Boris Box Set Upgrade (from Boris RED)

DESCRIPTION
The Boris Box Set delivers a wide range of high-power effects, compositing, and graphics tools to industry-leading video editing and compositing applications. Turn to Boris Continuum Complete for the world's most comprehensive collection of VFX filters covering extrusions, time-based effects, distortion and perspective effects, generators, lights, wipes, keys and mattes, color grading, image restoration, blurs, glows, and cinematic effects. Need advanced compositing and titling? Uniquely available as a plug-in and standalone application, Boris RED gives you 3D extrusions, the ability to create complex 3D and 2D animations and composites, and best-of-breed titling with sophisticated typography, text styles, and animation options. How about completely unique designer effects? Take advantage of Final Effects Complete's graceful blurs and edges, radical warps, and 3D and 2D particle animations. Get started quickly with thousands of customizable, cross-platform presets. Streamline your VFX workflow with the Boris Transfer tools for transferring program sequences from Avid or Apple Final Cut Pro to Adobe After Effects or between Final Cut Pro and Avid - with Boris Continuum Complete effects, parameters, and keyframe information in-tact.

DOWNLOAD TRIAL - http://www.borisfx.com/downloads/

Transitions, Professional Text, and Advanced Composites

DESCRIPTION
Boris RED is the only integrated 3D compositing, titling, and effects application to deliver unparalleled performance to video editing software from Adobe, Apple, Avid, Grass Valley, Media 100, and Sony. An indispensable tool for post-production and broadcast professionals, RED offers a wide range of features right on your NLE timeline and adds a standalone engine for effects creation and rendering. RED integrates broadcast-quality text generators, paint, rotoscoping, a full suite of tools to create and extrude vector objects, true 3D shapes and animation, and the industry’s most comprehensive image processing filter suite.

RED v5.2.2 provides support for Grass Valley's new EDIUS v6.5 release!

RED v5.1.5 - Adobe CS6 support added - Free Update for RED v5.x Users.

SAMPLE GALLERY - http://www.borisfx.com/red/Movie-Gallery.php

The new Version 5 release introduces support for 64-bit applications such as Adobe CS5.5 / CS5 and Sony Vegas Pro v11 / v10, adds 60+ new Continuum Complete and Final Effects Complete filters, and provides a score of user interface and workflow enhancements including ergonomic panels and a curve editor.

DOWNLOAD THE TRIAL VERSION - http://www.borisfx.com/login/reg_form.php?action=esd_red

Top New Features in RED 5

User Interface and Workflow Enhancements
Boris RED 5 includes ergonomic, drag-and-drop panels and a curve editor for smooth parameter animation. In addition, many of the included Boris Continuum Complete and Final Effects Complete filters include a new Compare Mode feature that lets you compare the filtered result with the unfiltered source via either a side-by-side view or a live split-screen view. In the side-by-side view, you can view the unfiltered and filtered image result in the composite window as changes are made to the image. In the split-screen view, you can drag the wipe bar anywhere across the image to compare the filtered result with the unfiltered source at any zoom level.

Support for 64-bit Video Editing Applications
Boris RED 5 adds support for 64-bit video editing applications such as Adobe Premiere Pro CS5.5 and CS5, Adobe After Effects CS5.5 and CS5 (Windows), and Sony Vegas Pro v11 and v10.

40+ Filters from Final Effects Complete
Boris RED 5 includes 40+ filters from the legendary Final Effects Complete VFX plug-in collection. Newly-added designer effects and transitions include Mr. Smoothie, Ball Action, Bubbles, and Wiggle Edges. Complete list - http://www.borisfx.com/red/FEC-Filters.php

High-quality Image Restoration Tools
Smooth and soften skin imperfections and remove jaggies, DV compression artifacts, and unwanted noise from image clips:

Noise Reduction
The multi-processor accelerated BCC Noise Reduction filter safely removes unwanted video noise and artifacts from image clips while preserving all of the detail contrast in the original image. The filter combines temporal and spatial methods to safely eliminate the unwanted video noise and includes an option for post process image sharpening to further enhance the image result. The built-in compare mode split-screen and wipe function makes setup of the filter an easy and intuitive process.

Smooth Tone
With the advent of HD image technology, the image result may often be "too sharp". What this means is that certain areas in the image, such as the pores on a subject's skin, may become too prominent. The Smooth Tone filter applies a complex image smoothing-algorithm to these areas in the image but does not affect extreme specular highlights or catch-lights. This results in smoother skin tones while preserving important areas of detail contrast within the image.

