AG-HVX200 DVCPRO HD Camcorder This handheld DVCPRO HD P2 camera-recorder is designed to meet emerging needs in HD content production. It is Panasonic's first HD video product to use P2, the cutting-edge memory recording device that has the potential to revolutionize the entire production paradigm. (Note: Camera does not include microphone as shown in photo). List Price:  $5995.00 Our Price:  $5399.99   • or •

CATEGORY:	Cameras & Camcorders		PARTNUMBER:	PANN5000001
MANUFACTURER:	Panasonic Corporation		PLATFORM(S):	Mac   &    Win
ON THE WEB:	www.panasonic.com		AVAILABILITY:	Usually ships in 2-business days or less.
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Note! AG-HVX200 DVCPRO HD Camcorder is for sale in North America only. Due to manufacturer's restrictions, Safe Harbor can not ship this product internationally.

AG-HVX200 DVCPRO HD Camcorder Specifications

The AG-HVX200 records HD, either 1080i or 720p video acquired by a new optical system and high-performance digital signal processor onto a P2 card using the broadcasting DVCPRO HD codec. This system achieves a level of image quality that conventional handheld HD cameras simply cannot match, while also supporting HD/SD multi-format and multi-codec recording capabilities. Variable frame rate recording is just one of the features that makes the AG-HVX200 unique in its class. Using technologies that make the Panasonic VariCam camera-recorder a favorite in movie production, this powerful function allows the overcranking and undercranking techniques used with film cameras to create fast-motion and slow-motion effects. The P2 card offers superior reliability, immediate playback and outstanding cost-performance. It allows direct connection to nonlinear editing systems and streamlines the production work flow, by providing to the editing system data files ready to be edited, rather than a video tape which would require the task of digitizing. On top of all its advanced features and technologies, the AG-HVX200 inherits the refined design and easy operation that distinguishes Panasonic's high-value DVX100 DV camera series. In the G-HVX200, video professionals of all kinds will find a powerful tool for giving form to their creative visions. Newly Designed Leica Dicomar 13x Zoom Lens System for HD Applications The New Leica Dicomar® HD Lens Developed specifically for HD recording, this lens system features a large 82-mm (diameter) filter along with 15 lens elements in 11 groups, including three aspherical lenses. The Leica Dicomar lens incorporates Leica optical technology and know-how throughout. The use of low-dispersion glass reduces color aberration and increases resolution, while a multi-coating process minimizes flare and ghosting. This results in sharp, crisp, beautifully rendered images with delicate nuances and exceptional shading. Wide-Angle, 13x Zoom Lens The Leica Dicomar Lens is a powerful 13x zoom lens designed especially for HD video recording. Extending all the way to 4.2mm (equivalent to 32.5mm on a 35mm lens), this lens covers the full wideangle range needed in most broadcast and professional shooting. There's no need for a bulky wide-angle conversion lens. With a minimum object distance (MOD) of approximately 1.9 ft (0.6 meter) in telephoto mode, the AG-HVX200 has true handheld maneuverability. And with the same cam-driven zoom ring acclaimed in the DVX100 series, the AG-HVX200 gives you the superior operability and control you need in demanding applications. OIS (Optical Image Stabilizer) Panasonic's advanced OIS (Optical Image Stabilizer) dramatically reduces the blurring caused by hand-shake. Optical processing with an automatic correction function helps assure consistently clear, sharp images. New Progressive CCD and DSP: Achieve Higher Sensitivity and Image Quality New High-Sensitivity Progressive CCD Each pixel has a large light-receiving area, giving this newly developed 1/3-type progressive CCD the kind of high sensitivity not available in previous compact HD cameras. This advanced CCD combines with a newly developed digital signal processor (DSP) in combination with a very sophisticated offset spatial technology acheives a balance of high resolution and high S/N ratio that rivals HD broadcasting cameras. New DSP with 14-bit A/D Conversion and 19-bit Processing The AG-HVX200's newly developed digital signal processor for 1080/60p video signals uses 14-bit A/D conversion and 19-bit inner processing to attain unprecedented accuracy. While the camera does not record 1080/60p, it is from this capture that all other signals are made. The DSP performs a variety of adjustments, including eight types of gamma settings, for each of the R, G and B channels. It also converts the signals to HD or SD format. With a performance equivalent to the processors used in many higher-end HD cameras, this new DSP helps the AG-HVX200 deliver beautiful images in all video formats. High-Resolution Native Progressive 1080/60p Scan Progressive to interlace conversion, cross conversion and down conversion all start with the 1080p/60 scan. That initial 1080p Native Progressive Scan offers the highest level of vertical resolution possible at this level of camera. Keep in mind that the camera does not record this signal but uses it as a basis for all capture. The result is an HD or SD recording with a level of image quality that electronically processed scans cannot