Boris Red is the only integrated 3D compositing, titling, and effects application to deliver unparalleled performance at an affordable price to over twenty nonlinear editing applications. Designed specifically for editors, Red offers an unprecedented range of features and adds a standalone engine for rendering. Red integrates advanced 2D and 3D compositing, sophisticated titling, paint, rotoscoping, a full suite of tools to create and extrude vector objects, robust 3D creation and animation, and the industry-leading software DVE technology in a single application. Expand the capabilities of your editing system with just one application. Save time and money using one interface, in one system. Red 4 Key Features
- 164 video filters
- 16 bit color depth
- Raster Paint Engine
- Subtitle import feature
- OpenGL accelerated effects creation and playback
- Advanced 2D and 3D compositing with unlimited layers
- High quality keying, masking, mattes and Apply Modes
- Motion tracking, corner pinning and image stabilization
- Intersect any 3D shape including planes, spheres or extruded text
- Vector paint and rotoscoping with precise controls
- Over 110 filters including Wire Remover, Film Grain and Match
- Superior 2D and 3D titling
- Vector text for razor-sharp display at any scale
New Features
With the release of Red 4, Boris has added a list of new features to the already powerful integrated 3D compositing, titling, and effects application. Image Processing - 16 Bit Color Depth: 16 bit deep-color provides users with the ability to generate smoother gradients and more precise color correction via an expanded color palette, which expands the available color gamut from 16 million (8 bit color) to trillions of colors.) the result Is that gradients are far less prone to mach banding or color stepping.
- New User Interface: The user interface of RED 4 has been significantly improved in terms of looks and ease of use. For instance:
- the toolbar is now context sensitive
- the button array features bigger buttons that are user configurable
- buttons highlight as the cursor is rolled over them in the button array, the toolbar and at the bottom of the controls and composite windows
- the render queue has been redesigned to deliver more feedback to the user
- all windows feature tabs that automatically layer so that they remain visible regardless of the window size
- sticky windows ... windows to move together so that as you resize one window others windows resize automatically to accommodate the new size
- magnetic windows ... windows now pull toward each other when they are placed within a 10 pixel radius
- project window thumbnail previews can be temporarily disabled to speed the import of highly complex large compositions
- new Composite Window with integrated keyframe track
- tab based multi comp timeline window
- sticky windows option for easy layouts
- project settings and modeless options palette: The new addition of an Options Palette makes working with particular functions, such as grids and guides, or vector splines an easier task. For instance, to change the particulars of the grids and guide feature in previous versions of the product, the user was forced to go to the preferences window, make the change and then exit the preferences. The new Options Palette can be left open at all times and changes made in the Options Palette are instantaneous. The options palette is available for the following functions:
- Vector Trace
- Splines
- Grids and Guides
- Keyframe Interpolation
- Keyframe Generator
- Timecode
- improved project window with a media tab
- configurable shortcut buttons in timeline
- Paint Engine
- clone brush
- tablet support: The addition of support for pressure sensitive Wacom tablets, users can now work with these pressure sensitive Wacom tablet devices and use the Wacom data to drive raster paint strokes a variety of different ways. The data gathered from the tablet includes the following: pressure, velocity, direction, tilt, bearing, jitter, white noise, length and reverse length. Any one of these can be used to drive the color, opacity, and size of the brush along the leangth of the stroke.
- image based brushes, multiple layers supported
- spray, roller brush styles
- conversion to spline strokes
- Subtitles
- import EBU format: The subtitle import feature enables users to import EBU subtitle files and modify the imported text slates to suit their requirements right within the RED timeline. As added bonus to FCP users, the modified subtitle file can then be exported as FCP XML data.
- export flat movie with alpha
- import back to NLE for real-time playback
- export XML file for FCP integration
- Vector Spline tools
- vector trace tool: The Vector Trace tool enables the conversion from a raster bitmap Image such as a tiff, jpeg or a frame from a movie file to a scalable vector graphic with the ability to extrude any of the resulting vector shapes. Images are converted Into vector by simply selecting the Vector Trace tool and then dragging the tool over the Image which Is to be converted. Options for this function include the ability to select the color or alpha channel with which to base the conversion.