Pixel Fixer
Digital video and still photography, while making it easier to have immediate access to source material, come with some disadvantages versus film source material. One common problem is with the camera's image sensor. Sometimes pixels on the sensor stop working - with the result of "bad" pixels in the image. Instead of clone-painting to remove or disguise the bad pixel in each frame, the BCC Pixel Fixer automates this process. Simply center one of the source points in the filter over the bad pixel and it is removed from every frame in the clip. This fast-to-render filter includes source points to remove up to 10 "bad" pixels per filter instance.

DV Fixer
This filter uses proprietary algorithms to detect visible aliased diagonal edges that are typically found in DV video clips and then processes the pixels only along these edges to achieve a smooth artifact-free result. The filter is easy to use and features on-screen view modes that enable you to fine-tune the detected jaggy edges prior to performing any image processing.

• BCC Particle Array 3D is an OpenGL-accelerated particle-based 3D generator. It generates a 3D array of particles and offers several interesting ways of manipulating the array based on graph controls, alternate AE layers, fractal noise patterns, random dispersion, and more. The filter includes an integrated Beat Reactor group for creating dynamic animations directly influenced by audio layers.
• BCC Pin Art 3D is an OpenGL-accelerated particle-based 3D generator. Like a 3D-capable LED or halftone type of effect, it can be used to achieve a wide range of both 2D and 3D-looking surfaces.Features such as sophisticated built-in wipes and an integrated Beat Reactor group allow for creating dynamic animations within the filter, including animations directly influenced by audio layers.

UpRez
Achieve high-quality SD to HD conversions while minimizing the data loss that is usually associated with resizing media in a host application. The UpRez filter includes several high-end image processing algorithms to enhance the sharpness and smoothness of the final result.

3-Way Color Grading
Boris RED's new 3-Way Color Grade filter gives you a professional color grading process complete with three custom color wheels for pedestal/gamma/gain adjustment. The filter includes built-in masking and keying tools to isolate areas of secondary color correction. Separate color grading can be applied to the inside and outside of a mask, eliminating an extra compositing step.

Realistic In-Camera Effects

Lens Blur
The multi-processsor accelerated BCC Lens Blur filter emulates the circular or multi-sided iris shaped highlights that are generated with real camera lenses in areas of the image that are out of focus. This filter includes a pop-up that can be used to match the different looks that can be achieved in the physical world based on the camera lens aperture setting. This pleasing optical result is referred to in photographic terms as Bokeh. The filter includes a Z-Map control group for generating depth-of-field rack focus effects.

Lens Shape
The multi-processsor accelerated BCC Lens Shape filter to generate stylized image highlights that take their shape from an alternate alpha image source. Like the BCC Lens Blur filter, the BCC Lens Shape filter simulates a lens out of focus effect, but instead of generating iris shaped highlights, the highlights take their shape from the alpha channel input of an alternate image layer. Use the included Z-Depth option to emulate real-world depth of field camera lens effects.

Lens Transition
The multi-processsor accelerated BCC Lens Transition filter automatically generates a stylized transition between a pair of image clips. The filter applies a lens blur effect to stylize the highlights in both the outgoing and incoming image clips, simulating the look of a camera lens rack focus effect. On-screen controls are provided to control the transition velocity and duration and for control over the lens Bokeh.

Swish Pan
The BCC Swish Pan transition emulates panning a camera very quickly in a 180 degree arc, creating the look of a fast blur between the outgoing and the incoming clips.

Stylized Effects
New stylized, OpenGL-accelerated effects include LED, Damaged TV, Tile Mosaic, Scan Lines, Prism, Lightning, Glare, Glint, Glitter, and Lens Flare.

Painterly Effects
Simulate pencil-sketched images, the wash look of a water color painting, a rotoscope toon-animation look, and charcoal drawings.

50+ New Transition Effects
Freshly redesigned, the keyframe library features over 50 new transition presets ranging from popular swish pan and rack defocus effects to glow dissolves and light wipes. These new transition effects were created using the latest Boris Continuum Complete and Final Effects Complete filters.  See the Continuum Complete Filters here - http://www.borisfx.com/bcc/bccFilterListByHost.htm

REQUIREMENTS

• Host Support for Red v5
  • Windows
    • Adobe After Effects CS6, CS5.5, CS5, and CS4
    • Adobe Premiere Pro CS6, CS5.5, CS5, and CS4
    • Avid Media Composer v5.x and v4.x
    • Grass Valley EDIUS v6
    • Sony Vegas Pro v11 and v10
  • MAC
    • Adobe After Effects CS4
    • Adobe Premiere Pro CS6, CS5.5, CS5, and CS4
    • Apple Final Cut Pro v7
    • Avid Media Composer v5.x and v4.x
• System Requirements
  • MAC
    • Mac OS X 10.4.x (Tiger)
    • Mac OS X 10.5.x (Leopard)
    • Mac OS X 10.6.x (Snow Leopard)
    • Mac OS X 10.7.x (Lion)
    • Mac OS X 10.8.x (Mountain Lion)
    • Minimum 2GB (assigned to host application)
    • Recommended 2GB+ (assigned to host application)
  • Windows
    • Windows 2000
    • Windows XP
    • Windows Vista
    • Windows 7
    • Minimum 2GB (assigned to host application)
    • Recommended 2GB+ (assigned to host application)