match. DVCPRO HD: The Image and Sound Quality Broadcasters Demand Supports Multi-Codec Recording The Superb Images and Sound of DVCPRO HD Codec Using the DVCPRO HD codec recording system, the AG-HVX200 records HD video with outstanding image and audio quality onto a P2 card in file format. This codec, thanks to a low compression ratio at a video bit rate of 100 Mbps (1080/59.94i, 720/59.94p) and the easy-to-edit intraframe compression system, is suitable for recording fast-moving subjects with no motion artifacts other than motion blur. The 4:2:2 sampling rate minimizes jaggies at chroma edges and is advantageous in image and compositing. Sound quality is excellent too, thanks to DVCPRO HD's uncompressed 16-bit, 4-channel digital audio recording capability. HD/SD Multi-Format Recording The AG-HVX200 is the world's first*1 compact camera to offer 1080/24p recording*2. It can record onto a P2 card in 1080/60i or 720/60p HD, and it's compatible with the SD (480i) format currently used in TV broadcasting. The multi-codec system lets you record in DVCPRO 50, DVCPRO and DV.*3 *1: As of November 2005, according to a Panasonic survey *2: In 1080/24p, Images are recorded in 60i by 2:3 pull-down. *3: The P2 card can be used for recording video in any codec. Mini DV tape can record video in the DV format. Both 16:9 and 4:3 aspect ratios are supported in SD, 16:9 only in HD. A Semiconductor Memory that Reflects Today's Leading Digital Technologies Super-Compact, Large Capacity and High Speed P2, which stands for Professional Plug-in, is a compact solid-state memory card designed for professional AV use. Basically, four SD Memory Cards are packaged together to create a single P2 card. When striped as a RAID 0 array, this gives the P2 four times the transfer speed and four times the capacity of a single SD Memory Card. A slim, large-capacity 8-GB*1 P2 card (AJ-P2C008HG) can hold 32 minutes of DVCPRO/DV codec recording yet weighs only about 45 grams. Compliant with PC Card standards (Type II), the P2 card plugs directly into the card slot of a laptop PC.*2 AV data on the card mounts instantly, with each cut as an MXF file. The data can be used immediately - no digitizing necessary - for nonlinear editing, or it can be transferred over a network. The P2 far surpasses all other AV media in transfer speed, too. The P2 cards transfer data at up to 640 Mbps*3, which can greatly speed up production processes. *1: Total card capacity includes space for data management such as system data; therefore, actual usable area is less than the capacity indicated on the card. *2: The P2 card driver (standard equipped) must be installed. The P2 card driver operates under Windows XP and Windows 2000. *3: This data transfer speed is a theoretical value. The actual data transfer speed varies according to operating conditions and other ancillary devices. Reliable Performance, Repeatedly Reusable P2 cards provide superb reliability in even the harshest environments. P2 cards withstand shock up to 1,500 G and vibration up to 15 G, operate in temperatures from -4 to 140°F (-20 to 60°C), and can be stored in temperatures from -40 to 176°F (-40 to 80°C). In durability too, the P2 card goes well beyond ordinary PC cards. Its connector portion, for example, is specially designed for professional use and has passed insertion/removal tests of more than 30,000 cycles. P2 cards also have a write protect switch that helps prevent accidental data deletion. Solid state memory has the unique advantage of being rewritable, over and over again, in part because it is a non-contact media and requires no rotation. You can use the same P2 card again and again for years - slashing media expenses while also minimizing impact on the environment. P2: The Next-Generation Media Immediate Startup and Better Data Protection When you press the Record Button in standby mode, the AG-HVX200 instantly finds a blank area of the P2 card and begins recording. It can begin recording immediately even when you're using it to preview video. In normal use, there's no chance of accidentally overwriting a recording. Recordings will not be erased unless you intentionally delete a file or initialize the card. Hot-Swap Recording and Other Functions that Add Versatility Hot-swap recording: Thanks to the AG-HVX200's two card slots, you can hot-swap P2 cards and have continuous non-stop recording. With multiple cards you can record for hours without interruption. Or, using an AJ-PCS060G, the "P2 Store," external hard drive, you can download recorded files from a P2 card and then initialize it (erasing the files), so it's ready for re-use. Loop recording: Using two P2 cards and setting the AG-HVX200 for consecutive overwriting, you can repeatedly re-record during a particular recurring time slot, always maintaining a recording of the most recent period. Unlike video tape, P2 cards need no rewinding. They minimize wasted time and allow seamless, continuous recording. This makes them especially useful for unattended monitoring. Pre-rec: While in standby mode, you can continuously store, and subsequently record, up to 7 seconds in DVCPRO or 3 seconds in DVCPRO HD of video and audio. In effect, this lets you record footage of events that occur even before you press the rec start button, giving you a way to "go back" and capture moments you otherwise would have missed. One-shot rec: Convenient for producing