- motion path filter: With the motion path filter users can automatically place and animate 2D and 3D objects or shapes along a user defined bezier motion path.
- Optical Flow tools
- motion key
- optical stabilizer
- New filters
- new BCC filters: Boris RED 4 Includes some brand new filters from the Boris Continuum Complete 4 release. These powerful new filters are a significant addition to the product and ease the work of such common tasks as foreground object removal or Image stabilization.
- BCC Color Match filter ensures accurate color and luma match from clip to clip and can also be used as a stylistic effect.
- BCC Halftone filter simulates offset printing, where images are printed via an array of varying dots which carry ink onto paper.
- BCC Median filter can be used to simulate paint styles used in the Fauvism art movement.
- BCC Corner Pin filter with built-in 4 point tracking and compositing features makes It possible to pin one Image onto another.
- BCC Turbulence is used to distort an image based on a built-in noise map function.
- BCC Noise Map 2 generates more interesting noise than the original noise map.
- BCC Color Choker is used to blur and overdrive color channels.
- new FEC filters: FEC filters have been updated to better match RED4 environment.
- FEC Mr. Mercury
- FEC Kaleida
- FEC Radial Scale Wipe
- Additional new filters include:
- FEC Blobbylize
- FEC Drizzle
- FEC Glass
- FEC Glass Wipe
- FEC MinMax
- FEC Threshold
- FEC Threshold RGB
- New host support
- AVX 2 for Avid: Support for the Avid AVX 2.0 API enables the application to take advantage of some of the new features in the AVX2 API, which means for RED 4 users 16 bit deep color support while plugged Into that host environment resulting In cleaner color and gradients.
- Edius 4
- Vegas 7
- 844X
- FXPlug for FCP on Intel Mac (available as free update later 2006)
- Productivity
- Consolidate project feature: This feature automatically creates a folder and moves all media related to the current project into that folder along with the project settings file.
- improved render queue: Users can now render selected items from the render queue instead of having to render all items in order as in previous versions of the product.
- new browser presets: RED 4 includes many new composition presets, which were designed specifically for RED 4 by compositing and effects guru Steve Oakley.
- additional filter presets
- Browser only option for easy presets: Literally hundreds of additional presets have been added to the BCC filters, which are included in the RED 4 application making It easier than ever before to add new looks to your projects.
Red 4 System Requirements Read a review: http://creativemac.digitalmedianet.com/articles/viewarticle.jsp?id=154989-0 Continuum Complete 5 AE for After Effects Premiere Pro and Combustion
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Continuum Complete provides the widest range of compositing, image processing, keying, color, distortion, and temporal effects features ever offered to editors and compositors. Includes Boris Title Toolkit FREE through March 1! Continuum Complete is an expansive plug-in filter set that lets you create effects from the practical to the inspired directly in your native host interface for unprecedented workflow. Over 180 filters include advanced keying, matting, compositing, image processing, distortion, temporal effects and motion tracking. These filters provide the creative freedom to animate your graphical elements or video at any speed, acceleration, or position you want. Video Effects Plug-in for Adobe Premiere Pro
Continuum Complete is a set of more than 150 fully native filters and transitions that are applied and animated in the native Premiere Pro interface. A large range of effects deliver everything from basic everyday utility and convenience to extraordinarily eye-catching special effects for Adobe Systems. Working directly in your native Premiere Pro interface, you can access filters and features that let you create unforgettable effects at an affordable price. Key Features for Premiere Pro Users
- Workflow Features for the Adobe Editing Environment
- More than 1500 presets
- Precise Keying and advanced Matte filters
- Motion Tracking is integrated into all appropriate effects
- Integrated PixelChooser masking tool
- Each filter includes integrated online help
- Common post production tasks are simplified with wire removal, light wrap, as well as dust and scratches
- True Layer Compositing and Time Based Effects
- Advanced high quality Keying
- Stack Multiple Filters on Keyed Elements or Titles
- Sophisticated layer blending
