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Atomos Ninja V PRO Kit

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The Ninja V Pro Kit has been designed to bridge the gap between compact cinema and mirrorless cameras that can output RAW via HDMI or SDI.
Mac & Win
Usually ships in 1-2 business days.
Availability: In stock

As low as $649.00

Up to 6K RAW recording via HDMI and SDI!

The Ninja V Pro Kit has been designed to bridge the gap between compact cinema and mirrorless cameras that can output RAW via HDMI or SDI. Pro Kit also pushes the limits of these cameras, recording up to 6K 12-bit RAW* externally on the Ninja’s onboard SSD. Pro Kit also provides the ability to cross convert signals providing a versatile solution for monitoring and playout/review.


* with compatible cameras.


Everything you'd expect from Ninja V

The robust aluminium 5″ monitor-recorder allows for a compact rig set-up for camera owners and operators to work with all the latest cameras. Perfect for run and gun productions, documentary filmmaking and for those close-up shots that require the camera operator to be flexible or mobile.


The Ninja V’s compact 5″ 1000nit screen is designed to provide a foundation for scalability and modularity. Combined with the AtomX SDI module and some serious tuning under the hood the Pro Kit provides the ability to record RAW via SDI from some of the best compact cinema cameras on the market.


No RAW, no problem. The Ninja V monitor-recorder is a flexible tool that can work as a HDMI/SDI ProRes monitor-recorder. Worry less when it comes to battery management and excess weight as the Pro Kit is designed to be powered via DTap from your camera battery or rig. Pro Kit also includes a AtomX 5″ Sunhood providing increased monitoring options outdoors, and reduced ambient light for when monitoring in HDR.

Powerful & versatile I/O

Adding dual 12G SDI connectivity expands the compatibility with other cameras to provide offboard 10-bit 422 recording in edit ready codecs or as proxy files from RED or Arri cameras allowing the file naming and timecode from the camera to also be carried via SDI to the recorded files.


And of course the Ninja V also provides support for RAW over HDMI from our evergrowing roster of mirrorless cameras including the Sony Alpha 7S III, Z CAM E-2 Series, Nikon Z-Series, Lumix S Series, Olympus OM-D EM-1X, Olympus OM-D M1 MkIII and more.


The flexibility to suit any production

In playback mode the Ninja V Pro Kit provides a lossless signal distribution with 2 x 12G SDI and 1 x HDMI 2.0 for simultaneous outputs up to 4K p60. When used in combination with the Ninja’s playlist functionality it provides a fast and convenient way to review content or show a highlight reel. RAW inputs can also be de-bayered in real time and non-standard high resolutions are processed to SMPTE standard output formats. Convert to HLG, PQ or your choice of 3D LUT can also be applied allowing for RAW or LOG content to be viewed with the correct application of artistic intent.


Existing Ninja V and SDI module owners

For existing Ninja V and SDI module owners you will have the opportunity to upgrade your monitor and module with a paid upgrade of $99 to enable RAW over SDI from the selected cameras. The paid upgrade will be available in early 2021 via the Atomos website.


Accurate and reliable

daylight viewable HDR or SDR

With 1000nits, high pixel density the 5” screen provides clear and accurate monitoring for HDR and SDR. Using the AtomHDR engine the Ninja V provides a managed colour pipeline, matching the camera Gamma and Gamut on the input and select to view this as 709, Log with a 3DLUT or utilise the engine to accurately map the dynamic range of your camera LOG to HLG or PQ HDR standards

Whilst other monitors might boast a brightness of over 2000nits, the perceptual benefit can be limited. Simply opting for an increased backlight with no regard for the quality of the image can defeat the point in an external monitor. The Ninja V focuses on image integrity but to increase the perceived brightness in the most difficult bright conditions or to dial out ambient light to increase the view in HDR, the Pro Kit includes the AtomX 5” Sunhood. Simply clip on the mount frame and insert the hood, even leave the frame in place to provide added protection for your monitor.