animation, this mode records for a set time (from 1 frame to 1 second) each time you press the Start button. Interval rec: Recording one frame at a time at set intervals (from 2 frames to 10 min), this mode is useful for monitoring and special ultra-undercranking effects. Clip Thumbnail/Data Function The AG-HVX200 records each cut as a clip (file) and automatically attaches a thumbnail image and file information to it. To preview a clip on the LCD monitor or to check clip data, simply choose the clip you want from the list of thumbnails. The Thumbnails and the Timecode information also can be displayed using nonlinear editing software*. * Supported by Apple, Avid, and Canopus. Shot Marker Function If desired, you can add a simple OK/NG shot marker to each clip either during or after recording. When a P2 card containing marked clips is inserted* in a PC, the PC will display with a M demarkation in the P2 viewer which of the clips is the one with the Marker. * The P2 card driver (standard equipped) must be installed. The P2 card driver operates under Windows XP and Windows 2000. Allows Cinematic Expression - A First in this Class Variable Frame Rate from 12 to 60 fps Panasonic's VariCam - named for its ground-breaking variable frame rate capability - is widely used in the production of movies, TV programs and commercials. Now with the AG-HVX200, the variable frame rate function is available for the first time in a compact camera. In 720p mode*, the frame rate can be set from the conventional 24p/30p to any of 11 steps between 12p and 60p. Like the VariCam, the AG-HVX200 allows the undercranking and overcranking used with film cameras to create fast-motion and slow-motion effects. *In 1080 and 480 modes, the frame rate can be set only to 24p or 30p. Equipped with Native and Over-60p Modes for Previewing Visual Effects New 720p Native Mode In the new Native mode, the AG-HVX200 records images at the frame rate set in the camera. For example, in 24p mode it records 24 frames. Using the AG-HVX200 to play back the recording at the normal rate, you can preview the speed effect right on the spot, without using a frame rate converter. Native mode also extends the recording time of a P2 card. 720p over 60p Mode This is a VariCam-compatible mode for recording 60p-converted video. For example, in 24p mode it records 60 frames by applying a 2:3 pulldown. The recording time is the same as in 1080i or 720p mode, but the unit can output a DVCPRO HD stream from the IEEE 1394 connector as it records. This lets you produce a backup copy using a connected external Hard Disk recorder, such as the Panasonic AJ-HD1200A DVCPRO HD recorder or the FOCUS FireStore FS-100. 1080/480 24p Advance Mode The 1080 and 480 progressive recording systems convert recordings to 60i in 24p, 30p, or 24pA (Advance) mode. The 24p Advance mode uses 2:3:3:2 pulldown and performs 60i/24p conversion with minimum image degradation when recording data is captured via an IEEE 1394 interface to a compatible nonlinear editing system. This lets you maintain superior image quality throughout the production process. 24p=23.98p, 30p=29.97p, 60p=59.94p and 60i=59.94i Cine-Like Gamma Provides Warmer, Film-Like Color Tones Eight-Mode Gamma for Richer Gradation Drawing on technologies developed for the VariCam, Panasonic has equipped the AG-HVX200 with advanced gamma functions that address eight different shooting scenarios and expands your creative abilities. Included are the Cine-Like Gamma, which gives recordings the characteristic warm tone of film recordings, and a News Gamma that's designed especially for news gathering. Create Slow-/Fast-Motion Effects Using Mini DV Tape In addition to its two P2 card slots, the AG-HVX200 is equipped with a mini DV tape drive. This allows recording in 60i, 30p, 24p or 24pA (Advance) modes, just like AG-DVX100 series models. It also lets you down-convert an HD source (1080i/720p) recorded on a P2 card and copy it to a mini DV tape. During copying, frame-rate conversion is applied to overcranked and undercranked HD image sources in 720p native mode. This lets you create special speed effects during DV production - until now, a feat possible only with a complete VariCam system. Manual Zoom, Focus, Iris and Gain Functions for the Professional Cam-Driven Manual Zoom The cam-driven (mechanical) manual zoom ring provides the same fast, precise zooming as cameras with interchangeable lenses. You'll also enjoy the operating feel. When you turn the zoom ring, you experience the same kind of steady resistance as you feel with 35mm lenses. The AG-HVX200's servo-driven zoom also allows slow zooming. Manual Focus with Center Zoom Enjoy quick, sharp focusing manually or automatically. In manual mode, the focus ring gives you the same kind of operating feel and responsive control as cameras with interchangeable lenses. An HD-compatible focus assist (Center Zoom) function enlarges the center part of the image, making it easier to get the more precise focus needed in HD production.In auto mode, you get quick focusing when shooting at a high or low angle. When set to infinity, the focal distance is immediately prepared for the next manual focus. When in manual mode, pressing the Push Auto button temporarily activates auto focus. Manual Aperture The large aperture dial (direction setting possible) is designed for easy manual operation. You also can add