Innovative solutions for video editing, motion graphics, and post production

Twixtor Pro (Adobe)

Twixtor intelligently slows down, speeds up or changes the frame rate of your image sequences. Call for upgrades!

Our Price: $595.00
Twixtor Pro (Adobe)

Add Twixtor Pro (Adobe) to your cart to order securely online  • or •  Call 800-544-6599 to order Twixtor Pro (Adobe) by phone

Category: 
NLE Plugins & Effects Software
Partnumber: 
REVN0290037
Manufacturer: 
RE:Vision Effects
Platform(s): 
Apple Mac  &  Windows Win
On the Web: 
www.revisionfx.com
Availability: 
After 3PM CST, electronic products may not be invoiced until next business day. Please allow up to 24 hours for delivery.
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Delivery: 
Electronically delivered via email or FTP

DESCRIPTION
Compatible with Premiere Pro CS6, After Effects CS6 and Final Cut Pro X!

Twixtor raises the bar in motion estimation. Twixtor is much more accurate, tracks objects farther, and exhibits fewer artifacts when there are objects crossing in the scene. This means less tearing and stretching of objects as they cross or go out of the frame.

Twixtor enables you to speed up, slow down or frame rate convert1 your image sequences with visually stunning results. In order to achieve its unparalleled image quality, Twixtor synthesizes unique new frames by warping and interpolating frames of the original sequence... employing RE:Vision's proprietary tracking technology that calculates motion for each individual pixel.

Nick Brooks, Academy Award and Emmy Award winner for visual effects says, "Twixtor represents a new touchstone in retiming. The difference in accuracy means that retiming artifacts are either drastically reduced or disappear on the hardest to retime footage. "

DV Magazine calls Twixtor "amazing" and "a must-have for any toolkit."

Chris Meyer, co-founder of CyberMotion, teacher of regular seminars on After Effects, columnist for DV Magazine and co-author of Creating Motion Graphics with After Effects and other books, says "I've tried other solutions - including Pixel Motion and Timewarp in After Effects 7 - and I have to say that Twixtor still consistently gives me the smoothest speed-shifted footage with the least amount of sweat, hands-down."

Creative Cow review by Marco Solorio: "I highly recommend this plugin to those seeking absolute superiority in time frame manipulation." read the review »

Video Systems Magazine says "it's the best plug-in method for creating speed changes, slow-motion effects, and frame-rate conversions." read the review »

DIGIT magazine says "If you regularly find yourself stretching or shrinking footage to fit a target duration, or creating extreme speed control special effects, this is a plugin that you'll find invaluable."

1 - Frame rate conversion fully supported with After Effects and combustion only. Frame rate conversions can often be accomplished in other applications by writing out image sequences and reading them back in with a different frame rate setting.

GALLERY - http://www.revisionfx.com/products/twixtor/gallery/

DOWNLOAD TRIAL - http://www.revisionfx.com/products/twixtor/downloads/

FEATURES and COMPATIBILITY

After Effects and Premiere Pro

TWIXTOR

  • Warping and interpolation of frames to "time warp" input footage.
  • Smart processing of interlaced material
  • Stretching of a sequence using a single scaling parameter.
  • Keyframable retiming for complete control on a frame by frame basis.
  • Frame rate conversions made easy (Important Note: frame rate conversions are supported only from within After Effects and Combustion ).
  • 8 and 16 bits per channel processing. Unclamped floating point image support in After Effects 7.0 or later
  • Option to automatically enhance dark imagery or imagery with poorly defined edges. In many cases, footage that was difficult to track becomes much more well-behaved upon retiming.
  • Contains an option to add or remove motion motion blur, as appropriate.
  • Support for marking material so that Twixtor does not motion-interpolate across a cut.
  • After Effects only: ability to remap audio and video using AE's time remapping tools but using Twixtor "under the hood"