HDMI-to-SDI cross conversion

Adding the SDI module to the Ninja V Platform more than doubles it’s I/O functionality. To complement the inputs, HDMI or SDI connections can be cross converted, DCI cropped and 4k to HD down converts for video signals to provide a bridge between equipment such as EVFs, wireless TX/RX without the need for additional convertors.


Ninja V Pro Kit power options

The Pro Kit offers 3 ways to power your Ninja


In the Studio you can use the included DC power supply with lockable jack to connect to the Ninja V and with the international power plugs you’ll be covered wherever your work might take you.

On-set via the included DTap cable to connect to your choice of battery with a DTap output meaning your camera rig can run from a single power source.

On the move with a compact rig you also have the choice to run the Ninja directly from an optional NPF battery or any 4 cell NPF you might have in your kit bag.


The ProRes RAW Advantage

ProRes RAW is now firmly established as the new standard for RAW video capture, with an ever growing number of supported HDMI and SDI cameras. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes.


The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported.


Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut Pro, Adobe Premiere Pro, Avid Media Composer 2020.10 update, along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight and Grass Valley Edius.

What’s in the Ninja V Pro Kit box?

The Ninja V Pro Kit is a pre-assembled monitor kit which ensures you are production ready and consists of the Ninja V, AtomX SDI module, AtomX 5″ Sunhood, RAW over SDI Pre-Activated and other accessories to enhance the performance of your monitor-recorder in the field.

Physical Specifications   

Dimensions (W x H x D mm)          151 x 91.5 x 31mm (Ninja only)

Weight  360g / 12.7oz

Mount points      1 x Anti rotation 1/4" / 3/8 top and bottom


Ambient operating temperature  Up to 40 Celsius

Construction and Control             

Body      Aluminium with ABS plastic

Cooling Actively controlled fan and heat sink

Tally light             Rear and front

Multi-function button      Power / lock Screen

AtomXpansion slot           Yes


Input voltage      6.2V to 16.8V

Operating power              5.8-7.2v

Compatible batteries       NPF L series

Battery Run time (Record)             5200mAh - up to 2hrs (monitor & record 4K 60p)<br/>7800mAh - up to 3hrs (monitor & record 4K 60p)

Continuous power            Via Optional AtomX SYNC Module

DC in connector Via DC Jack on Battery eliminator

Dtap      via battery eliminator and optional DTap to DC cable


Touchscreen       SuperAtom IPS panel (capacitive touch)

Size        5.2"

Resolution           1920 x 1080

PPI         1920 x 1080

Bit depth              10Bit (8+2 FRC)

Backlight Type    Edge lit

Brightness (cdm2 / nits)  1000

Aspect ratio        16:9

Color Gamut       Rec.709

Calibration support          Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)

Color Pipeline    

Gamma Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log

Gamut   BT2020, DCI P3, PDCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut"

3D LUT Display   .Cube Format

3D LUT Down Stream      Loop out

3DLUT 50/50      Yes

Monitoring Modes           Native / HLG / PQ / 3D LUT

HDR output Conversion  Log / HDR to HLG / PQ / Dolby Vision

Video Input        

HDMI     1 x HDMI (2.0) 4k p60

HDMI RAW          ProRes RAW up to 6k

SDI         2 x 12G SDI Backwards compatible Auto detection via included AtomX SDI module

SDI RAW              ProRes RAW up to 6k

Bit Depth             8/10Bit Video / RAW up to 16Bit

Video Chroma Subsampling          4:2:2


HDMI     RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut

SDI         File Name from Arri, RED

Video Output     

HDMI     1 x HDMI (2.0) 4k p60

SDI loop out        1 x 12G SDI Backwards compatible Autodetection via included AtomX SDI module - level A and B selectable

SDI Play out        2 x 12G SDI Backwards compatible Autodetection AtomX SDI module - level A and B selectable

Video Chroma Subsampling          4:2:2

Bit Depth             10-bit video

Web Streaming 

USB UVC              Optional via Connect 4k

Video Signal Conversion

HDMI to SDI        Yes - Video and RAW

SDI to HDMI        Yes - Video and RAW

Audio In/Out      

Audio Quality      24/48kHz

Audio Codec       PCM

HDMI     8ch 24Bit, input dependent

SDI         12ch 24-bit, input dependent

Analogue Audio in            3.5mm 2ch.

