Manufacturer Part Number: 99900_ONLINEBasic Training for Apple Color
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Basic Training for Apple Color by Class On Demand. Co-hosted by Steve Hullfish and Bob Sliga. DESCRIPTION
Lessons: - Introduction to Color
- Introduction
- Training Overview
- The Interface
- Primary Color Correction
- The Primary Room: Part 1
- The Primary Room: Part 2
- Software Scopes Overview
- Tektronix Waveform Monitors and Rasterizers
- Secondary Color Correction
- Secondary Room Overview
- Vignettes
- HSL Qualification
- Using Multiple Secondaries
- The Other Color Rooms
- The ColorFX Room
- The Geometry Room
- The Primary Out Room
- Still Store
- The Setup Room
- Rendering
- Interfacing with Final Cut Pro
- The Color Suite: Beyond the Software
- Tangent Wave Panel
- Color Hardware Considerations
- Room Setup and External Equipment
- Datacolor Spyder Monitor Calibration
- Cine-tal Monitor Setup and Calibration
- Advanced Color Training
Approx. Run Time: 5 hours REQUIREMENTS
• Mac OS X or higher
• 1152 x 864 display
• Speakers
• DVD-ROM drive
• Apple FInal Cut Studio software
Advanced Training for Apple Color
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Advanced Training for Apple Color. Co-hosted by Steve Hullfish and Bob Sliga. DESCRIPTION
Topics Include: - Primary Color Correction
- Day for night look
- Adding a highlight glow in secondaries
- Keyframing color corrections
- Using the RED tab
- Advanced Grade Management
- Archiving Grades for future use
- Dragging grades between shots
- Applying the same grade to multiple “grouped" clips
- Sharing grades between users
- Secondaries
- HSL Qualification – Improving Skin Tones
- Saving a secondary matte or key from an HSL qualification
- Using Key Blur to soften skin tones
- Combining Multiple HSL Qualifications
- Keyframing - moving, copying and pasting them, including auto / manual tracking plus custom shapes
- Using Secondaries without qualifying anything
- Advanced Color FX Room
- Creating a Color FX preset
- Understanding the nodes – when to use them
- Dealing with Interlaced footage
- Keyframing in ColorFX Room
- Nattress Plug-ins
- Primary Out Room
- Using this in combination with other corrections
- Geometry Room
- Adding keyframes in the Geometry room
- Archiving
- How to archive and restore archives of Color Projects
- Workaround to “Save As" with a Color Project
- Interfacing with Final Cut Pro
- How to import color corrections from another Color Project or version
- How to reconform an FCP sequence after color correction has been done
- Tangent Devices WAVE panel
- Customizing your panel
- Using your WAVE panel as a mouse
- Where the customized panel settings are saved for sharing/ moving settings
- Spyder calibration
- Show setup and configuration
- Using the Spyder Cube to white balance in Color – three different methods
- Tek scopes
- How to capture a reference still and use it in matching footage in Color
- Line select mode to isolate an element vertically in the picture
- Review of how to use presets
- Explanation of gamut displays
- Demonstration of proprietary LQV vectorscope display
- Explanation of customizing presets
- Cine-Tal calibration
REQUIREMENTS
- Mac OS X or higher
- 1152 x 864 display
- Speakers
- DVD-ROM drive
- Apple FInal Cut Studio software
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status
cart
Category: 
Mac 
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