backlight correction or spotlight correction to the auto aperture function. Gain, ND Filter Increases gain up to 18 dB. The selector has three positions: L is fixed at 0 dB; M and H can be set to 0, +3, +6, +9, or +12 dB. +18dB can also be quickly accessed by the use of the USER 1, 2 or 3 switch. Two ND filters (1/8 ND, 1/64 ND) are built-in and easily accessible. Slow, Synchro and High Speed Shutter Used with the variable frame rate functions, this allows you to create a blurring effect or crystal clear stop motion sports action. The AG-HVX200 also features a synchro scan function that's suitable for capturing screen shots from a computer monitor. Scene File, User Buttons and Auto Functions for Quicker, Easier Shooting Scene File Dial Set this dial for a set of shooting conditions, and later you can instantly retrieve the settings when needed. Six preset files are provided, and you can change any of the six file names and their settings as desired. You can also transfer the setting files to an SD Memory Card. Three User Buttons The AG-HVX200 has three user buttons, each of which can be assigned any one of 12 functions (rec check, spotlight, backlight, black fade, white fade, ATW, ATW lock, gain 18dB, focus ring, memo/index, slot sel, shot mark). The assigned functions can then be accessed at the touch of a button. Auto/Manual Mode Selector Just select the auto position to turn on Auto Aperture, Auto Gain, Auto Tracking White Balance, and Auto Focus - and you are immediately ready to shoot. You can also customize the auto mode by removing functions and setting the gain to any value desired. White Balance with the Auto Tracking White Function One press of the AWB button is all it takes to adjust the white balance and black balance. There are three white balance values to select from: one that's preset, and two (A, B) that you can set and save in memory. The auto tracking white balance (ATW) function can also be assigned to any of the three positions. The ATW mode supports fast, active shooting by adjusting the white balance in real-time as lighting conditions change. XLR External Microphone Inputs and Manual Adjustment Capability Meets Professional Audio Needs XLR Audio Inputs In addition to the built-in stereo microphones, the AG-HVX200 is equipped with two XLR audio input terminals with a 48-V phantom power supply for professional use. Both input 1 and input 2 can be switched between line and mic, and Audio is locked to the Video, unlike consumer DV camcorders. Audio Dials and Flexible Input Selection The AG-HVX200 has the same kind of level-adjustment dials as DVCPRO camera-recorders. This practical design incorporates professional operating features that have been refined over years of use on location. A switch lets you select built-in mic, input 1, or input 2 for the audio input of both channel-1 and channel-2. Auto level control can be turned on or off. Ergonomic Design Throughout - Including the Viewfinder, Monitor and Handgrip Large Electronic Viewfinder The large viewfinder makes it easy to view content, even with your eye at a slight distance, and it tilts upward 90 degrees for easy low-angle shots. The AG-HVX200 also has a detail (PEAKING) function. 3.5" Color LCD Monitor The large, bright LCD monitor opens all the way to 120 degrees and swivels freely within a range of 270 degrees. This makes it easy to shoot from a variety of angles and view the image comfortably. In 16:9 wide-screen mode, the AG-HVX200 can display images in letterbox format. Trigger and Zoom Control on Upper Handle Grip In addition to the lens grip, the upper part of the handle grip contains both the Rec Start/Stop button and a lens zoom control. This design assures easy shooting even at low angles or when using a tripod. The zoom speed can be set to any of three speed levels or off. Magnesium Alloy Chassis The AG-HVX200 has the same magnesium alloy diecast chassis as our DVCPRO broadcast models. This ultra-tough, ruggedly built camera-recorder protects the precision parts within, giving the AG-HVX200 outstanding reliability and durability. Built for professionals, the AG-HVX200 stands up to the bumps and jolts that may occur in the field. Support Functions for Greater Convenience Mode check: Displays a list of the camera settings on the viewfinder and monitor. Zebra: Select any two levels from among 50% to 105%, in 5% steps. Tally lamps: Provided on the unit's front and rear, and menu switchable. Center Marker: Provides an accurate numeric display of the brightness at screen center. Remote: Controls zoom, rec, focus and iris Advanced Image Adjustments Built-In Matrix setting including "Cine-like" mode Adjustable V detail level, detail coring and skin detail Adjustable chroma phase, color temp and master pedestal Knee point settings: Auto, Low, Mid and High System Interfaces Compatible with Mac and Windows Nonlinear Editing With its IEEE 1394 (4-pin) and USB 2.0 interfaces, the AG-HVX200 connects directly to Mac and PC. The IEEE 1394 port supports SBP2 (Serial Bus Protocol 2) and allows direct connection to a Mac, making it easy to transfer P2 files for use with FinalCutPro nonlinear editing software. When you've recorded on mini DV tape, the AG-HVX200 can stream to a conventional DVcompatible nonlinear editing system. The USB 2.0 interface lets you transfer P2 files to a Windows PC for use with a nonlinear editing system (such as an