- Optical Flow creates keyframable motion effects and super smooth slow motion
- A Wide Range of Powerful Filtering, Distorting, and Generating Capabilities
- A wide variety of effects such as Blurs, Glows, Light Rays,
- Wave Distortions, Particle Wipes, and 3D Shapes
- Film effects for making video appear more like film
- Auto-animating Wipe Transitions
Video Effects Plug-in for Adobe After Effects
Continuum Complete is a set of more than 150 fully native filters and transitions that are applied and animated in the native After Effects interface. A large range of effects deliver everything from basic everyday utility and convenience to extraordinarily eye-catching special effects for Adobe Systems. Working directly in your native After Effects interface, you can access filters and features that let you create unforgettable effects at an affordable price. Key Features for After Effects Users
- Workflow Features for the Adobe Compositing Environment
- More than 1500 presets
- Precise Keying and advanced Matte filters
- Motion Tracking is integrated into all appropriate effects
- Integrated PixelChooser masking tool
- Each filter includes integrated online help
- Common post production tasks are simplified with wire removal, light wrap, as well as dust and scratches
- True Layer Compositing and Time Based Effects
- Advanced high quality Keying
- Stack Multiple Filters on Keyed Elements or Titles
- Sophisticated layer blending
- Optical Flow creates keyframable motion effects and super smooth slow motion
- A Wide Range of Powerful Filtering, Distorting, and Generating Capabilities
- A wide variety of effects such as Blurs, Glows, Light Rays,
- Wave Distortions, Particle Wipes, and 3D Shapes
- Film effects for making video appear more like film
- Auto-animating Wipe Transitions
Video Effects Plug-in for Autodesk Combustion
Continuum Complete is a set of more than 160 fully native filters and transitions that are applied and animated in the native Combustion interface. A large range of effects deliver everything from basic everyday utility and convenience to extraordinarily eye-catching special effects for Autodesk Systems. Working directly in your native Combustion interface, you can access filters and features that let you create unforgettable effects at an affordable price. Key Features for Autodesk Combustion Users
- Workflow Features for the Combustion Editing Environment
- More than 1500 presets
- Precise Keying and advanced Matte filters
- Motion Tracking is integrated into all appropriate effects
- Integrated PixelChooser masking tool
- Each filter includes integrated online help
- Common post production tasks are simplified with wire removal, light wrap, as well as dust and scratches
- True Layer Compositing and Time Based Effects
- Advanced high quality Keying
- Stack Multiple Filters on Keyed Elements or Titles
- Sophisticated layer blending
- Optical Flow creates keyframable motion effects and super smooth slow motion
- A Wide Range of Powerful Filtering, Distorting, and Generating Capabilities
- A wide variety of effects such as Blurs, Glows, Light Rays,
- Wave Distortions, Particle Wipes, and 3D Shapes
- Film effects for making video appear more like film
- Auto-animating Wipe Transitions
Requires
- After Effects 7 or 8
- Premiere Pro 1.5, 2 or CS3
- Autodesk Combustion 2+
Continuum Complete 5 AVX for Avid Xpress Pro
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Version 5 of BCC AVX continues in it's history of easing effects creation for the Avid editor. Now with over 180 native Avid filter effects, BCC 5 AVX adds new features such as HUD (heads-up display) user interface controls, and brand new filters that feature enhanced motion tracking, smooth pan and zoom with rotation control and advanced image enhancement algorithms. Version 5 also adds a new OpenGl category of Avid filters with a range of new special effects such as LED, Damaged TV and Prism to name a few. Key Features
- Working in the native Avid interface reduces your learning curve to virutally zero.
- Advanced image processing algorithms which enhance image quality while transform scaling a clip.
- New Pan and Zoom filter with extensive on-screen UI and rotation control.
- Avid AVX 2 architecture support including extensive use of HUD (heads-up display) user interface controls and Avid's advanced keyframing mode.
- EZ parameter display mode and ability to display only modified or animated filter parameters.
- The unique PixelChooser provides integrated channel or region-based masks. A custom option lets users draw an animatable vector-based bezier spline masks using onscreen controls.