3D Creativity with Real-Time Performance

DESCRIPTION
Boris Blue is a standalone 3D compositor as well as a plug-in for Adobe After Effects, Adobe Premiere Pro, and Avid editing and finishing systems. Based on the familiar Boris interface, Blue is designed for video editors and compositors who want to create stunning 3D looks without the learning curve and render times associated with 3D applications. Perfect for post facilities with client-supervised sessions or demanding deadlines, Blue uses latest-generation GPU-based graphics cards to provide an interactive effects design experience. Blue delivers real-time processing of 2D and 3D effects as well as real-time playback of video and audio media. Users can adjust effect parameters during playback, a "front room" capability that is ideal for working side-by-side with clients. The fast export to disk, including hardware-rendered anti-aliasing, motion blur, and 3D shadows, provides significant time-savings.

DOWNLOAD THE TRIAL VERSION - http://www.borisfx.com/login/reg_form.php?action=esd_blue

Significant New Features in BLUE 2.5

• BLUE 2.5 can be used as an Avid or Adobe plugin on Windows systems
• Plugin has all the same effect features as the standalone including 2D and 3D text, imported 3D models, powerful particle emitters and more ; all available within Avid
• Fast and convenient single track transitions, titles, animated backgrounds and other graphic elements right in the Avid timeline
• Single or multi-input filter, real-time preview, effects and transitions
• Save custom BLUE effects to Avid bins for quick and easy re-use
  using the Blue plugin avoids export / import workflow, simplifies offline / online workflow
• Now supports ATI based as well as NVIDIA based graphics boards

More Tools for Faster and Easier Composition of Sophisticated 3D Effects

• Split Views in Comp Window
• Including orthographic views for easier alignment of objects in 3D space
• Improved 3D interactors for 3D objects and Lights
• 3D interactors for Cameras
• A camera can be set to stay focused on a particular object or 3D point in the scene while moving through 3D space
• Cameras and lights can be placed and animated along on a user-defined bezier path
• Built-in 3D Transformations for Motion Path filter

New 3D Deformers

• Curl
• Flatten
• Mesh Chaos
• Mesh Shatter
• Model Displacer
• Pre-Transform
• Pulse
• Slice-Stretch
• Un-Deform

New Image Processor Effects

• Film Grain
• Film Process
• Glow Edge
• Glow Light
• Glow Light Replace Color
• Glow Remove Color
• Mist

Continuum OpenGL filters included

• Glare
• Glint
• Glitter
• LED
• Lens Flare
• Lens Flare Advanced
• Prism
• Scanline
• Damaged TV
• Lightning

Comparing BLUE and RED

BLUE and RED are both professional compositing and motion graphics solutions used to achieve outstanding visual effects. Even though BLUE is based on the award-winning Boris RED, the two products are actually quite different from one another. When used together they can create visually stunning results faster than ever before!

Advantages of Blue over RED

• 100% hardware preview and rendering to disk means faster speed.
• Imported models - Blue can work with large number of polygons.
• Custom spline based bevels on extrusion give Blue more modeling power.
• Material shaders include bumps and reflections giving users more control over 3D materials.
• 3D deformers - more animation options in Blue.
• Particle engine with sprites and 3D models - more particle options and on screen interaction.
• Movie direct streaming from hard drives with Audio - no need to preview to RAM.
• Animate multiple objects on spline based paths.
• Type On effects allow intersection of objects in 3D - more options than in RED.

Advantages of RED over Blue

• More integrations with many NLEs - not yet in Blue.
• Mac OS support - not yet in Blue.
• Wider graphics card support - not yet in Blue.
• Chart generator - not yet in Blue.
• Pixel Chooser - not yet in Blue.
• Compatible settings with FX, Avid FX and Graffiti - Blue has own settings format.
• Large selection of Software filters - not yet in Blue (many made into Blue shaders but not all, Blue accepts plug in filters such as Continuum but they are not included).

