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SpeedLooks Studio LOG

Mfr PN: STUDIO LOG
Our PN: LLBN0290012
Manufacturer: LookLabs
Platform(s): Mac & Win

Product Type: Electronic Download
Time to Delivery: After 3PM CST electronic products may not be invoiced until next business day. Please allow up to 24 hours for delivery.

List Price:$199.99

You Save: $15.00 (8%)

$184.99

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Quick Overview

Comprehensive 2 LUT color grading process, utilizing our intermediate VS-LOG, combined with our exclusive camera patch technology. Perfect for anyone working with LOG footage in either a color grading or non-linear editing program.

Description

Details

Manufacturer Part Number: STUDIO LOG

  • Our universal camera patch which works with all DSLR shooting modes
  • SpeedLooks are perfect for color correction and applying narrative looks
  • Includes all SpeedLooks and camera patches
  • Camera patches allow easy color matching of multiple cameras on a timeline
  • SpeedLooks Studio LOG includes all looks from our previous SpeedLooks releases

SpeedLooks Studio LOG is the ultimate starting point for color grading. Proven color science designed to streamline post-production workflow. Flexible and easy to use, SpeedLooks Studio LOG is designed for all skill levels and works fluidly with all color grading programs.

Camera Patches
Available exclusively with SpeedLooks Studio Log, our camera patches allow you to achieve a visual baseline unique to what camera was used.

Current Patches

  • Universal Camera Patch-REC. 709 to VS-LOG. For A7s, GH4, all DSLR's
  • Arri Alexa-LOG-C
  • Sony-SLOG-2 SLOG-3
  • Red-RedLOG Film, Dragon Color/Red Gamma 4
  • Canon 7D
  • Canon 5D Cinestyle
  • Canon 1D C/C 300/500/-C-LOG
  • BMCC-Film Log RAW
  • BMCC-ProRes/DNxHD
  • Nikon D800
  • Panasonic HPX 3700
  • GoPro

Coming Soon/Updated Patches

  • Arri Alexa
  • Sony F55 v5
  • C-300/500
  • Sony Fxs 7
  • A7s
  • Panasonic V-LOG

SPEEDLOOKS Supports
DaVinci Resolve (Full and Lite), Adobe Speedgrade, Adobe Premier CC, Adobe AfterEffects CS6/CC, Adobe Photoshop CS6/CC, Final Cut Pro X*, Avid MC7, Shake, Pandora Revolution/Pixi, CineForm Studio Premium, Nuke, Scratch, Film Master, Quantal Pablo, BaseLight, Motion 5

(* requires LUT Utility Plugin)

DSLR Shooting
SpeedLooks Sudio is perfect for DSLR footage and stills to provide stunning images and narrative looks. SpeedLooks proven color science is designed to streamline DSLR workflow. SpeedLooks provides the flexibility to push your image further to create your own custom look. Color grade your digital images and achieve the look you want in less time.

LOOKS

New versions of our most popular look, CLEAN, as well as additional variants of our other narrative looks: BIG, BLUE, GOLD, ARTISTIC, and MATRIX.

Big SL3535 - Get the 'Big Money' Feature Look
What is BIG? BIG really pops cyan, teal, orange, and red to achieve that 'Big Money' feature look. It really saturates the image without going over the top. Much like your best Ridley Scott, Michael Bay, or JJ Abrams movies, you can achieve a blockbuster color palette while keeping your skin tones even and your whites and blacks pure.

Blue SL-3527 - Perfect for your sci-fi, crime or action piece
Inspired by recent movie releases like Underworld and The Grey, this moody and dramatic SpeedLook is perfect for your sci-fi, crime or action piece. Two color palettes are featured in this pack - Cold and Steel. Dont worry about your skin tones - when applying this very dramatic look, your skin tones are preserved. All of our SpeedLooks work in either the linear color space or LOG in both Adobes SpeedGrade or DaVincis Resolve.

Clean SL-3500 - This light SpeedLook, with a touch of mood, will transform your digital media into a clean, solid 35mm look instantly
The beauty of 35mm at its best. This look will fit more than 80% of your work and is perfect for a romantic comedy or drama and will transform your digital media into a clean, solid 35mm look instantly. You will receive three different film emulations in this pack - KODAK and FUJI - which feature the subtle yet distinct characteristics of each format. For the RED or Alexa user, there is an HDR look that will give you a really low contrast image. For all other users, this look is perfect for dailies or even as a final finished look. Whether youre working on a TV commercial, music video or long format program - Clean SL-3500 will do the job for you time and time again!

Gold SL-3528 - Unique and colorful, this SpeedLook is rich and warm
Unique and colorful, this SpeedLook is rich and warm. It can be applied to all of your footage to achieve a consistent golden color palette. Supplied to you with three variations on the palette - Orange, Rush Lo-Con and Rush Hi-Con. SpeedLooks Gold will transform your footage into 24K gold in no time at all. All of our SpeedLooks are optimized for linear color space footage. These looks work with all HD footage shot in any camera format.

Matrix SL-3530 - A very dramatic sci-fi feel that will work on all types of footage. The look is edgy, but gorgeous!
Inspired by the movie.... SpeedLooks Matrix gives you a very dramatic sci-fi feel that will work on all types of footage. The look is edgy, but gorgeous - it will push your footage, but your skin tones will stay intact. Matrix comes with two different color palettes - Blue and Green. Youll love Matrix for its highly distinctive look.

Noir SL-3522 - Not a desaturating picture effect- Using true 35mm film emulation you will receive two stunning variations of B/W.
Unlike other looks packages, SpeedLooks Artistic is not a desaturating picture effect. Using true 35mm film emulation you will receive three variations within the Artistic package - 1965, which is a basic B/W look, Hi-Con which speaks for itself and for the RED or Alexa user, there is an HDR look that will give you a really low contrast image. For all other users, this look is perfect for dailies or even as a final finished look. SpeedLooks Noir provides great value for your dollar. Two stunning looks that speak for themselves!

Behind the Looks
Jeff August has worked with clients such as ABC, CBS, NBC, FOX, HBO, and ESPN over the past 25 years and has earned numerous awards for directing, editing, and coloring in television and film. As co-founder with Brian Vos of Jump Studios, a premium post production company with color grading services being the cornerstone of their business, they found the need for a product which could easily achieve a starting point to a digital color grade. Jeffs knowledge and years of experience with editing, color grading programs and digital image color, developed SpeedLooks color science with Jerome Sabourin.

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