Digieffects Damage harnesses the destructive power of lame rabbit ears, bad BNC cables, tree branch-obstructed satellite dishes, poorly tracking VHS machines, scratched DVDs, low fidelity security cameras, micro-datarate cel phones...the list goes on.
Digieffects Damage contains four plugins:
- Blockade: Video acquired by low fidelity devices like cellular phones and PDAs is becoming more commonplace. Blockade makes your clip look like it is highly compressed and being transmitted through a very bandwidth-limited pipe. Areas of subtle color subsample aliasing blocks blending with frame stuttering mimic low data rate rate video acquisition devices. Essential for simulating internet based micro cam display or personal video communication.
- Artifact: Developed to create digital defects, Artifact simulates lost DCT blocks and frame dropping, most often seen when a digital video file suffers from corruption or a satellite feed is hampered by weather. If you've ever experienced these kinds of defects, you'll instantly recognize them. Make sure you warn clients and your house engineer that it's only an effect...
- Interference: If it's television you want, traditionally you'll need some sort of interlaced field scanning to achieve that sense of "broadcast video." Interference creates the look of interlaced video fields, even on progressive footage or still images, adding noise, colorization and offset separately for each field. Interference will make any footage superimposed on CRTs in your scenes instantly more credible.
- Skew: This effect was named after a VTR control of the same name and for those of you who know what control that is, be careful about acknowledging it, as you may be dating yourself. The never-ending quest to aim the rabbit ears so that the television show looks as good once you're in your chair as it did when your hands were attached to the antenna is fast fading into the lore of old... That valuable (if under-appreciated) look is preserved in Skew. Uniquely analog/broadcast image badness like noise, image shearing, ghosts... it's all there. The DTV revolution would eliminate these sorts of problems...thank goodness we were here to save them!
System Requirments
- Mac
- OS X 10.4+
- G4/G5/Mac Intel Processors
- Minimum of 1 GB system memory
- PC
- XP Professional SP2/Windows Vista
- Intel Pentium 4 or AMD Athlon XP
- Minimum of 1 GB system memory
Desert sunrise, Arctic tundra, nighttime urban streets: the look of your footage defines the mood. Now you can define the style of your video or film, regardless of on-set conditions, with powerful imaging tools.
Choose from more than a hundred Look presets, all neatly organized into 10 categories, to help set the mood for everything from a wedding to the next Sundance original.
You also get Magic Bullet LooksBuilder, a stand-alone application that lets you pre-visualize looks on set or anywhere, using a JPEG or TIFF image. Look presets are portable and load into any of the editing hosts, so the same Looks you create on set are the ones you finish with in the editorial suite. It’s no longer necessary to have an expensive finishing system. Magic Bullet Looks provides hundreds of options with one click.
Magic Bullet Looks includes:
- Plug-in for Adobe After Effects, Final Cut Pro, Avid, Adobe Premiere Pro, & Motion
- Stand-alone LooksBuilder application runs on laptops for Looks generation anywhere
- Magic Bullet Misfire, which adds film damage such as dust and scratches to artificially age a film
System Requirements
- Mac
- OS X 10.4+
- G4/G5/Mac Intel Processors
- Minimum of 1 GB system memory
- PC
- XP Professional SP2/Windows Vista
- Intel Pentium 4 or AMD Athlon XP
- Minimum of 1 GB system memory
CATEGORY: 
Mac & 
Win 
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