REQUIREMENTS
BLUE 2.5 requires Microsoft Windows XP SP 2, Windows Vista or Windows 7 running on an Intel Pentium IV or AMD Athlon or higher processor, with Apple QuickTime version 6.5 or higher installed. QuickTime software is not included with the BLUE installer. If necessary, QuickTime can be downloaded for free at apple.com: www.apple.com/quicktime/

Graphics Boards and Drivers - BLUE 2.5 requires one of the following NVIDIA or ATI based graphics boards:

• NVIDIA Quadro FX 1500, 3450, 3500, 3700, 4500, 5500, 4600, 5600 and newer (ie Quadro 4000)
• NVIDIA GeForce 6800, 7800, 7900, 7950, 8600, 8800 or newer (ie GTX 580)
• ATI FireGL V3300 and up, V5200 and up, V7200 and up, V8600 and up
• ATI Radeon x1900, x1950

The BLUE 2.5 AVX plugin is supported for running on the following Avid release versions:

• Avid Media Composer 2.7 or later
• Avid Xpress Pro 5.7 or later
• Avid Newscutter 6.7 or later

The BLUE 2.5 product includes plugins supported for running on the following Adobe product versions:

• Adobe Premiere Pro CS3 (Premiere Pro 3.1) or later
• Adobe After Effects CS3 (AE 8) or later

NOTE: like the Blue 2.5 standalone application, the Blue plugins are also subject to the Windows, Quicktime, and Graphics board/driver requirements listed previously

NOTE: The current version of the BLUE 2.5 Avid AVX plugin does not support Avid Symphony Nitris at this time. Check back for updates on any changes to BLUE requirements (including status Symphony Nitris support)

The World's Most Comprehensive VFX Plug-in Collection

DESCRIPTION
Boris Continuum Complete 8 AE delivers the most comprehensive VFX plug-in suite ever created for Macintosh and Windows versions of Adobe After Effects and Premiere Pro CS6, CS5.5, CS5, and CS4. A whopping 200+ filters include 3D Objects such as Extruded Text, 3D particle effects, image restoration tools, lens flares and lights, keys and mattes, 3 Way Color Grading and other color correction tools, time-based effects such as Optical Stabilizer, warp and perspective effects, and blurs, glows, and cinematic effects. All filters take advantage of either multi-processing or OpenGL hardware acceleration for an interactive effects design experience.

Over 1,000 professionally-designed presets are included free with every installation of BCC. You can save and freely share your own presets and build customized preset collections tuned to the specific needs of a project. Both static and animated BCC presets are supported on the After Effects platform. Presets can be shared with matching BCC installations on any host application in which BCC is installed.

Via the Boris Transfer workflow utilities, BCC is the only plug-in collection that allows easy VFX migration between Adobe, Avid, and Apple video editing software – with parameters and keyframed information intact.  Boris Transfer AE allows you to transfer Avid or Final Cut Pro sequences to After Effects while Boris Transfer FCP gives you the ability to transfer sequences between Avid and Final Cut Pro.

New flicker reduction and videoscope tools, OpenGL hardware acceleration, 32-bit float support, deeper After Effects integration, and enhanced lens flares, particles, glows, and lights headline the new Version 8 release.

Boris Continuum Complete v8.1 AE for Mac and Windows is now available. We suggest that all BCC v8 AE users download the latest version of BCC AE as it contains many important updates and enhancements:

• BCC 3D Objects Now Available for Adobe Premiere Pro CS6. BCC Extruded Text, BCC Extruded EPS, BCC Extruded Spline, BCC Layer Deformer, and BCC Type-On Text now support Adobe Premiere Pro.
• New Depth of Field Support and Significantly Improved Performance for BCC Particle Emitter 3D, BCC Organic Strands, BCC Wild Cards, BCC Particle Array 3D, and BCC Pin Art 3D.
• BCC Lens Flare 3D Enhancements. BCC Lens Flare 3D now supports using AE mask path shapes to obscure the lens flare. In addition, a new Scale by Distance option when using the AE comp camera allows the light to scale automatically as the distance between the comp camera and the light source changes.
  

BCC v8.0.3 AE Update - Adobe CS6 support added - Free Update for BCC v8 AE Users

DOWNLOAD THE TRIAL VERSION - http://www.borisfx.com/login/reg_form.php?action=esd_bcc

Better Particles
BCC 8 AE includes several new filters based on a new, modernized BCC particle engine: Particle Emitter, Organic Strands, and Wild Cards. Targeted toward broadcast design and graphics creation, these filters significantly improve upon previously available particle filters.