- Motion Tracking is integrated into all appropriate filters. Beginning with version 4.0, the Motion Tracker lets you pre-process your image to increase accuracy.
- New Open GL category includes hardware accelerated filters such as Glint, Lens Flare, LED, Prism, Damaged TV.
- Volumetric lighting filters including Rays Cartooner, Rays Texture, Rays Streaky and Light Zoom.
- Combine and animate apply modes in a single layer.
- Auto-animating wipes use a unique influence parameter to create custom shapes based on channel information.
- Precisely key with spill suppression, Chorma, Luma and Two Way Key, Matte Choker, Light Wrap and Wire Remover.
- Motion Key foreground object removal.
- State-of-the-art Time filters inlcude Temporal Blur, Velocity Remap, Jitter, Looper and Optical Flow.
- Primary and secondary color correction filters.
- 35 real-time processing filters and 16 real-time static texture generators.
- Create 3D geometric shapes such as spheres and cylinders, which intersect in Z-space with soft cast shadows and 3D spotlights.
- Over 1500 factory installed presets.
- Deep color support with 16 bit image processing.
- Support for MacIntel platform.
New Avid Filters in Continuum Complete AVX 5
BCC AVX Version 5 offers Avid Editors major improvements to the award-winning BCC AVX version 4 . This is an essential upgrade for those who use Continuum Complete AVX version 4. We have continued building on core technologies such as Optical Flow, OpenGL and motion tracking, and added key new features. UpRez Filter: BCC UpRez provides an answer to a common problem facing today's Avid editors, which is what to do about situations where SD clips need to be reused in an HD project. Designed to facilitate the resizing of image clips while minimizing the data loss that is usually associated with media transforms within Avid, the BCC UpRez filter employs very sophisticated image sampling technics with edge detection, providing a final result that cannot be achieved by Avid scaling and standard post processing methods. - Pan and Zoom Filter : The BCC Pan and Zoom filter was designed to automate the work of documentary style pan and zoom effects, where a large still image file is moved along the x and y axis (pan) and scaled up or down (zoom) in a composite, in effect, adding animation to a still image. the BCC Pan and Zoom filter includes on-screen HUD widgets (heads-up display) to achieve this end result with precision and ease and also includes state-of-the-art algorithms that generate a razor sharp image result even when the image has been subject to a large transform scale. the filter can be run in full automatic, semi automatic or full manual animation modes, but any way you choose it's easy to use and generates smooth animation and a sharp image result.
- Matchmove Filter : With the BCC Matchmove filter, we have added to the compositing style filters in the BCC set. Use the BCC Matchmove filter in Avid to lock the movement of one image clip to another image clip using the built-in motion tracking function. One of the great advantages of using the BCC Matchmove filter to composite within Avid is that it includes full DVE functions such as tumble, spin, rotate, along with interesting lighting and light wrap compositing features that are normally found only in full compositing applications.
- LED Filter : The BCC LED filter was designed to make an image, clip or text element with alpha appear as though it was constructed out of an array of blinking or solid LED lights similar to the display boards that we see in todays sports stadiums. By default, the lights take their color from the clip to which it was applied and can be set to either square or round diodes or "bulbs". Alternately the filter can apply a tint of color over the media element to which it was applied. This filter is a part of the new OGL category of filters in BCC which benefit from hardware acceleration as all of the processing is done by the GPU of the graphics card instead of the CPU, which greatly improves performance while working with these filters within your Avid Editor and significantly reduces render times.
- Prism Filter : The BCC Prism filter can be used to simulate the photographic effect of chromatic aberration, where a bad lens can create prismatic color fringing along edges of contrast within the image. The filter can also be used as an interesting wipe or blur effect and includes controls for image rotation along 2 points of one axis within the image, which with some settings leads to a pleasant twisting blurred effect. The Prism filter is another one of the new filters that are included in the OpenGl category and benefits from the super fast image processing that the hardware acceleration allows for.
- Scanline Filter : BCC Scan Lines is another filter from the new BCC OGL category. This filter was designed to generate rolling RGB scanlines over the source image clip, emulating the effect of a computer monitor which was shot on video tape or film. The RGB bars rolling scan lines that the filter generates can be offset from each other in yx space and time to generate photorealistic effects. The filter also includes a user controlled noise generator function for added realism.