Avid or Canopus product). These two interfaces provide you the best performance for Mac and Windows nonlinear editing systems. External Recording with IEEE 1394 Streaming The IEEE 1394 interface can be used to control an external device synched with the camera's Start/Stop operation, making it easy to create backup recordings. Compatible devices include the AJ-HD1200A (for DVCPRO HD recording), the AJ-SD93 (DVCPRO 50/DVCPRO), and the AG-DV2500 (DV). Also, when used with the FOCUS FireStore FS-100, the AG-HVX200 can provide extendedtime recording in all codec formats, including DVCPRO HD (except in native recording mode). Transferring Files to an External HDD The AG-HVX200 offers a host function. Insert a P2 card in the card slot, and data can be transferred to an external hard drive (or other standalone disk device) via the IEEE 1394 port. Analog Component Signal Output The AG-HVX200 is equipped with analog component signal (Y, Pb, Pr) terminals for outputting 1080i, 720p and 480i (each 59.94 Hz) camera video signals. This lets you preview recorded clips on an ordinary HD/SD TV monitor. 16:9 Squeeze and Letterbox Modes The AG-HVX200 can record in SD with a 16:9 or 4:3 aspect ratio. When 16:9 is selected, the AG-HVX200 can record in native 16:9 recording or can be switched to a letterboxed 4:3 image. TC Set and User File Copy with Multi-Cameras Connecting two AG-HVX200 units together with an IEEE 1394 cable allows set initial time-code, which then enables time-code-matched editing with multiple camera-recorders. The built-in SMPTE time-code generator/reader lets you select the Drop Frame/Non-Drop Frame and Free Run/Rec Run modes, preset and regenerate*. User bits are also provided. User files (with sets of camera settings) can be transferred to an SD Memory Card. This makes it easy to synchronize images recorded simultaneously using multiple cameras. * Regenerate - available in tape mode. Compatibility with Nonlinear Editing Systems In developing DVCPRO and P2 products, Panasonic worked in collaboration with a number of strategic P2 Partners. The results are products that offer maximum compatibility with existing hardware and software, including IT-based system platforms and nonlinear editors and network servers. Apple, Avid and Canopus have announced support of the DVCPRO HD P2 file recorded by the AG-HVX200. Using nonlinear editing systems from these three leading companies, you can produce HD videos from DVCPRO HD native files. Specifications: General Supply Voltage: DC7.2V / 7.9V, Battery or DC Input Power Consumption: 11.6W (when viewfinder is used, and recorded in HD format) 12.0W (when LCD monitor is used, and recorded in HD format) 14.0W (Max) Operating Temperature: 32°F to +104°F (0°C to +40°C) Operating Humidity: 10% to 85% (no condensation) Weight: Approx. 5.291 lb (2.4kg) excluding battery and accessories Dimensions (WxHxD): 6-11/16" x 7-1/8" x 15-3/8" (168.5 x 180 x 390 mm) excluding prominent parts Camera Pick-up Device: 3CCD (1/3-inch interline transfer type and progressive modes supported) Lens: LEICA DICOMAR lens with optical image stabilizer, motorized/manual mode switching,13 x zoom, F1.6 (f=4.2mm to 55mm) (35mm equivalent: 32.5mm to 423mm) Filter Diameter: 82mm Optical Color Separation: Prism system ND Filter: 1/8, 1/64 Gain Selection: (60i/60p mode) 0/+3/+6/+9/+12/+18 dB (30p/24p/ mode) 0/+3/+6/+9/+12/+18 dB Frame Rate: variable 12/18/20/22/24/26/30/32/36/48/60 fps (frame/sec) Shutter Speed (Preset): 60i/60p mode: 1/60 (OFF), 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000 sec. 30p mode: 1/30, 1/50 (OFF), 1/60, 1/120, 1/250, 1/500, 1/1000 sec. 24p mode: 1/24, 1/50 (OFF), 1/60, 1/120, 1/250, 1/500, 1/1000 sec. Shutter Speed (Variable): 60i mode: 1/60.0 sec.to 1/250.0 sec. (Video Cam Mode) 30p mode: 1/30.0 sec to 1/250.0 sec. 24p mode: 1/24.0 sec.to 1/250.0 sec. (Film Cam Mode) Aperture Angle: 10° to 350° Slow Shutter Speed: 60i/60p mode: 1/15, 1/30 30p mode: 1/15 24p mode: 1/12 Minimum Luminance: 3 lux Video P2 General (DVCPRO HD, 1080i/720p) Sampling Frequency: Y: 74.25 MHz, Pb/Pr: 37.125 MHz Quantizing: 8 bits Compression: Compression ratio 1/6.7, DCT + variable length code Recording Bit Rate: 100Mbps Audio P2 General (DVCPRO HD, 1080i/720p) Sampling Frequency: 48 kHz / Quantizing 16 bits / 4ch Frequency Characteristics: 20 Hz ro 20kHz Wow & Flutter: Below measurable limits Memory Card Recording Format: DVCPRO HD/DVCPRO 50/DVCPRO/DV selectable Video Recording Signal: 1080/60i - 24p/24pA/30p (all convert to 60i and record) 720/60p - 24P/30p (all convert to 60P and record), 720/24pN, 720/30pN 480/60i -24p/24pA/30p mode (all convert to 60i and record) Audio Recording Format: PCM digital recording 48 kHz /16 bits 4ch (DVCPRO HD / DVCPRO 50), 2ch/4ch selectable (DVCPRO / DV) Recording Time (Approx)*: 8 minutes with one AJ-P2C008GB (DVCPRO HD, 1080/60i) 20 minutes with one AJ-P2C008GB (DVCPRO HD, 720/24pN) VTR part General Recording Format: DV (25Mbs only, 4:1:1, 5:1 compression) Tape Format: Mini DV cassette (6.35mm width metal evaporated tape) Recording Video Signals: 480/60i (NTSC), 24p/24pA/30p mode (all convert to 60i and record) Recording Audio Signals: PCM digital recording, 16 bits: 48kHz/2ch or 12 bits: 32kHz/4ch Recording Tracks; Digital video / audio signals: helical track Time code: helical track (sub-code area) Tape Speed: SP mode: 18.812mm/sec, LP mode: 12.555mm/sec Recording