The new BCC particle engine offers:

• Full 3D camera and lights
• Integration with AE's camera and lights
• Particle Emitter motion that follows an AE mask
• OpenGL rendering and lighting of real 3D objects
• Interaction with an AE 3D layer and particle generation from a 3D layer
• Complex color gradient controls and graph maps for size and opacity
• The ability to Spawn particles
• Image collection files
• The ability to mix and match various custom particle textures
• Various special effects, such as mirror mode and dispersion
• Wind, Sphere Warps, and Sink Points
• Fractal Noise field

Improvements include:

• Support for AE-native camera and lighting rigs
• Built-in 3D camera and lighting rigs for Adobe Premiere Pro
• Ability to automatically apply lens flares to user-defined AE native lights in the composition
• Ability to auto-generate lens flares based on luma values
• Ability to auto-generate lens flares that follow the contour of AE native masks
• Automated flicker feature for lens flare light source, using AE native or built-in lights
• Automated randomize feature to flicker light intensity values across multiple AE lights
• Automated shimmer feature for shimmering light rays
• Edge-trigger feature for boosting light intensity as it approaches and crosses the edge
• Sub-beam feature that generates Star Trek-style photon sci-fi flares
• Colored ring option
• Chroma hoop option
• Chroma fan option
• Lens caustics option
• Customizable lens surface textures with built-in looks
• Chromatic aberration option

Better Glows
The new BCC Film Glow effect includes a unique Crosstalk feature that blends the color of the glow with the image in a variety of ways, giving you the ability to generate looks that are not possible with other glow filters - a real game-changer for designers searching for new looks!

Better Lights
BCC's arsenal of lighting options has grown to include a new Stage Light filter that tightly integrates with AE's camera and lights and nicely complements AE's built-in lighting, providing a much-needed volumetric feel.

Unprecedented AE Integration
BCC 8 AE sets a new standard for AE integration, offering fast workflow and reducing your learning curve to virtually zero. BCC filters take full advantage of the excellent native 3D camera and light system that AE users depend on in their daily work. For path animations and image isolation tasks, BCC 8 filters import vector masks directly from AE layers. And for automated parameter animation, many BCC filters are now able to take advantage of audio data directly from AE audio tracks.

Better Image Restoration
Undesirable light flicker sometimes plagues irreplaceable camera shots. What can you do about it? BCC 8 AE comes to the rescue with a new Flicker Fixer tool that automatically solves the most challenging flickering light problems. Now footage so critical to your project becomes usable again!

8 New Filters
BCC 8 AE's eight new filters include enhanced lens flares, particles, glows, and lights as well as new flicker reduction and videoscope tools. Read an in-depth description on each new filter - http://www.borisfx.com/Adobe/bccae/New-Filters.php

FILTER MOVIE GALLERY - http://www.borisfx.com/Adobe/bccae/movie_gallery.php

32-bit Float Support
32-bit Float Support is included as part of BCC’s GPU implementation and it is equally supported with ATI and NVIDIA graphics cards – with no loss of performance.

Your Swiss Army Knife for VFX

Boris Continuum Complete 8 AE includes 200+ VFX filters in 16 categories!

• 3D Objects - Create and animate extruded text, extrude EPS logos, deform layers, and extrude spline shapes - all in real-time, with AE camera and lighting system integration.
• Art Looks - Simulate pencil-sketched images, the wash look of a water color painting, a rotoscope toon-animation look, charcoal drawings, and more.
• Blur and Sharpen - Emulate a rack defocus effect, create in-camera motion blur effects, and much more.
• Color and Tone - Independently adjust the bright, mid, and dark regions of an image clip, make adjustments to a specific color in a scene, and much more.
• Film Style - Generate the warm organic look of film in seconds.
• Image Restoration - Upscale SD to HD, remove or repair bad pixels, smooth and soften skin imperfections, remove flicker and camera shake, and much more.
• Key and Blend - BCC provides an award-winning suite of chroma key tools complete with spill suppression, matte choker, and light wrap.
• Lights - Produce stunning volumetric lighting effects and real-world lens flares and reflections.
• Match Move - Powerful, specialized filters that enable you to recover motion data from a clip and then use that data in creative and interesting ways.
• Particles - BCC particle effects give 3D broadcast designers the ultimate particle machine, providing incredibly powerful, flexible, and OpenGL-accelerated options.
• Perspective - Convert scanned images into video with stunning quality and create 3D DVE effects.
• Stylize - Popular stylized VFX include LED, Damaged TV, Tile Mosaic, Prism, and Scanline.
• Textures - Generate realistic textures such as Steel Plates, Bricks, Clouds, Granite, Wooden Planks, and Rock. The procedurally-generated textures render smoothly at any scale.
• Time - Smoothly retime clips and easily achieve a variety of temporal effects.
• Transitions - Choose from a variety of wipes and transition effects and presets and easily customize the effects using an on-screen, graph-curve user interface.
• Warp - Create animated morphs, bulges, ripples, and waves.

