat.com, can be accessed from InDesign® CS4, Illustrator CS4, Photoshop CS4 Extended, Flash CS4 Professional, Dreamweaver® CS4, Fireworks® CS4, and Acrobat® 9 Pro, allowing real-time collaboration with two colleagues or clients. Designers can also share color harmonies with Adobe Kuler™, which is now accessible from within InDesign CS4, Illustrator CS4, Photoshop CS4, Flash CS4 and Fireworks CS4. Other online resources include: Adobe Community Help for technical questions; Resource Central for accessing video and audio product-related news and tutorials, as well as Soundbooth scores, sound effects, and other stock media; and Adobe Bridge Home, a customizable resource for tips, tutorials, news and inspirational content. With a searchable library of more than 450 dynamically updated device profiles from leading manufacturers, Adobe Device Central CS4 (see separate release) enables users to easily test mobile content designed using many of the Creative Suite 4 products.

Adobe Creative Suite 4 Production Premium for Mac OS X on Intel® based systems and for Microsoft® Windows® XP and Windows Vista® platforms is scheduled to ship in October 2008 with availability through Adobe Authorized Resellers and the Adobe Store at www.adobe.com/go/gn_store . Estimated street price for the Adobe Creative Suite 4 Production Premium edition is US$1699. Prices for upgrading to Creative Suite 4 Production Premium from CS3 will be US$599 and from previous versions will be US$799. For a limited time, licensed customers of any version of Adobe Production Studio are eligible for the US$599 upgrade price. For more detailed information about features, upgrade policies, pricing, and international versions please visit: www.adobe.com/creativesuite .

Safe Harbor Announces New Tutorial for Matrox RT.X2 Users

Posted by Safe Harbor Staff
August 4, 2008

Safe Harbor Computers, a leading supplier to professional videographers, today announced the release of "HDV & Blu-ray for the RT.X2," hosted by Jeff Pulera.

This DVD, aimed at all levels of RT.X2 users, provides over 90 minutes of unique instruction on the steps, tips, and tricks necessary to maximize an HDV-to-Blu-ray workflow in the RT.X2.

Highlights include:

The technical details of HDV and Blu-ray
Supported HD formats and ingest procedures
The proper workflow for using HD with your RT.X2
Monitoring options including downconversion
Mixed-format editing and aspect ratio conversions
Encoding options and settings for Blu-ray
Blu-ray menu creation using Encore and Photoshop

About the Instructor
Jeff Pulera is a professional videographer with 15 years experience. He also works for Safe Harbor Computers, sharing his knowledge and real-life editing experiences with their customers. His company, Digital Vision Productions, specializes in corporate, event and wedding videography. The author of many tech reviews and articles, Jeff is widely known throughout the industry as the "Matrox guru."

Pricing and Availability
"HDV and Blu-ray for the RT.X2" is available exclusively from Safe Harbor Computers. Suggested retail is $49.99 For more information or to order, please visit www.sharbor.com.

Panasonic Announces Solid-State AG-HMC150 AVCHD 1080 Camcorder

Posted by Safe Harbor Staff
April 18, 2008

At NAB 2008, Panasonic added a powerful, new camcorder to its AVCCAM professional line – the handheld AG-HMC150. Building on the phenomenal success of the highly popular DV tape based, standard definition AG-DVX100 camcorder, the affordable HMC150 blends professional 1080 and 720 HD production capabilities and enhanced quality recording (at average 21 Mbps/ Max 24Mbps) with the simplicity and familiarity of SD card, digital still camera workflow.

With an exciting range of professional-level features and a sleek, compact design, the HMC150 can record hours of high-quality 1080 and 720 HD images onto solid-state SD and SDHC memory cards, at lower bit rates than current HDV compression formats. This new model offers an enhanced quality mode at average 21 Mbps (Max 24Mbps) that moves quality up even further. The AG-HMC150 camcorder utilizes AVCHD, the industry’s newest long GOP compression standard based on MPEG-4 AVC/H.264 high profile encoding (the same as Blu-ray HD players). AVCHD provides a near doubling of bandwidth efficiency and improved video performance over the older MPEG-2 compression used in HDV formats and standard definition DVD players. AVCHD high definition recordings look clean and clear, even during fast motion, reducing the image degradation or dropout associated with HDV.

