Innovative solutions for video editing, motion graphics, and post production

Tutorials » Matrox a Safe Harbor blog

Updates to DVD Export Settings for MXO2 CS5.5 Users


1
Posted by Jeff Pulera
July 8, 2011

If you’re using Premiere Pro CS5 or CS5.5 on the PC with Matrox MXO2 hardware, there’s some important information we’d like you to be aware of to get the best DVD export quality. This info only pertains to exporting "MPEG-2 for DVD" from a Matrox NTSC sequence – if you’re using a Matrox HD or Matrox PAL sequence, the cropping does not apply and you may disregard these instructions.

With the CS4 drivers for MXO2, a Matrox NTSC project was 720x480, but starting with CS5, Matrox changed this to 720x486. Since DVD uses 720x480 resolution, the 6 extra lines need to be cropped at export to get the proper 720x480 size for DVD. If you don’t crop these lines, the entire image will be scaled down, resulting in a quality loss. Also, it’s very important to crop a specific number of lines from the top and bottom, as choosing the wrong top and bottom numbers will soften the output quality.

With CS5, you need to crop 5 Top, 1 Bottom. With CS5.5, there are two cropping options to consider. If using the "Export" button to begin the encoding, choose 4,2. If using the "Queue" button that sends the job to Adobe Media Encoder, you must use 3,3. If you are working with a Matrox 486p sequence, use 6,0 for CS5, and 4,2 for CS5.5 (using either export method).

To set cropping, first set up all the parameters for the DVD export as you normally would. Next, at the top left of the Export window, select the SOURCE tab and click the cropping icon at the top left to make the crop settings active. Click on the "0" to the right of "Top" and then enter a number from the keyboard. Next, click the "0" to the right of "Bottom" and enter the other number. Do NOT hit the "Enter" key – this will launch the export immediately! Just click in another area of the export window to deselect the crop settings.

Now, you can toggle between the SOURCE and OUTPUT tabs to see the "before and after" results of the cropping. The image shown under the OUTPUT tab should fill the screen with no black borders. After double-checking that you entered the correct cropping numbers and that the output image looks correct, you can proceed with the encoding.

For more information, CS5 and CS5.5 users can reference pages 82 and 88 of their respective Matrox user guides. The above instructions are only for export to DVD; when exporting to a Matrox .avi file, CS5 and CS5.5 users should refer to pages 79 and 84 of their respective user guides for cropping charts.

MXO2 user guide for CS5 drivers

MXO2 user guide for CS5.5 drivers


Matrox support for Adobe Premiere Pro CS4 4.2


0
Posted by Safe Harbor Staff
November 12, 2009

Adobe has recently released their Adobe Premiere Pro CS4 4.2 and Adobe Media Encoder CS4 4.2 updates. Matrox is working on drivers to support this new release and expect compatible drivers for the Matrox MXO2 Mini and Matrox CompressHD to be available next week. Drivers for Matrox Axio and Matrox RT.X2 are expected in December.

Until the appropriate Matrox drivers become available, we recommend that users do not upgrade to Adobe Premiere Pro CS4 4.2 and Adobe Media Encoder CS4 4.2. You should turn off automatic updates to prevent auto-installs of Adobe Premiere Pro CS4 4.2 and Adobe Media Encoder CS4 4.2.

Once the new Matrox drivers are ready for download, re-enable automatic updates again.


Matrox MXO or MXO2?


1
Posted by Jeff Pulera
January 20, 2009

Which video adapter is right for your Mac? The MXO is an output-only device, while the MXO2 offers both input and output and is portable.

When working in Final Cut 2, the MXO connects to the secondary DVI output of your Mac and converts the video preview to an actual video signal for monitoring or recording to a deck. HD video can be monitored via an appropriate LCD monitor via DVI connection, and an included utility allows you to calibrate the LCD for accurate color grading. The full 1920x1080 HD resolution is supported with 1:1 pixel mapping for accurate image rendition.

Video output can also be sent to a video monitor or recording deck via SDI SD/HD, Component SD/HD, Y/C or Composite. The MXO also provides realtime downconversion from HD to SD for monitoring and recording.

Besides Final Cut 2, any QuickTime-based application can also output via MXO to record training videos or other presentations. The MXO can easily be moved from one computer to another with a simple DVI connection to your MacBook or MacPro.

MXO2 is different from the MXO in that it’s also a capture device and is portable. MXO2 connects to the MacBook via the ExpressCard/34 slot with an included adaptor, or to the MacPro with an included interface card.

The MXO2 can handle practically any i/o connection, including SDI SD/HD, Component SD/HD, S-video, composite, and HDMI (out). Video may be captured as uncompressed or compressed video to many formats, SD or HD, including ProRes 422. An HDMI output, with calibration utility, is included for color-accurate monitoring via an inexpensive LCD display. Of course, you can connect any monitor to the SDI, HD SDI, component or other analog outs of the MXO2 as well.

Audio connections include XLR, AES/EBU, SDI (embedded) and HDMI (out). A set of 6 RCA connectors are provided for surround sound monitoring.

In today’s multi-format world, the MXO2 has you covered with realtime up-down-cross conversion on output, allowing you to deliver in any format required. You capture SD or HD footage using the MXO2 inputs to a format of your choice in Final Cut 2, then output to just about any monitor or deck. You can even change frame rates on output.

An optional adapter cable allows the MX02 to be powered from common field pack batteries used by professional videographers, so it is truly portable when used with a laptop in this configuration (the MXO requires AC power).

Whether working in the studio or on location, the MXO and MXO2 have a lot to offer Final Cut 2 users.

Check out Ned Soltz's review in DV Magazine, March 2009.

 

About This Blog

Get the most out of your video and post production tools with tricks and help tips from Jeff Pulera, Safe Harbor's resident video expert and the rest of our helpful staff.

Join Safe Harbor's mailing list and receive special announcements, coupons and exclusive deals straight to your email. Your email address is never sold or distributed. Review our privacy policy.

Copyright © 2012 by Safe Harbor Computers. All Rights Reserved. No content from this site may be reproduced or publicly reposted without express written permission.

All product content herein remains the licensed property of their respective distributers and manufacturers.

Questions regarding products or orders can be emailed to: sales@sharbor.com

Order securely online or call: (800) 544-6599

For information & support, call: (414) 615-4560

Every effort has been made to ensure the accuracy of the information represented on this site. Prices and specifications subject to change without notice. Not responsible for typos.

Explore our site without worry - read our privacy statement.