REQUIREMENTS
Supported Graphics Cards

Many Boris Continuum Complete filters harness the unmatched processing power of modern GPU engines to create stunning visual effects. Almost any graphics card released during the past three years will provide the features necessary to run OpenGL-accelerated Boris Continuum Complete filters. Below is a partial list of graphics cards we have tested in our labs. However, newer versions of these NVIDIA and ATI cards will also be suitable for use with Boris Continuum Complete.

• NVIDIA Quadro FX 1500, 1700, 1800, 3450, 3500, 3700, 3800, 4500, 4600, 5500, 5600
• NVIDIA Quadro 2000, 4000, 5000
• NVIDIA GeForce 6800, 7800, 7900, 7950, 8600, 8800
• ATI FireGL V3300 and up, V5200 and up, V7200 and up, V8600 and up
• ATI Radeon x1900, x1950

Host Compatibility

• Adobe After Effects CS6, CS5.5, CS5, CS4, and CS3 (Note: CS3 is not officially supported because it was not extensively tested, but customers can try before they buy as the installer permits installation into CS3). BCC AE's 3D Objects filters require Mac OS X 10.5+ and an Intel-based Mac.
• Premiere Pro CS6, CS5.5, CS5, CS4, and CS3. BCC AE's 3D Objects filters are not compatible with Premiere Pro.

System Requirements

• Macintosh
  • Mac OS X 10.4.x (Tiger)
  • Mac OS X 10.5.x (Leopard)
  • Mac OS X 10.6.x (Snow Leopard)
  • Mac OS X 10.7.x (Lion)
  • Mac OS X 10.8.x (Mountain Lion)
  • Please note that the 5 filters in the BCC 3D Objects category require Intel Mac systems with Mac OS X 10.5 (Leopard).
• Windows
  • Windows 2000
  • Windows XP
  • Windows Vista
  • Windows 7

175+ VFX and Compositing Plug-ins for Sony Vegas Pro

DESCRIPTION
VERSION 8.1 has been released.  Info - http://www.borisfx.com/borisfxwiki/index.php/Boris_Continuum_Complete_8.1.0_for_Sony_Vegas_Release_Notes

Boris Continuum Complete 8 for Sony Vegas Pro delivers over 175 comprehensive VFX and compositing filters, giving Vegas editors the most comprehensive VFX and compositing plug-in suite ever created. The collection includes 3D Objects such as Extruded Text, 3D particle effects, image restoration tools, lens flares and other dazzling light effects, keying and motion tracking tools, realistic in-camera effects, a full suite of color correction tools, warp and perspective effects, and blurs, glows, and cinematic effects. All BCC for Vegas Pro filters take advantage of either multi-processing or OpenGL hardware acceleration for an interactive effects design experience.  Over 1,000 professionally-designed presets are included free with every installation of BCC. Save and freely share your own presets and build customized preset collections tuned to the specific needs of a project – without the need for a costly subscription service.

DOWNLOAD THE TRAIL VERSION - http://www.borisfx.com/login/reg_form.php?action=esd_bccsvp

Key Features for Vegas Pro

• BCC 3D Objects category of 3D OpenGL extruded text generators
• Professional Chroma Key Compositing
• Automated Motion Tracking
• PixelChooser Masking System
• High-quality Image Restoration Tools
• Popular Film Effects
• 3D Particle Effects
• Dazzling Light Effects
• Painterly Effects
• Realistic In-Camera Effects
• Audio-driven Effects Creation
• Thousands of Customizable Presets
• Stylized Effects such as LED, Damaged TV, and Tile Mosaic
• Automated optical image stabilization without the use of point trackers

New Features for Sony Vegas Pro Users (version 8)

32-bit Float Support
32-Bit Float Precision Color Rendering is now supported, offering even smoother blurs, glows, and other effects while providing the highest quality final image.

Beat Reactor
Built into many Boris Continuum Complete filters, Beat Reactor makes it easy to generate audio-driven effects such as a pulsing light, a glow, or even an image wipe that follows along with the beat of an audio track.

Film Glow
Create the soft feel of exposed film with this powerful yet very easy-to-use effect. Make your highlights bloom and shadows spread out as you experiment with your own unique looks. Or try one of the professionally-designed presets included with the filter. Use BCC Film Glow to marry two clips shot on different cameras or set the mood for the entire project. It works great on text and logos, too!

Flicker Fixer
Save your flickering shot with this powerful, sophisticated image restoration tool. Based on state-of-the-art research, the underlying engine offers a choice of intra-frame analysis or temporal flicker smoothing. Repair video affected by a flickering light source or uneven shutter exposure. One day this filter will save your life!