Highest-Quality, Full HD Recording
Designed to be used in a variety of budget conscious production applications, the HMC150 records stunning high definition in four recording modes – PH mode (average 21 Mbps/Max 24Mbps), HA mode (approx.17 Mbps), HG mode (approx.13 Mbps) and HE mode (approx. 6 Mbps). It captures full horizontal resolution 1920x1080 images at its PH, HA and HG recording modes. The camera can also be set to capture 1280x720 images at PH mode. At its 6 Mbps record mode, it captures 1440x1080 HD images for extended HD recording at its lowest bit rate. The HMC150 supports a range of HD formats, including 1080/24p, 1080/60i and 720/60p.

This mainstream, production-level camera features native 16:9 progressive 1/3" 3-CCD imagers, enhanced by a high-performing digital signal processor with 14-bit A/D conversion and 19-bit processing. Its 13X Leica Dicomar zoom lens offers a 28mm (35mm equivalent) wide-angle setting (the widest in its class), a 72mm diameter, and a cam-driven manual zoom. The HMC150 provides auto or manual operation of focus and iris, and automatic optical image stabilization (O.I.S.) to ensure stable, smooth and precise shooting. It also features a range of selectable gamma functions including Cine-like gamma, making it well suited for cinema-like video production.

Extra-Long Record Times
With the HMC150, videographers can capitalize on the cost advantages, reliability, and widespread availability of SD and SDHC memory cards. Using just one 32GB SDHC card, users can record three hours of full pixel 1920x1080 video and audio at PH mode, four hours at HA mode and 5.3 hours at HG mode. In the HE mode, the camera can record up to 12 hours of 1440x1080 HD content – all on a single 32GB SDHC card. Panasonic also offers a variety of other SD and SDHC card sizes with Class 6 performance including 16GB, 8GB, 4GB, 2GB and 1GB.

Easy HD Playback on a Growing Number of Affordable Consumer Players
Content shot on the HMC150 can be played back directly on a wide range of widescreen flat panel displays, and front and rear-screen projectors, directly from the camera. Unlike HDV tapes, SD cards with HD content can be inserted into and played back on a growing number of affordable playback devices including Blu-ray players (like Panasonic’s DMP-BD30), the Sony PlayStation 3, and some new Panasonic plasma displays as well as computers with an SD card slot using applications that play AVCHD files. Using NLE software, content can also be edited and rendered in various formats and delivered on a wide range of media. Currently, AVCHD is supported by over 30 companies and implemented in numerous camcorders, NLE systems and consumer HD playback devices.

Professionals can instantly transfer content from the HMC150 camcorder to Mac or PC computers with an SD/SDHC card reader or by connecting the camcorder directly via its USB 2.0 interface. Other standard interfaces on the camera include HDMI out, component out (mini D terminal), composite out, remote jacks for zoom, focus iris and start/stop functions. The camera’s 3.5-inch LCD monitor displays content in thumbnail images for quick viewing.

The HMC150’s professional audio connections include XLR two-channel audio input (48V phantom power) with mic/line select, manual two-channel audio level VR and RCA audio out jacks. The camera offers waveform monitor display and an array of recording functions including time/date stamp, pre-record, shot marker, Index, time code/user bits and metadata.

Panasonic’s AVCCAM camcorder line-up brings the benefits of solid-state recording to budget-conscious professionals. Like digital still photography, recording onto SD/SDHC cards offer a fast and simple, file-based workflow with ultra-reliable performance and resistance to shock, vibration and extreme temperatures and weather. SD and SDHC memory cards are inexpensive and widely available and can be reused repeatedly. Since AVCHD records video as digital data files, content can be transferred and stored on affordable, high-capacity hard disk drives (HDD) and optical storage media and transferred to future storage media as technology advances.

The HMC150 will be available this fall at a suggested list price under $4,500.

DV MAGAZINE ANNOUNCES 2008 NAB BEST OF SHOW WINNERS

Posted by Safe Harbor Staff
April 17, 2008

Digital Video (DV) magazine, published by NewBay Media, announced its Best of Show awards today at the 2008 National Association of Broadcasters Convention.

