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Shooter Suite 13

Shooter Suite 13

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Mfr PN: BUND-SHOOT-D
Our PN: RGSN0330025
Manufacturer: Red Giant Software
Platform(s): Mac & Win

Availability: Orders after 3PM CST may not be invoiced until the following business day.
Product Type: Electronic Download
Time to Delivery: Please allow up to 24 hours for delivery
List Price:$399.00

You Save: $20.00 (5%)

$379.00
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Quick Overview

Bring your footage from set to post with confidence

Description

Details

Manufacturer Part Number: BUND-SHOOT-D

Red Giant Shooter Suite is a set of tools that gives you the freedom to shoot the way you want, with the confidence that your footage will make it from your camera to the editing timeline safe, sound and in sync.

PLURALEYES 4.0
Audio/Video Sync in Seconds. No clapboards or timecode needed.

  • The most accurate A/V sync available for any NLE.
  • Syncs audio and video with the touch of a single button.
  • Sync directly in Adobe Premiere Pro.

OFFLOAD 1.0
Simple and reliable backup of your footage in the field.

  • Easy to use and makes sure your files are safe.
  • Works with virtually every camera, card, and format.
  • Compares your backup to the original, verifying an exact copy.

INSTANT 4K
Upconvert video to 4K resolution and other high-resolution formats.

  • Better results than scaling tools provided by host applications.
  • Simple resolution presets that make it easy to upconvert.
  • Up to 400% faster than Instant HD.

FRAMES 1.1
Deinterlace your older footage and convert it to 24P.

  • Fast field-blending algorithm for quick results.
  • High quality motion-adaptive algorithm for intelligent smoothing.
  • De-artifacts and repairs lost color information in DV and HDV footage.

PluralEyes 4.1

With a the touch of a single button, PluralEyes analyzes the audio from your cameras and audio devices and syncs them up, in seconds. No clapboards or timecode are needed.With the new PluralEyes Premiere Pro Panel, use the power of PluralEyes to sync your files directly inside of Premiere Pro. No need to leave your host application.

NEW IN v4.1

  • EDIUS Pro support Users can start a project in PluralEyes 4.1 and export the synced project to an FCP 7 XML file that can be imported into EDIUS Pro 7.5 or 8. NOTE: all video media must have the same frame rate; mixed frame rates projects are not supported by the EDIUS XML import
  • Music Video Workflow A popular way to shoot music videos is to have talent performing along with the same background audio (music track) in multiple takes or even in multiple locations. During the A/V sync, PluralEyes can automatically consolidate takes on their own track, muting all audio but the master track.
  • Support GoPro Spanning Media In order to overcome file size limits, some cameras support a longer recording time by recording on multiple files or even multiple camera cards. PluralEyes can detect this, and consolidate spanned clips into a single clip, making working with the file much easier. New to the latest version of PluralEyes is spanning support for GoPro Cameras.
  • Delete multiple clips together In version 4.1, you can now select multiple clips and delete them together, making it easier to clean up a synced project in PluralEyes 4.1 before exporting to an NLE.
  • Ability to turn off drift-correction Previous versions of PluralEyes 4 always correct audio drift when audio drift reaches a certain threshold. This could lead to longer sync times for larger projects with audio drift that some might consider minimal. Now a user can turn off drift-correction by unchecking the Correct Audio Drift' sync option under the Sync menu item.

FEATURES

Simpler. Faster. Smarter. Better. (NEW)
Syncing just got even easier. In previous versions of PluralEyes, there were over a dozen different sync combination possibilities (Try Really Hard, Change Clip Order...etc.), which meant you might have to run the sync several times before getting it right. In version 4.0, PluralEyes analyzes your footage and automatically uses the best possible options. Just hit the Sync button, and PluralEyes does the rest.

Instant Feedback
Watch as your footage is being Synced. Color-coded visuals show the status of your footage so that you can easily identify any problems that might need some attention on your NLE's timeline.

Premiere Pro Panel (NEW)
Get all the power and simplicity of syncing in PluralEyes without ever having to leave Premiere Pro. Just hit the Sync button in Premiere Pro, and PluralEyes does all the work. PluralEyes will even color code your footage based on the results of the sync, so that you know which clips, if any, need your attention.

Smart Start (NEW)
Weve made importing media easier than ever. Drag and drop an entire folder of media into PluralEyes, and during a sync it will automatically detect which device the media came from. Your files will be sorted so that media from the same device are on the same track.

Automatic Drift Correction (NEW)
In long clips, sound and video can stop matching up perfectly. Unlike any other sync tool in the industry, PluralEyes can account for that and export a perfect sync. New in version 4, if drift is detected, PluralEyes automatically fixes it, and gives you the option to toggle between the drift corrected sync and the original audio without correction applied.

Vertical Track Scaling (NEW)
PluralEyes 4.0 adds the ability to scale tracks vertically so that you can see more detail in the waveform when inspecting your media.

Track Comparisons (NEW)
Select which audio waveform is shown next to the video track, making it easier to verify that the clips have synced properly.

Offload Integration (NEW)
Red Giant Offload performs a checksum during media transfer from your camera card to your hard drive, giving you the peace of mind that your footage was backed up with no loss. New in PluralEyes 4.0 is the ability to detect Offload events and bring the footage over to PluralEyes for a seamless workflow between Offload to PluralEyes to the host-app.

Keyboard Shortcuts (NEW)
PluralEyes now has the same keyboard shortcuts as Premiere Pro for a more intuitive, familiar timeline and playback experience.

Color Coding (NEW)
Export from PluralEyes to Premiere Pro now features a color coding option for clips that dont sync properly. This is also part of the Premiere Pro panel experience, but also happens if you sync in PluralEyes and export to Premiere Pro.

REASONS TO BUY

  • Eliminate the pain of manual syncing. Turn what used to be hours or days of data wrangling into seconds. Free up time, budget and resources to focus on the creative art of visual storytelling.
  • Pays for itself in minutes. Now a part of the Red Giant family, PluralEyes includes DualEyes functionality for one price, on all hosts, in one package. Wow.
  • Less gear for more creativity. Hang that clapper on your office wall as an antiquated objet dart. Shoot with a revitalized, lighter footprint.
  • Works with your favorite cameras. PluralEyes works fluidly with native file formats from DSLR cameras like Canon, Nikon and GoPro, and supports a broad range of other cameras, file formats and codecs. Learn more
  • Export to the NLEs you need. Thanks to integrated DualEyes features, PluralEyes exports its timeline directly to Final Cut Pro and Premiere Pro, and exports media files for use in every host application.

Specifications

  • Video Formats
    • .Avi
    • .Mov
    • .Mp4
    • .Mpeg, .Mpg
    • .M2t*
    • .M2ts*
    • .Mts*
  • Codecs
    • H.264
    • ProRes
    • DV
    • HDV
    • AVCHD*
    • DVCPRO HD**
    • Motion JPEG (Mjpeg)**
    • AIC**
  • Audio Formats
    • .Aiff
    • .Mp3
    • .Wav
    • .Bwf
    • .M4a

* - PluralEyes 3 will sync audio but video preview is unavailable on Lion, Mac OS 10.7.5.
** - PluralEyes 3 will sync audio but video preview unavailable.

Requirements

  • APPLE MACINTOSH
    • Mac OS X 10.8
    • Mac OS X 10.9
    • Mac OS X 10.10
    • Mac OS X 10.11
    • Mac OS X 10.12
  • PC / WINDOWS
    • Windows 7 64-bit
    • Windows 8 64-bit
    • Windows 10 64-bit

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