Lens Flare 3D
Powered by GPU acceleration, the new 3D Lens Flare effect can be used to create cinematic looks, stylish broadcast design elements, and beautiful transitions.

Particle Emitter 3D
BCC Particle Emitter gives 3D broadcast designers the ultimate particle machine, providing an incredibly powerful, flexible, and OpenGL-accelerated particle system.

Organic Strands
Enhance your broadcast graphics with organic design elements such as flowing strands of matter, glowing plasma, or hundreds of other creative options.

Pin Art 3D
BCC Pin Art 3D is an OpenGL-accelerated particle-based 3D generator. Like a 3D-capable LED or halftone type of effect, it can be used to achieve a wide range of both 2D and 3D-looking surfaces.

Other New Filters
Other Boris Continuum Complete filters that are new to BCC 8 for Vegas Pro include 3D Extruded Image Shatter, Brick, Burnt Film, Cloth, Fire and Smoke, Fractal Noise, Glow Matte, Granite, Mixed Colors, Noise Map 2, Particle Array 3D, Premult, Reptilian, Rock, Stage Light, Star Matte, Stars, Steel Plate, Tile Mosaic, Veined Marble, Videoscope, Weave, Wild Cards, Wood Grain, and Wooden Planks.

FILTER MOVIE GALLERY - http://www.borisfx.com/sony/bccsvp/movie_gallery.php

FILTER LIST - http://www.borisfx.com/sony/bccsvp/Filter-List.php

TUTORIALS - http://www.borisfx.com/videos/BCCVegas/

REQUIREMENTS

• Host Compatibility
  • Sony Vegas Pro10, 64-bit (minimum version 10.0e)
  • Sony Vegas Pro11, 64-bit
• Platform Compatibility
  • Microsoft Windows Vista 64-bit (SP2) or Microsoft Windows 7 64-bit
    

Seamlessly Transfer Avid Media Composer and Apple Final Cut Pro Program Sequences to Adobe After Effects

DESCRIPTION
Boris Transfer AE is an Adobe After Effects plug-in designed for seamless transfer of Avid Media Composer and Apple Final Cut Pro program sequences to Adobe After Effects. New to Version 3, the Avid to After Effects workflow allows for direct import and translation of Avid AAF format files.

DOWNLOAD TRIAL VERSION - http://www.borisfx.com/login/reg_form.php?action=XML-Transfer

Boris Transfer AE v3.0.5 Update - Adobe CS6 support added - Boris Transfer AE v3.0.5 is a Free Update for all Boris Transfer AE Users

Boris Transfer AE preserves all aspects of an Avid or Final Cut Pro project including edits, cuts, dissolves, and treatments. In addition, Boris Transfer AE offers the unique ability to translate Boris Continuum Complete effects used in Avid or Final Cut Pro projects to corresponding BCC effects in After Effects.

Highlights

• Clips Remain Fully Editable. All trimmed Avid Media Composer and Apple Final Cut Pro clips remain fully-editable in Adobe After Effects as stepped-up or stepped-down layers.
• Boris Continuum Complete Compatibility. Continuum Complete filter effects provide the same look and keyframe values for every parameter.
• Avid and Final Cut Pro Titles and Text Elements remain editable in After Effects.
• Integrity of Transferred Media Elements is preserved during the transfer from Avid or Final Cut Pro, including alpha channel information and masks.
• Expanded Import Options include the ability to import or ignore audio tracks and the ability to pre-compose all video and/or audio tracks during import.
• Familiar Look and Feel. Translated After Effects projects will look very familiar to Final Cut Pro or Avid editors. User marks, comments and labels for clips and sequences, and all user-defined names are carried across from Final Cut Pro or Avid to After Effects.

SUPPORTED FEATURES (Final Cut Pro to After Effects) - http://www.borisfx.com/XML-Transfer/FCPToAE.htm

SUPPORTED FEATURES (Avid to After Effects) - http://www.borisfx.com/XML-Transfer/AvidToAE.htm

REQUIREMENTS

• Apple Macintosh or PC equipped with Intel CPU and 2+ GB of RAM
• Mac OS 10.5.8 or later (including Mountain Lion)
• Windows XP or later
• Software:
  • Apple Final Cut Pro 6 or later
  • Avid Media Composer 5 or later
  • Adobe After Effects CS4 or later

VFX Filters and Transitions for Adobe After Effects and Premiere Pro

DESCRIPTION
Final Effects Complete 7 AE brings over 120 designer effects and transitions to Macintosh and Windows versions of Adobe After Effects and Premiere Pro CS6, CS5.x, and CS4. These simple-to-use filters allow you to create unique organic looks with just a few simple adjustments. Quickly generate full-featured 3D particle effects such as Hair, Bubbles, and Mr. Mercury; tap into a complete range of unique auto-animating transitions including Glass Wipe and Light Wipe; and spice up your titles with edge treatments such as Wiggle Edges and Burn Edges. 32-bit float support, all-new transitions, cross-platform presets, the PixelChooser matting and masking tool, built-in Motion Tracking, Beat Reactor for audio-driven effects creation, and on-screen overlay widgets differentiate Final Effects Complete from the Cycore effects included with Adobe After Effects.