NewBay Media's Broadcast & Video Group of products, which also includes Videography magazine, DV Expo and the Creative Planet Community of websites, is uniquely poised to recognize the full spectrum video technology. A select panel of engineers, production and post professionals and editors joined the magazine staffs to judge the Best of Show awards for each publication.

The Best of Show Awards recognize outstanding achievement in the advancement of the art and science of video technology. These awards include the Videography Vidy Awards, the longest-running NAB awards program; and the DV Black Diamond Awards, which launched in 2007.

"To receive an award, a technology is evaluated by our panel of editors and industry experts," says NewBay Media Broadcast & Video Group Vice President of Sales Eric Trabb. "The winning technologies reflect innovation and engineering excellence."

The award winners are as follows:

Audio-Technica AT2020 USB Microphone
Blackmagic Design Video Recorders
Cartoni Status Pro Head
DSC Labs Advanced Guide to Digital, Film and Television Production
EDIROL F1 Digital Field Recorder
Indie-Dolly Systems Universal Dolly
Innovision DV Probe
JVC MR-HD200
Litepanels Micro
Matrox MX02
Media Services Movie Stick
MOTU V3HD
Panasonic AG-HMC150 AVCHD
Prompter People Mic Light
Rosco LitePad HO
Sachtler SOOM
Sonnet Technologies Fusion F2 RAID
Sony PMW-EX3
T-Jib T-Slide
VariZoom Zero Gravity

WEVA Partners With Universal Studios Florida For WEVA EXPO 2008 Tour

Posted by Safe Harbor Staff
April 17, 2008

WEVA International has partnered with Universal Studios Florida Production Group to plan an exclusive, behind-the-scenes tour of the Universal Studios Production Facilities for professional videographers in conjunction with the WEVA 18th Annual Wedding & Event Video Expo, August 11-14, 2008. WEVA EXPO 2008, the wedding and event video industry's largest convention and trade show will be held at Orlando Grande Lakes Resort, just 10 minutes from Universal Studios Florida.

The largest working motion picture and television studio outside of Hollywood, Universal Studios Florida boasts 9 state-of-the-art soundstages, multiple broadcast studios, and more than 100 backlot sets. Numerous feature films (including The Waterboy, Matinee, and Parenthood) have been shot on the studio backlot.

Home to cable network’s Nickelodeon, Universal Studios Florida has hosted TV programs as diverse as The Ellen Degeneres Show; The Food Network's Emeril, Live!; The Steve Harvey Show; America's Most Wanted; Fear Factor; BattleBotsIQ and TNA (Total Nonstop Action). TNA, today's popular contemporary wrestling show, is taped in Stage 21 - (adjacent to the park).

This summer, WEVA EXPO 2008 attendees will have a rare opportunity to take an optional pre-convention, behind-the-scenes tour of Universal Studios that is being planned for Monday August 11, 2008 (starting early afternoon, ending before the official WEVA EXPO 2008 Opening Night Gala at 5:45pm).

"As announced at our NAB event this week, WEVA is already at work with the Universal Studios Production Group (USPG) designing a backlot tour that is ‘professional to professional’ rather than the standard ‘visitor’ version normally presented to park guests," relates Dan Argenas, WEVA’s Director of Association Communications. "Our goal is to offer WEVA EXPO 2008 attendees an inside view of state-of-the-art television and film production that’s up close and personal."

The WEVA and USPG teams are finalizing details of the tour, including ground transportation (private busses will depart from the JW Marriott). Watch WEVA.com for more news on the Universal Studios Tour and continuous updates on all WEVA EXPO 2008 Wedding and Event Video Sessions, EXPO 2008 Trade Show, and EXPO 2008 Special Events.

Sony Unveils PMW-EX3 Camcorder and XDCAM EX Technology at NAB 2008

Posted by Safe Harbor Staff
April 16, 2008

The expanding family of Sony’s XDCAM EX™ video production technology now includes new models that increase the benefits of a solid-state workflow. These include the PMW-EX3 camcorder, the PMW-EX30 deck, and the PHU-60K professional hard-disk unit.