Time: SP mode: 63 minutes, LP mode: 94 minutes (When using AY-DVM63MQ) FF/Rew Time: Approx.140 sec. (when AY-DVM63MQ is used) Video connectors Video Out: Analog component, Y: 1.0Vp-p , 75?, Pb/Pr: 0.7Vp-p , 75 Video In/Out: Phono, Analog composite, 1.0Vp-p , 75 (In/out automatically switched, Input DV tape mode only) S-video In/Out: 4-pin, Y/C Y: 1.0Vp-p , 75?, C: 0.286Vp-p , 75 (In/out automatically switched, Input DV tape mode only) Audio connectors Audio In/Out: Phono x 4 (ch1,ch2), (In/out automatically switched) Input :316mV, High impedance, Output:316mV, 600? Microphone/Line Input: XLR x 2(Input 1 / Input 2), LINE / MIC selectable Line: 0dBu, MIC: -50/-60dBu (selectable in menu GUI) Internal Microphone: Stereo Microphone Phones: Stereo Mini jack (3.5mm diameter) Other connectors IEEE 1394: 4-pin Digital input/output, based on IEEE 1394 standard USB: Type mini B connector (USB ver.2.0) Camera Remote: Zoom, Rec (Start/Stop) Super Mini jack (2.5mm diameter), Focus Iris, Mini jack (3.5mm diameter) DC Input: 7.9V Monitor, Speaker, AC Adapter, and other packages LCD Monitor: 3.5 inches, LCD color Monitor, 210,000 pixels Viewfinder: 0.44 inches, LCD color Viewfinder, 235,000 pixels Internal Speaker: 28mm round shape x 1 AC Adapter: Weight: 160g, Dimensions: 70 (W) x 44.5 (H) x 116 (D)mm Supplied Accessories: AC adapter/charger, AC Cord, DC Cord, Battery (5400mAH), Wireless remote controller, Microphone holder, Shoulder strap, Component Video cable, P2 card software driver install (CD-ROM ) * Time shown above is when you record a series of 1 shot to P2 card. Depending on numbers of shots you record, time will get shorter than the number shown above. Features: True high definition image quality with low-compression DVCPRO HD intraframe recording Multiple formats: DVCPRO HD, DVCPRO 50, DVCPRO, DV selectable High definition recording formats: 1080/60i, 1080/24p, 1080/24pA, 1080/30p, 720p (variable frame rates) Standard definition recording formats: 480/60i, 480/24p, 480pA, 480/30p CineSwitchTM technology for variable frame rates in 720p mode: 12, 18, 20, 22, 24, 26, 30, 32, 36, 48, 60fps 1/3" 16:9 native high-sensitivity progressive 3-CCD with 1080/60p scanning New DSP with 14-bit A/D conversion and 19-bit internal processing for unprecedented accuracy 16:9/4:3 switchable for standard definition recording, 16:9 native for HD Wide angle Leica Dicomar HD lens with optical image stabilizer (motorized/manual mode switchable) High resolution 235,000 pixel .44" electronic viewfinder (EVF) with 90 degree tilt and detail function (for easier focusing) High resolution 210,000 pixel flip-out 270 degree 3.5" LCD display Thumbnail display for easy searching and file information Auto/manual focus with focus assist (even during recording) Cam-driven manual zoom 13X zoom range: focal length = 4.2 to 55mm (35mm equivalent: 32.5 to 423) Advanced gamma functions and eight gamma settings including two CineGammaTM modes and NewsGammaTM mode Advanced image adjustments: color matrix, detail, chroma phase, color temp, knee points Two ND filters: 1/8, 1/64 82mm filter diameter Two P2 card slots with hot swap capability Hot swap, loop, pre-record (3 seconds in HD, 7 seconds in SD), one shot, and interval recording functions Mini-DV tape transport for DV recording Internal downconversion and frame rate conversion from HD source recorded on P2 cards to Mini-DV tape 48kHz 16-bit 4-channel PCM audio (2 XLRs with phantom power) Built-in stereo microphone (unidirectional microphone optional) Audio dials and flexible input selection Analog component (Y, Pb, Pr) output Composite input/output S-Video input/output Standard IEEE 1394 interface External recording to FOCUS FireStore FS-100 via IEEE 1394 streaming Host mode for transferring previously recorded content on P2 cards to an external hard drive via IEEE 1394 Compatible with nonlinear editing systems from Apple, Avid and Canopus USB 2.0 SD memory card slot for sharing scene files Remote control for zoom, record (start/stop) Remote control for focus, iris control SMPTE timecode reader/generator with timecode matching with multiple cameras via IEEE 1394 SMPTE color bars Three programmable user buttons Six pre-set scene files (user programmable) Shot marker function Slow, synchro and high speed shutter White balance with auto tracking white function Trigger and zoom control on upper handle grip Ultra-tough magnesium alloy chassis Supplied accessories include CG-AD54SE/1B Lithium-Ion 7.2V / 5400mA snap-on battery, AG-B15 AC adaptor/battery charger, microphone holder, component video cables with RCA-BNC adaptors, remote control, shoulder strap and instruction manual

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AG-HVX200 DVCPRO HD Camcorder Frequently-Asked Questions