TWIXTOR PRO

  • Object separation. Support for foreground and background separation using a specified matte. Twixtor then tracks each layer separately for improved results. This feature uses proprietary filling and tracking techniques when working on the background layer even when it is obscured by the foreground! Support for up to 3 foreground layers.
  • Track Point Guidance. Up to 12 user-defined points can be specified to help guide Twixtor's motion estimation. By using the tracking points you can explicitly tell Twixtor where a pixel moves from one frame to the next in order to guide Twixtor's calculation of motion vectors. You can set the position of each point at each frame by hand, but more importantly, In After Effects and combustion these points can be positioned from frame-to-frame using the host application's point-tracking features.
  • Spline Guidance. When Twixtor exhibits tracking problems, you can guide Twixtor by simply creating and animating shapes to show Twixtor where objects are actually moving. Interactive feature registration is directed through the host program's drawing and roto tools (splines and polylines), not through a grid of mesh points! As such, there is no new interface to learn! This feature only available within After Effects 5.0 (and later) and combustion 3.0 (and later).
  • Motion Vector Import. Give Twixtor motion vectors generated elsewhere (like from a 3D system) to time remap footage, including adding motion-interpolated fields to otherwise progressive material. Only supported in apps that work in 16bpc or higher.
  • Motion Vectors Export. You can now output the motion vectors that Twixtor generates internally. This powerful feature comes with visual debugging modes to more intuitively assess and tune the quality of the motion estimation. The motion vectors can then be used elsewhere in the pipeline (including the Twixtor plugin that imports motion vectors). Only supported in apps that work in 16bpc or higher.

Compatibility

  • Adobe After Effects 7.0 and up, including 64-bit support for CS5 and up.
  • Adobe Premiere Pro 1.0 and up. (Read about common Premiere Pro issues - http://www.revisionfx.com/support/faqs/hostfaqs/premiere_pro/)
  • Autodesk Combustion 3.04 and up
  • Operating System Requirements
    • Mac OS X 10.2.8 and up
    • Windows 2000 or XP and up

Autodesk Advanced Systems (Sparks)

TWIXTOR

  • Warping and interpolation of frames to "time warp" input footage.
  • Smart processing of interlaced material
  • Stretching of a sequence using a single scaling parameter.
  • Keyframable retiming for complete control on a frame by frame basis.
  • 8 and 12 bits per channel and floating point image processing.
  • Option to automatically enhance dark imagery or imagery with poorly defined edges. In many cases, footage that was difficult to track becomes much more well-behaved upon retiming.
  • Contains an option to add or remove motion motion blur, as appropriate.
  • Support for marking material so that Twixtor does not motion-interpolate across a cut .
  • Object separation. Support for foreground and background separation using a specified matte. Twixtor then tracks each layer separately for improved results. This feature uses proprietary filling and tracking techniques when working on the background layer even when it is obscured by the foreground! In certain hosts there is support for up to 1 foreground layer.

Operating system 

  • Linux 64-bit
  • Mac OS X 10.6, and up 

Host Application

  • All versions of Flame, Flint, Flare, Smoke, Inferno and Burn

Avid Systems (Media Composer, Symphony, NewsCutter)

TWIXTOR

  • Now wth 64-bit support for Media Composer 6, Symphony 6 and NewsCutter 10!
  • Warping and interpolation of frames using optical flow to retime input footage.
  • Smart processing of interlaced material
  • Stretching of a sequence using a single scaling parameter.
  • Keyframable retiming for complete control on a frame by frame basis.
  • Option to automatically enhance dark imagery or imagery with poorly defined edges. In many cases, footage that was difficult to track becomes much more well-behaved upon retiming.
  • Contains an option to add or remove motion motion blur, as appropriate.

Compatibility (AVX 2.0 support required)

  • Now wth 64-bit support for Media Composer 6, Symphony 6 and NewsCutter 10!
  • Media Composer 5.0 and up tested, including 64-bit support for MC 6
  • Should work in 3.0 and 4.0, please try the demo before purchasing.
  • Symphony 5.0 and up tested, including 64-bit support for v6
  • Should work in 3.0 and 4.0, please try the demo before purchasing.
  • NewsCutter 7.0 and up, including 64-bit support for NewsCutter 10

Fusion and Vision (eyeon)

TWIXTOR

  • Warping and interpolation of frames to "time warp" input footage.
  • Smart processing of interlaced material
  • Stretching of a sequence using a single scaling parameter.
  • Keyframable retiming for complete control on a frame by frame basis.
  • 8 and 16 bits per channel and unclamped floating point image support.
  • Option to automatically enhance dark imagery or imagery with poorly defined edges. In many cases, footage that was difficult to track becomes much more well-behaved upon retiming.
  • Contains an option to add or remove motion motion blur, as appropriate.
  • Support for marking material so that Twixtor does not motion-interpolate across a cut .