- Damaged TV Filter: Another addition to the new Open GL filter category is the BCC Damaged TV filter. Designed to emulate the appearance of a CRT style television set that is receiving a bad antenna signal or is in need of repair, complete with gun offset, distorted edges, image roll, noise, scan lines, and interference lines, this powerful filter features both fully automatic or manual modes of operation. When using the filter in automatic mode, the filter will automatically animate image roll, scan lines, noise or any other visible parameter and even though the filter is being used in automatic mode, the user retains full control over every parameter. Like all filters in the BCC set, this filter ships with presets to make working with the filter in Avid easy and fast.
- Turbulence Filter : Based on the core algorithms that make up the BCC Noise Map 2 filter, the BCC Turbulence filter generates auto-animated gell-like distortion fields in an image clip based on input from the built-in noise map and turbulence controls. This filter includes 3 dozen preset effect settings to make working with and understanding some of the possibilities of this filter a piece of cake.
- Noise Map 2 Filter : The BCC Noise Map 2 filter is primarily used to generate procedurally based, resolution independent, auto-animated image clips that can be used as backdrops or as a mask track input for other image clips. Dozens of presets, which are included with this filter, make using the filter in your Avid a point and click operation for even very complex animations.
- Color Choker : The BCC Color Choker filter posterizes and blurs colors in an image clip for creative and artistic results. The media clip colors that the filter is applied to can be attenuated or remapped individually through the many filter parameters or together as an RGB group. Included in the filter is a checkbox control to convert image to monochrome before applying the built in color blur or choke.
New Features in Version 5
- All new filters are either OpenGL hardware accelerated or multiprocessor / multi-core accelerated.
- Advanced image processing algorithms which enhance image quality while transform scaling a clip.
- New Pan and Zoom filter with extensive on-screen UI and rotation control.
- Avid AVX 2 architecture support including extensive use of HUD (heads-up display) user interface controls and Avid's advanced keyframing mode.
- EZ parameter display mode and ability to display only modified or animated filter parameters.
- New Open GL category includes hardware accelerated filters such as Glint, Lens Flare, LED, Prism, Damaged TV.
- Support for MacIntel platform.
- Over one hundred new factory installed presets brings total preset count to over 1500
Continuum Complete 5 FxPlug for Final Cut Pro and Motion
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Continuum Complete provides the widest range of compositing, image processing, keying, color, distortion, and temporal effects features ever offered to editors and compositors. Continuum Complete is an expansive plug-in filter set that lets you create effects from the practical to the inspired directly in your native host interface for unprecedented workflow. Over 180 filters include advanced keying, matting, compositing, image processing, distortion, temporal effects and motion tracking. These filters provide the creative freedom to animate your graphical elements or video at any speed, acceleration, or position you want. Video Effects Plug-in for Apple Final Cut Pro
Continuum Complete is a set of more than 180 FXPlug filters, transitions and generators that are applied and animated in the native Final Cut Pro interface. A wide range of effects delivers everything from basic everyday utility and convenience to extraordinarily eye-catching special effects. Working directly in your native Final Cut Pro interface, you can access filters and features that let you create unforgettable effects with ease. Key Features for Final Cut Pro Users
- Workflow Features for the Final Cut Pro Editing Environment
- High quality SD to HD conversion tool
- Professional Ken Burns effect with large still images
- Integrated Match Move right inside Final Cut timeline
- More than 1500 presets, save your own settings and share with other editing systems
- Precise Keying and advanced Matte filters
- Motion Tracking is integrated into all appropriate effects
- Integrated PixelChooser masking tool
- Each filter includes integrated online help
- Common post production tasks are simplified with wire removal, light wrap, as well as dust and scratches
- True Layer Compositing and Time Based Effects
- Open GL filters add new unique looks to your video with blazing rendering speed
- Advanced high quality Keying
- Stack Multiple Filters on Keyed Elements or Titles
- Sophisticated layer blending
- Optical Flow creates keyframable motion effects and super smooth slow motion
- A Wide Range of Powerful Filtering, Distorting, and Generating Capabilities
- A wide variety of effects such as Blurs, Glows, Light Rays,
- Wave Distortions, Particle Wipes, and 3D Shapes
- Film effects for making video appear more like film
- Auto-animating Wipe Transitions
Complement your Motion 3 toolset with BCC 5 FXPlug
The new FXPlug implementation of Boris Continuum filters is an important addition to the effects already found within Motion 3. Building on native Optical Flow feature are the realistic Motion Blur, powerful Motion Key and intelligent Deinterlace filters, all based on the Optical Flow technology. Add to that a Film Look and Film Grain filters for realistic video to film conversion or production-quality SD to HD converter. Benefits of Continuum Complete 5 in Apple Motion
- Unbeatable Chroma Key filter strong enough to withstand poorly shot DV footage, combined with Matte Choker and Light Wrap for ultimate compositing power
- Best of class film effects package complete with intellingent DeInterlace, Match Grain and Film Look filters.