1. AG-HVX200 FAQ - REVISED 01/11/06 How is DVCPRO HD different than other HD formats? There are several HD formats in the industry, namely D-5 HD, HDCAM, HDV and others that can be classified as either an intermediate codec, like one that may be used in the editing domain. DVCPRO HD’s main characteristics are 100 Mbps, frame independent resolution (intraframe recording), 4:2:2 color sampling, and the use of metal particle tape or solid-state memory P2 cards. What are the benefits of solid-state technology? Because solid-state recording does away with the parts that are found on traditional tape mechanisms, it has a quiet operation; is virtually maintenance-free; and can be used in extreme and harsh environments. What signals does the HVX200 record? This camera handles standard-definition in 3 modes: DV and DVCPRO (which are 25 Mbps) and DVCPRO50, which as the name implies, is 50 Mbps, which is also 4:2:2 and has been compared favorably with DigiBeta. It also handles DVCPRO HD high definition at 100 Mbps in 1080i or 720p, recording onto P2 cards. Does the HVX200 record still images? The HVX200 can do a single frame capture in the intervalometer section of the camera. If you use an NLE application, you will be able to select that frame on the timeline and export it as a single still frame. Does the HVX200 support NTSC and PAL signals? There will be two versions of this camera; one to support the NTSC market, and one to support the PAL market. What frame rates does the HVX200 support? In 720p mode this camera handles: 12, 18, 20, 22, 24, 26, 30, 32, 36, 48, 60 fps. How does the HVX200 record 24P? It shoots every frame as a progressive frame, so it is true 24P (more accurately known as 23.98 fps). In most recording modes, duplicate frames are added in a 2:3 or a 2:3:3:2 pull-down cadence and the progressive frames are divided into two fields in order to conform to existing interlace 29.97 formats. The 2:3 mode follows all of the conventions of film to tape transfer, so that the recorded material can be treated as a film transfer or in the 2:3:3:2 mode it can be extracted for 24 frame editing. In the 720p "Native Capture" mode only flagged frames are captured with 23.98 time code; these files are directly compatible with a 720p 24-frame timeline, and require only 40% of the storage capacity of 720p 60 fps or 1080i HD recording. What type of lens does the HVX200 have? It has a wide-angle Leica Dicomar high definition lens with optical image stabilizer (which can be turned off). It has a 13X zoom range, or rather 4.2mm to 55mm in focal length; widest aperture is F1.6. What size is the 3-CCD imager? The imagers are 1/3" CCD, 16:9 native aspect ratio. These are scanned and captured at 1080/60p, and the signal is then converted to 1080i, cross converted to 720p or down converted to 480p/480i, or cross converted for the many modes on this camera. This assures the highest quality of recording. Is the HVX200 16:9 or 4:3? The HVX200 has 16:9 native imagers, and it is capable of recording 4:3 video in any of the standard definition modes. What are the size and resolution of the LCD display? The size is 3.5" and the resolution is 210,000 pixels. There are two focus assist modes available; one will zoom in on the center of the picture and give a 2X zoom of that image, so that focusing can be checked even during record. There is also a peaking circuit to aid in determining proper focus. What resolution is the viewfinder? 235,000 pixels. It has the same focusing assist functions as the 3.5" LCD. Does the HVX200 have manual or automatic focus? Both manual and automatic focus are available. You can also adjust focus manually while the auto focus is working. Does the HVX200 have manual or motorized zoom? Like the DVX100, the HVX200 has both manual and motorized zoom options. Unlike many "prosumer" camcorders, the HVX200 has a mechanical zoom movement rather than an optically coupled system, snap zooms are a real possibility. What is the zoom range of the HVX200? 13X, 4.2 to 55mm (35mm equivalent: 32.5 to 423) What video inputs and outputs does the HVX200 have? It pretty much covers the range of needed inputs and outputs, as it has HD Analog Component, 1080i, 720p, cross-converted 720p-1080i, 480i (D4) output, Composite input/output, S-Video input/output, Standard IEEE 1394 interface and USB 2.0. How many channels of audio does the HVX200 support? It supports 4 channels of PCM 48K 16-Bit audio via 2 XLR connections in DVCPRO HD, and DVCPRO50; 2 channels in DVCPRO and DV. DV tape can also record 32K 12-Bit signals for 2 channels live and 2 for dubbing later. Does the HVX200 have IEEE 1394 (FireWire) interface? Yes, both streaming and file transfer. Does the HVX200 have USB 2.0 connectivity? Yes, for file transfer. What are CineGamma and NewsGamma? In addition to regular video gamma controls, Panasonic developed these two gamma sets specifically to help with film-look and news production. CineGamma is derived from the one found on the VariCam®, which helps emulate the latitude of film. NewsGamma helps to preserve important image data by suppressing over-saturation in highlight areas during sudden changes in contrast, which may happen as news in progress is being captured. What shutter speeds does the HVX200 support? Regular shutter speed. 60i/60p mode: 1/60 (OFF), 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000 sec. 30p mode: 1/30, 1/50 (OFF), 1/60, 1/120, 1/250, 1/500,1/1000 sec. 24p/24pA mode: 1/24, 1/50 (OFF), 1/60, 1/120, 1/250, 1/500, 1/1000 sec. Does the HVX200 support Synchro-Scan Shutter? Progressive mode off: 1/60.3…1/250.0 Progressive mode 30p: 1/30.1 …1/48.0 …1/250.0 Progressive mode 24p/24pA: 1/24.1 …1/48.0 …1/250.0 What are the gain settings of the HVX200? 0/+3/+6/+9/+12/+18 dB (60i/60p mode) 0/+3/+6/+9/+12/+18 dB (progressive mode (30p/24p/24pA) (Note: set to 0dB when the slow shutter mode is used) Can I control focus and iris remotely? Yes. The HVX200 has a mini-plug connector that allows for focus and iris remote controls to be plugged in. What is the filter size of the HVX200? 