DOWNLOAD THE TRIAL VERSION - http://www.borisfx.com/login/reg_form.php?action=esd_fec

New Features in Final Effects Complete 7 AE
Final Effects Complete 7 AE features 32-bit float support, integration with After Effects mask path controls, new Beat Reactor integration for Adobe Premiere Pro, and 10 new filters and transitions.

New Transitions

• Difference Wipe
• Glow Dissolve
• Spiral Blur
• Threshold Dissolve
• Threshold RGB Dissolve
• Toner Dissolve
• Turbulent Dissolve
• Vector Blur Dissolve
• Water Waves Dissolve

After Effects Mask Path Integration
Final Effects Complete's Glue Gun, Mr. Mercury, Hair, Glass, and Ball Action are now able to follow After Effects mask paths, facilitating creation of "write-on"-style effects.

New Difference Blend Filter
Difference Blend is a new filter that replaces the pixels in the bottom layer of video with the corresponding pixels in the top layer of video, giving the appearance that the top image was painted over the bottom image.

Beat Reactor Technology
Beat Reactor technology is now available for Adobe Premiere Pro in addition to Adobe After Effects. Built into many FEC AE filters, Beat Reactor makes it easy to generate audio-driven effects.

32-bit Float Support
32-Bit Float Precision Color Rendering is now supported, offering even smoother blurs, transitions, and other effects while providing the highest quality final image.

MOVIE GALLERY - http://www.borisfx.com/Adobe/fecae/Movie-Gallery.php

FILTER LIST: http://www.borisfx.com/Adobe/fecae/filter_list.php

HOST COMPATIBILITY - http://www.borisfx.com/host/matrix.php

120+ VFX Filters and Transitions for Avid

DESCRIPTION
Final Effects Complete 7 AVX is a collection of 120+ designer effects and transitions for Avid Media Composer 6.x, Symphony 6.x, and NewsCutter 10.x. These simple-to-use filters allow you to create totally unique organic looks with just a few simple adjustments. Quickly generate full-featured 3D particle effects such as Hair, Bubbles, and Mr. Mercury; tap into a complete range of unique auto-animating transitions including Glass Wipe and Light Wipe; and spice up your titles with edge treatments such as Wiggle Edges and Burn Edges.

DOWNLOAD THE TRIAL VERSION: http://www.borisfx.com/login/reg_form.php?action=esd_fec

Key Features for Avid Users

• Auto-animating transitions including Blur Dissolve, Glass Wipe, and Light Wipe
• 2D and 3D particle effects such as Mr Mercury, Hair, and Bubbles
• Text and edge treatments including Wiggle Edges, Burn Edges, and Sparkle Edges
• Stylized looks such as Vector Blur, Glass, Kaleida, and 3D Relief
• A large number of distortion and perspective filters
• A score of utility filters such as simple, true gradient blurs and a color gradient generator

Final Effects Complete integrates many of the same Boris Continuum Complete technologies that Avid editors use day in and day out: cross-platform presets, the PixelChooser matting and masking tool, built-in Motion Tracking, Beat Reactor for audio-driven effects creation, on-screen overlay widgets, and Compare Mode to compare the filtered result with the unfiltered source via either a side-by-side view or a live split-screen view.

The perfect companion to Boris Continuum Complete, Final Effects Complete puts even more unique organic and designer looks at your disposal!

New Features in Final Effects Complete 7 AVX
Final Effects Complete 7 AVX features 10 new filters and transitions!

New Transitions

• Difference Wipe
• Glow Dissolve
• Spiral Blur
• Threshold Dissolve
• Threshold RGB Dissolve
• Toner Dissolve
• Turbulent Dissolve
• Vector Blur Dissolve
• Water Waves Dissolve

New Difference Blend Filter
Difference Blend is a new filter that replaces the pixels in the bottom layer of video with the corresponding pixels in the top layer of video, giving the appearance that the top image was painted over the bottom image.

FILTER GALLERY: http://www.borisfx.com/avid/fecavx/Movie-Gallery.php

FILTER LIST: http://www.borisfx.com/avid/fecavx/filter_list.php

HOST SUPPORT: http://www.borisfx.com/host/matrix.php