TWIXTOR PRO

  • Object separation. Support for foreground and background separation using a specified matte. Twixtor then tracks each layer separately for improved results. This feature uses proprietary filling and tracking techniques when working on the background layer even when it is obscured by the foreground! In certain hosts there is support for up to 3 foreground layers.
  • Track Point Guidance. Up to 12 user-defined points can be specified to help guide Twixtor's motion estimation. By using the tracking points you can explicitly tell Twixtor where a pixel moves from one frame to the next in order to guide
  • Twixtor's calculation of motion vectors. You can set the position of each point at each frame by hand, but more importantly, these points can be positioned from frame-to-frame using the host application's point-tracking features.
  • Spline Guidance. When Twixtor exhibits tracking problems, you can guide Twixtor by simply creating and animating shapes to show Twixtor where objects are actually moving. Interactive feature registraion is directed through the host program's drawing and roto tools (splines and polylines), not through a grid of mesh points! As such, there is no new interface to learn!
  • Motion Vector Import. Give Twixtor motion vectors generated elsewhere (like from a 3D system) to time remap footage, including adding motion-interpolated fields to otherwise progressive material.
  • Motion Vectors Export. You can now output the motion vectors that Twixtor generates internally. This powerful feature comes with visual debugging modes to more intuitively assess and tune the quality of the motion estimation. The motion vectors can then be used elsewhere in the pipeline (including the Twixtor plugin that imports motion vectors).

Compatibility

  • Fusion 5.1 and up.
  • Vision 5.1 and up.
  • Twixtor for Fusion supports both 32-bit and 64-bit apps. Floating licensing when running under Linux is still in beta. However, the node-locked versions have been verified to work.

Final Cut Express

TWIXTOR

  • Intellgent warping and interpolation of frames to "time warp" input footage using proprietary motion estimation.
  • Smart processing of interlaced material
  • Speed change of a sequence using a single scaling parameter.
  • Keyframable speed changes.

Compatibility

  • Final Cut Express 4.0.1 and up.

Final Cut Pro

TWIXTOR

  • Warping and interpolation of frames to "time warp" input footage.
  • Smart processing of interlaced material
  • Stretching of a sequence using a single scaling parameter.
  • Keyframable retiming for complete control on a frame by frame basis.
  • Option to automatically enhance dark imagery or imagery with poorly defined edges. In many cases, footage that was difficult to track becomes much more well-behaved upon retiming.
  • Contains an option to add or remove motion motion blur, as appropriate.
  • Support for marking material so that Twixtor does not motion-interpolate across a cut.

TWIXTOR PRO

  • Object separation. Support for foreground and background separation using a specified matte. Twixtor then tracks each layer separately for improved results. This feature uses proprietary filling and tracking techniques when working on the background layer even when it is obscured by the foreground! There is support for up to 3 foreground layers.
  • Track Point Guidance. Up to 12 user-defined points can be specified to help guide Twixtor's motion estimation. By using the tracking points you can explicitly tell Twixtor where a pixel moves from one frame to the next in order to guide Twixtor's calculation of motion vectors. You can set the position of each point at each frame by hand.

FxPlug Version

  • Final Cut Pro 6.0.3 and up,and FCP 7, FCP X, 10.0.6 and up.

OFX plugins for Nuke, Scratch and Maya/3ds Max Composite

TWIXTOR

  • Warping and interpolation of frames to "time warp" input footage.
  • Time remap using animatable speed percentages, or exact frame numbers.
  • 8 and 16 bits per channel and unclamped floating point image support.
  • Option to automatically enhance dark imagery or imagery with poorly defined edges. In many cases, footage that was difficult to track becomes much more well-behaved upon retiming.
  • Contains an option to add or remove motion motion blur, as appropriate.
  • Support for marking material so that Twixtor does not motion-interpolate across a cut .