Sony is also unveiling a prototype 32 GB version of the SxS PRO™ solid-state memory card.

"These new products significantly upgrade solid-state production, while continuing the series’ heritage of ExpressCard technology – the new standard of PC card interface," said Bob Ott, vice president of professional and optical products for Sony Electronics. "Now, users have access to an enhanced workflow and greater functionality, plus all the benefits of the original XDCAM EX camcorder, including superb full HD 1920 by 1080 image quality without spatial offsetting."

The PMW-EX3 camcorder features similar functionality to the PMW-EX1, but it allows user to make lens choices depending on the nature of their project, through its interchangeable lens system.

The PMW-EX3 camcorder features gen-lock and timecode in/out for multi-camera operation. For use in a studio configuration, model RM-B150/B750 remote controllers will adjust basic camera parameters such as gain, iris, white balance, pedestal, and gamma through the 8-pin remote connector on the PMW-EX3 camcorder.

The PMW-EX30 model is Sony’s first solid-state memory recorder/player. The 1080i/720P switchable unit has an HDMI digital connection for use with an external monitor. It has HD-SDI in/out, making it ideal for recording live HD content, as well as dubbing to other formats. The deck can also be used as an SxS PRO card reader/writer, and for feeding content to existing HD and/or SD non-linear editing systems.

Specifically designed for use with XDCAM EX camcorders, the PHU-60K hard-disk unit is a 1.8-inch, 60 GB external storage unit with an USB 2.0 interface. Users can achieve approximate recording times of 200 minutes in 35 Mbps HQ (high-quality) mode and 260 minutes in 25 Mbps SP (standard play) mode.

When attached to a camcorder, the hard-disk unit functions just like an SxS PRO card, with thumbnail views available on the LCD panel of the PMW-EX1 or PMW-EX3 camcorders or PMW-EX30 deck.

Sony’s unique CyberCapture™ technology allows clips to be recorded at a stable transfer speed, leading to fewer frame drops under challenging conditions such as extreme temperatures or vibrations and shock.

A new "dumping" system is used to protect the HDD from a 1.5m drop, and buffer memory is used to allow recording immediately after powering on. Also, a salvage function enables restoration of content damaged by battery/cable disconnection or accidental powering down during recording.

A 3-D G sensor and the buffer memory allow for stable recording. When the G sensor detects that the unit is being dropped, the head of the HDD is immediately parked to protect the HDD. The content is temporarily stored in the buffer memory and then restored in the HDD when it is operating again. Approximately 12 hours of continuous operation are possible on a small size BP-U30 battery.

32GB SxS PRO Memory Card
Sony plans to introduce a 32GB SxS PRO memory card later this year. One 32GB SxS PRO memory card will record 100 minutes of full HD 1920 by 1080 video at 35 Mbps, and 140 minutes of 1440 by1080 video at 25 Mbps. Pricing will be announced at a later date.

Clip Browser Version 2.0
The Clip Browser software that ships with each XDCAM EX camcorder at no additional charge is expected to be upgraded to version 2.0 this summer. Enhancements will include the capability to use XDCAM EX content within a DV editing workflow.

Optional plug-in software separately under development for Clip Browser 2.0 will export XDCAM EX files on SxS memory cards to Professional Media discs, allowing XDCAM HD optical disc products to seamlessly interoperate with content shot by the XDCAM EX camcorder.

Other optional plug-in software under development for Clip Browser 2.0 will enable XDCAM EX files to be viewed on a range of portable consumer devices or to be uploaded to video sharing web sites.

Non-linear editors can deliver higher-quality footage and accelerate the post production process by editing XDCAM EX files natively. Major NLE vendors have solutions that support a true file-based workflow with XDCAM EX files without the need for transcoding. Adobe is announcing native support for XDCAM EX through its Adobe Premiere® Pro CS3 video editing and production software. Also, this summer, Avid’s non-linear editing systems are expected to fully support 35Mbps HQ (high quality) mode at 1920x1080/60i and 1280x720/60p.

The new XDCAM EX products are expected to be available in the third quarter of 2008.

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Safe Harbor's video and post production news blog offers you the latest announcements and updates from the industry.