82mm What signals and frame rates does the HVX200 support on Mini-DV tape? While recording with the tape drive portion of the camera, you record in 25Mbps Mini-DV mode and in 30 frames per second. 24p and 24pA are available in NTSC models. You can also record variable frame rate footage in 720p mode and internally dub this footage to DV, offering a unique function and effect to your DV productions. Can I use the HVX200 as a Mini-DV VTR source? Using cameras as a VTR source is possible, but if this is a function that you wish to do all of the time it is recommended that you purchase a VTR for this purpose. Can I record directly to a FireStore drive (Focus Enhancements)? Yes. The FS-100 from Focus Enhancements will give 90-100 minutes of high-definition content in 720p or 1080i modes. In DVCPRO50 it will record 200 minutes, and in DV or DVCPRO it will offer 400 minutes. Can I use the FireWire output to transfer previously recorded content from P2 cards to an external hard drive or Apple iPod? Yes, we have done tests on original iPod models over FireWire by putting the camera into the "Host Mode," though its performance is a little slow. However, the latest iPod models do not have a FireWire port. On a standard 1394 drive, it would be a bit faster. Can I transfer scene files over FireWire? Transferring Scene Files is done using the SD Memory Card. In fact, you can attach the Scene Files to an email and send them to other production groups, who in turn will be able to match their cameras to the original one. Can I transfer timecode over FireWire? FireWire, as a transport specification, includes the transfer of timecode information. So yes, timecode will be transferred over FireWire. What’s inside a P2 card? There are four error-free, 20MB transfer speed SD Memory Cards, a printed circuit board, LSI computer controllers to allow for maximum data speed, cardbus connectors and several clamping plates and a die casting for protection. What sizes of P2 cards are available? Currently there are 3 sizes: 2GB, 4GB and 8GB. Larger ones will be forthcoming, as the consumer market drives demand for higher capacity SD Memory Cards. How many P2 cards can the HVX200 hold? It can hold two P2 cards, as it has two P2 card slots. How much recording time do I get on a P2 card? It will depend on what mode you are recording in. For DVCPRO it is 4 minutes per GB; in DVCPRO50, it is 2 minutes per GB; in DVCPRO HD 720p it is 1 minute per GB, and in DVCPRO HD 1080i it is 1 minute per GB. Using the 720p Native Capture mode, only the flagged frames are recorded so the running time will depend on the frame rate (just like film). A rule of thumb in this mode would be to treat 1GB as 100 feet of 16mm film or 250 feet of 35mm film. For example, running an 8GB card at 24P in this mode will give you about 20 minutes per card of 24P HD footage. Or more simply, if shooting 720/24p, you would get 2½ minutes per GB. How can I record for durations longer than the P2 cards’ capacity? In three ways: you can continuously record over from one P2 card to the next and hot swap them for unloading, or you can use the FS-100 mentioned above, which is an external FireWire drive. You can also open your capture window in your NLE and capture via FireWire to your external drive. What do I do with footage after I’ve recorded it on a P2 card? There are several things you can do. You can view the contents of a P2 card via the P2 drive connected to your PC. Or you can import it directly to your NLE via the camera’s FireWire port. How do I archive footage shot with the HVX200? Either in hard drives, SAIT, DLTs, LTOs, Blu-ray or DVD solutions. Which computers are compatible with P2? P2 cards are compatible with computers with both Windows and Apple operating systems. Apple computers recognize the P2 card via the Final Cut Pro editing application from the P2 Drive, the P2 Store or the camera. The same sources work for the PC but additionally there is the PCMCIA slot on the PC, which will recognize the P2 card. Additionally there is a driver that will enable the PCMCIA slot on the Apple laptop to read the P2 card as well. A separate freeware application called P2 Viewer, supplied with the camera, is currently only available for Windows XP. Are the P2 Store and P2 Drive compatible with Windows and Apple computers? Yes. The P2 Store and P2 Drive support Windows 2000, Windows XP and Apple operating systems. Drivers for all operating systems are included with the P2 Store. Which editing systems are compatible with the HVX200? From Apple: Final Cut Pro; from Avid: NewsCutter® XP, NewsCutter® AdrenalineTM FX and S/B Xpress Pro HD; from Canopus: Edius HD. What kind of battery comes standard with the HVX200? 5400mA What comes in the box with the HVX200? Camcorder, battery, AC adapter, remote, component cable and instruction manual. What optional accessories are available for the HVX200? Many manufacturers are developing or have developed products to complement this camera. The following is the abbreviated list: Disk Recording - Focus Enhancements Lens Adaptors - Schneider (Century) Optics, P+S Technik, Red Rock Glass Filters - Tiffen Matteboxes - Vocas Remote Controls - VariZoom, Manfrotto Underwater Housings - Gates, Equinox Tripods - Bogen Imaging, Sachtler, Vinten Bags - Kata Cases - Portabrace

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