TWIXTOR PRO

  • Object separation. Support for foreground and background separation using a specified matte. Twixtor then tracks each layer separately for improved results. This feature uses proprietary filling and tracking techniques when working on the background layer even when it is obscured by the foreground! In certain hosts there is support for up to 3 foreground layers.
  • Track Point Guidance. Up to 12 user-defined points can be specified to help guide Twixtor's motion estimation. By using the tracking points you can explicitly tell Twixtor where a pixel moves from one frame to the next in order to guide Twixtor's calculation of motion vectors. You can set the position of each point at each frame by hand.
  • Motion Vector Import. Give Twixtor motion vectors generated elsewhere (like from a 3D system) to time remap footage.
  • Motion Vectors Export. You can now output the motion vectors that Twixtor generates internally. This powerful feature comes with visual debugging modes to more intuitively assess and tune the quality of the motion estimation. The motion vectors can then be used elsewhere in the pipeline (including the Twixtor plugin that imports motion vectors).
    Note for Toxik users, we properly locate the points from the center of project is 0,0 reference so you can use expressions to connect to tracker locations to Twixtor's Tracking Point settings.

Compatibility

  • Maya/3ds Max Composite 2009, SP1 and up, including 64-bit versions
  • Nuke, 5.1 v2 and up
  • Operating System Requirements
    • Mac OS X 10.4.10 or later
    • Windows XP or later. 32-bit and 64-bit apps supported.
    • Linux, 32 and 64 bit.

Quantel

TWIXTOR

  • Warping and interpolation of frames to "time warp" input footage./li>
  • Smart processing of interlaced material
  • Stretching of a sequence using a single scaling parameter.
  • Keyframable retiming for complete control on a frame by frame basis.
  • 8 and 16 bits per channel processing
  • Option to automatically enhance dark imagery or imagery with poorly defined edges. In many cases, footage that was difficult to track becomes much more well-behaved upon retiming.
  • Contains an option to add or remove motion motion blur, as appropriate.
  • Support for marking material so that Twixtor does not motion-interpolate across a cut.
  • After Effects only: ability to remap audio and video using AE's time remapping tools but using Twixtor "under the hood"

TWIXTOR PRO

  • Object separation. Support for foreground and background separation using a specified matte. Twixtor then tracks each layer separately for improved results. This feature uses proprietary filling and tracking techniques when working on the background layer even when it is obscured by the foreground! Support for up to 3 foreground layers.
  • Track Point Guidance. Up to 12 user-defined points can be specified to help guide Twixtor's motion estimation. By using the tracking points you can explicitly tell Twixtor where a pixel moves from one frame to the next in order to guide Twixtor's calculation of motion vectors. You can set the position of each point at each frame by hand, but more importantly, these points can be positioned from frame-to-frame using the host application's point-tracking features.
  • Motion Vector Import. Give Twixtor motion vectors generated elsewhere (like from a 3D system) to time remap footage, including adding motion-interpolated fields to otherwise progressive material. Only supported in apps that work in 16bpc or higher.
  • Motion Vectors Export. You can now output the motion vectors that Twixtor generates internally. This powerful feature comes with visual debugging modes to more intuitively assess and tune the quality of the motion estimation. The motion vectors can then be used elsewhere in the pipeline (including the Twixtor plugin that imports motion vectors). Only supported in apps that work in 16bpc or higher.

Shake (Apple)

TWIXTOR

  • Warping and interpolation of frames to "time warp" input footage.
  • Smart processing of interlaced material
  • Stretching of a sequence using a single scaling parameter.
  • Keyframable retiming for complete control on a frame by frame basis.
  • 8 and 16 bits per channel and unclamped floating point image support.
  • Option to automatically enhance dark imagery or imagery with poorly defined edges. In many cases, footage that was difficult to track becomes much more well-behaved upon retiming.
  • Contains an option to add or remove motion motion blur, as appropriate.