- Wire Remover, DeNoise, Witness Protection for common compositing tasks.
- Geometric Shapes such as Spheres, Cylinders, Cubes intersect in 3D space with soft cast shadows and lights.
- Share your Motion Effects with Final Cut Pro
- A single install of BCC FXPlugs works in both Motion and Final Cut streamlining your effects workflow.
Requires
- Final Cut Pro 5 or 6
- Motion
Final Effects Complete 5 AE
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Final Effects Complete 5 AE is a ground-up re-write of the legendary Final Effects Complete filters by the Boris FX development team. With a modernized user interface, multi-processor acceleration, and 16-bit color processing, the famous Final Effects Complete filters are ready for the creative minds of the 21st century. Well known for the unique particle treatments of Mr. Mercury and Bubbles, the creative distortions of Griddler and Flo Motion, the eye catching, stylized effects of Mr. Smoothie and Glue Gun, and the excellent edge treatments of Sparkle Edges and Wiggle Edges, Final Effects Complete remains the hidden secret behind many award-winning projects. While borrowing many new technologies from Boris Continuum Complete, FEC 5 AE remains compatible with all previous FEC versions released by Cycore, MetaCreations, and ICE. Significant new features in version 5
- FEC 5 takes full advantage of many technologies found in Boris Continuum Complete. Features such as PixelChooser, Motion Tracker, Preset Loader and Online Documentation hallmarks of BCC filters are now included with FEC, too.
New UI: The new modernized native parameter UI sports new control groups, contextual controls, on-screen widgets, custom controls and many other improvements. All parameter options are now readily available as native parameters without a need to open modal dialog windows. - 16 Bit Rendering : FEC 5 includes both 8 and 16 bit filters for highest quality image processing.
- MP Acceleration : All filters have been optimized from the original version to take full advantage of multi core and multi processor computing platforms. The overall speedup varies from filter to filter.
- PixelChooser Technology : Most FEC 5 filters feature the award-winning Boris PixelChooser where appropriate. PixelChooser is an internal method of selectively applying the image processing to the image based on criteria defined by the user. The criteria may vary from color channel information to simple geometric shapes to spline-based masks available in After Effects. This method is superior to layer duplication and masking because it is more flexible and efficient. The mask can be applied to various stages of pre and post processing. The parts of the image not chosen by the mask remain untouched by the filter.
- Multitude Of Standard Presets : As any Boris product FEC 5 ships with over 800 pre-saved presets for quick new looks. Custom presets can be saved and shared between multiple workstations and even emailed to other users.
- Extensive Filter Enhancements: FEC 5 AE adds new features and improvements to every one of the 108 filters in the set. Highlights include:
- Auto-animation in many of the transitions
- Extensive new controls in FEC Hair such as the ability to generate curly hair instead of just straight hair as well as the ability to modulate the gravity direction across the image based on a gradient map
- New FEC Bubbles controls for drift direction, particle randomness, and source texture mapping pinning. In addition, FEC Bubbles now includes a Deflector point to create regions with no bubbles.