TWIXTOR PRO

  • Object separation. Support for foreground and background separation using a specified matte. Twixtor then tracks each layer separately for improved results. This feature uses proprietary filling and tracking techniques when working on the background layer even when it is obscured by the foreground! Support for up to 3 foreground layers.
  • Track Point Guidance. Up to 12 user-defined points can be specified to help guide Twixtor's motion estimation. By using the tracking points you can explicitly tell Twixtor where a pixel moves from one frame to the next in order to guide Twixtor's calculation of motion vectors. You can set the position of each point at each frame by hand, but more importantly, these points can be positioned from frame-to-frame using the host application's point-tracking features.
  • Spline Guidance. When Twixtor exhibits tracking problems, you can guide Twixtor by simply creating and animating shapes to show Twixtor where objects are actually moving. Interactive feature registraion is directed through the host program's drawing and roto tools (splines and polylines), not through a grid of mesh points! As such, there is no new interface to learn!
  • Motion Vector Import. Give Twixtor motion vectors generated elsewhere (like from a 3D system) to time remap footage, including adding motion-interpolated fields to otherwise progressive material.
  • Motion Vectors Export. You can now output the motion vectors that Twixtor generates internally. This powerful feature comes with visual debugging modes to more intuitively assess and tune the quality of the motion estimation. The motion vectors can then be used elsewhere in the pipeline (including the Twixtor plugin that imports motion vectors).

Compatibility

  • Shake 3.50 and up

Softimage (Autodesk)

TWIXTOR

  • Warping and interpolation of frames to "time warp" input footage.
  • Smart processing of interlaced material
  • Stretching of a sequence using a single scaling parameter.
  • Keyframable retiming for complete control on a frame by frame basis.
  • 8 and 16 bits per channel and unclamped floaint point image processing.
  • Option to automatically enhance dark imagery or imagery with poorly defined edges. In many cases, footage that was difficult to track becomes much more well-behaved upon retiming.
  • Contains an option to add or remove motion motion blur, as appropriate.
  • Support for marking material so that Twixtor does not motion-interpolate across a cut.

TWIXTOR PRO

  • Object separation. Support for foreground and background separation using a specified matte. Twixtor then tracks each layer separately for improved results. This feature uses proprietary filling and tracking techniques when working on the background layer even when it is obscured by the foreground! Support for 1 foreground layer.
  • Track Point Guidance. Up to 12 user-defined points can be specified to help guide Twixtor's motion estimation. By using the tracking points you can explicitly tell Twixtor where a pixel moves from one frame to the next in order to guide Twixtor's calculation of motion vectors. You can set the position of each point at each frame by hand, but more importantly, these points can be positioned from frame-to-frame using the host application's point-tracking features. Autodesk Softimage version also supports using arbitrary clusters of points and lines from the 3D scene.
  • Motion Vector Import. Give Twixtor motion vectors generated elsewhere (like from a 3D system) to time remap footage, including adding motion-interpolated fields to otherwise progressive material.
  • Motion Vectors Export. You can now output the motion vectors that Twixtor generates internally. This powerful feature comes with visual debugging modes to more intuitively assess and tune the quality of the motion estimation. The motion vectors can then be used elsewhere in the pipeline (including the Twixtor plugin that imports motion vectors).

Compatibility

  • Softimage | XSI version 4.0 and up, requires XSI Essentials or Advanced
  • 8,16 bits per channel and floating point support
  • Extensive point-from-scene support
  • Note: We do not currently support Softimage running in 64 bit.

Vegas Pro (Sony)

TWIXTOR

  • Warping and interpolation of frames to "time warp" input footage.
  • Keyframable retiming for complete control on a frame by frame basis.
  • Option to automatically enhance dark imagery or imagery with poorly defined edges. In many cases, footage that was difficult to track becomes much more well-behaved upon retiming.
  • Contains an option to add or remove motion motion blur, as appropriate.
  • Support for marking material so that Twixtor does not motion-interpolate across a cut.
  • Smart processing of interlaced material

Compatibility

  • Vegas Pro 10.0d and up.
 

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About RE:Vision Effects

Master Pixel Manipulators RE:Vision Effects is a research and development company focused on providing innovative, advanced custom software to create, modify, control, and enhance digital video imagery at the highest quality.

As co-founders of RE:Vision Effects, Pierre Jasmin and Peter Litwinowicz head up a team of talented computer scientists, artists, software programmers, and industry experts dedicated to designing software solutions for virtually any digital pixel manipulation problem. While they have the artistry to dream up novel and compelling visual looks and effects, they also have seemingly magical powers to make video pixels move in a way that brings these illusions to life.

Their products have a broad range of applications and are currently used in every phase of television, motion picture, internet and visual effects industries. The company supplies its cutting edge software through partnerships and direct sales for a large segment of customers ranging from at-home editors, wedding and other live event videographers, industrial video providers to those creating high-end effects for commercials, broadcast TV and big-budget films.

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