- Much better lighting controls in Mr Mercury, Blobblylize, Glue Gun, Glass, and Ball Action
- Two new particle types in Particle Systems II Advanced Sphere and Advanced Lens. These new particle types allow you to generate different looking spheres with more extensive lighting control.
- New bend styles added to the FEC Bender menu
System Requirements
- Adobe After Effects CS3 or Adobe After Effects 7
- Mac OS X, Windows XP, or Windows Vista (FEC 5 AE is a Universal Binary release)
Media 100 Producer Suite Version 12
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Media 100 Producer Version 12 is a full-featured software-only NLE that offers editors a mobile editing environment as well as FireWire I/O and Panasonic P2 acquisition capabilities. Media 100 Producer is supported on Apple Mac Book Pro and PPC Laptops, Intel Based iMac, Apple G5 and Intel Based Mac Pro computers. Ideal for in-the-field or mobile editing, editors using Media 100 Producer can shoot using their Panasonic P2 camera and immediately begin editing; they can even offload the media and continue to use their Panasonic P2 card. Utilizing all QuickTime codecs including DVC Pro and Apple Pro Res, Media 100 Producer can use media captured by Apple Final Cut Pro, Media 100 i, 844/X, Media 100 HD, Media 100 HD Suite, Media 100 HDe, and Media 100 SDe systems to edit, composite, and mix and output via FireWire or export to DVD or web. Features
- FireWire I/O
- Panasonic P2 acquisition capabilitiesAcquire from the popular Panasonic P2 format
- Compatibility with a wide number of codecs at both SD resolutions. Most remarkable is the ability to seamlessly mix codecs in the same SD timeline, where the system's native 10-bit uncompressed media can be combined in real-time with images created with other codecs including Animation, DV, 8/10-bit Uncompressed 4:2:2, DVCPro, DVCPro 50, DVCPro HD and our own 844/X and Media 100 i MJPEG, Apple Pro Res 422 and Apple Pro Red (HQ) Collaboration with other digital artists takes on the drag and drop simplicity for which Media 100 is known.
- Integrated Clip Preset FX. Edit and apply Effect and Title Suite Preset Filters directly to clips in the timeline, or modify and save preset filters for later use.
- Integrated Boris FX Transitions. Even more editing functionality with access to hundreds of award winning Boris Transitions.
- Composite and Layering Support. Up to 99 video tracks, each able to contain video, motion graphics with embedded alpha channels, Effects and Title Suite files and still image data.
- Timecode Burn-in. Burn in timecode to speed up editing or send proof to your clients.
- Adobe CS 3 Support. Media 100 adds Intel native Adobe After Effects Project Importer support. Take your Media 100 Program Timeline directly into Adobe After Effects.
- A full-functioning editing application. Support for up to 99 video tracks, each able to contain video, motion graphics with embedded alpha channels, Title Suite files and still image data. Version 12 also allows editors to view a single frame of the composite of all tracks wherever the CTI (Current Time Indicator) is parked. This allows users to easily design complex effects and deep compositions by instantly viewing all graphics and video elements in both the subsampler window and on the output video monitor. You can also Edit SD and HD material
- Real-time effects, depending on processor and drive speeds. View Real-Time effects while editing in the Media 100 Timeline.
- Ability to move programs backward and forward between Media 100 version 11.x system. Own a Media 100 legacy program. Bring it directly into Media 100 Producer and start editing on Media 100’s new interface and features!
System Compatibility Chart: http://www.media100.com/peripherals.asp The Boris Title Toolkit is a set of dynamic plug-ins that allow you to animate broadcast-quality titles directly in the After Effects user interface. Create, position, and move titles and vector graphic elements in 3D space with features like Text On a Path, Type On, and Motion Blur. Title Toolkit also provides a variety of ways to randomize, jitter and scramble text characters and text styles, build vector shapes that can link to text, create film-quality rolls and crawls, animate text fill, borders, softness, and shadows, and link to built-in After Effects or third-party parameters. Broadcast-quality title animation has never been easier in After Effects. Supports Adobe After Effects v5.5, v6.0 and CS3. |
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