Headphone out  3.5mm 2ch.

Timecode / Sync              

Embedded           HDMI and SDI

Time of day         Yes, Time and Date

LTC        via 3.5mm audio Jack input (Requires post processing)

Wireless SYNC    via 3.5mm audio Jack input (Requires post processing)

Resolution and Frame Rates (Record, Monitor & Playback)             

6k           RAW Only up to 30p via HDMI and SDI (Camera dependent 5.9k HDMI and 5.7k SDI)

4k DCI   23.98/24/25/29.9/30/50/59.94/60p

4k UHD 23.98/24/25/29.9/30/50/59.94/60p

2K DCI 2046 x 1080          2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p

Anamorphic        3.5k: RAW up to 60p (from supported cameras only)

FHD 1920 x 1080 Progressive        23.98/24/25/29.9/30/50/59.94/60/100/120p

FHD 1920 x 1080 PsF        Converted to P and looped out PsF

FHD 1920 x 1080 Interlaced          23.98/24/25/29.9/30/50/59.94/60i

1280 x 720p        50/59.94/60p

Recording CODEC            

Apple ProRes RAW           ProRes RAW, HQ

Apple ProRes      LT, 422, 422HQ

Avid DNxHD        DNxHD 220x,220,145,36

Avid DNxHR        LB, SQ, HQ, HQX.


Playlist  Yes, Create customer play lists from full or sub clips

Loop      Yes, with user customisable in / out markers

Apple ProRes Raw            Yes, recorded clips

Apple ProRes      Yes, with Linear PCM audio

Avid DNx              Yes, with Linear PCM audio

Recording functions        

Pre-roll record    Yes (HD 8s, 4K 2s) - Not available in RAW

Timelapse            Yes

Multi Input / Switching   

SDI A/B toggle    Yes, Up support up to 12G SDI per input

Supported media             

Master Caddy I   Not compatible

SSDmini Native Size and Fit

CFast II  via Supported cards via optional SSDmini CFAST II Adaptor

File Naming         Unit Name - Scene/Shot/Take, Arri & RED via SDI

File System          ExFAT

On screen tools 

MultiScope Analysis View              Yes, 3 size / Position

Histogram           Yes, 3 size / Position

RGB parade         Yes, 3 size / Position

Vector scope      Yes, 2 size / Position

1 x Zoom             Yes. 1:1 Pixel mapping for 4k

2 x Zoom             Yes

Focus peaking    Colour selected / threshold setting / colour / Mono / edges only

False colour        Yes, with Scale

Zebra     Yes, Adjustable

Isolate color channel       Blue Only

Cine Frame Guides           2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3

Social Frame guides         9:16, 1:1, 191:1, 4:5

Safe areas           Action and Graphic

Grid markers       9 grid

Anamorphic desqueeze   1.25x 1.33x , 1.5x ,1.8x ,2x

Display Flip          Vertical Only

Onboard Signal Processing           

Pulldown Removal           24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown)

4K UHD Downscale for HD            Loop out - 4K UHD to FHD

DCI Crop              Loop out - 17:9 to 16:9 Crop

Remote control

HDMI     Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard

SDI         SDI trigger camera selectable

Serial 2.5mm Jack             LANC control and calibration via optional USB to serial cable

Bluetooth LE       via optional AtomX SYNC module

Wireless RF         via optional AtomX SYNC module

External Device Control 

Serial 2.5mm Jack             Camera control for supported cameras via Optional USB to Serial Cable

Bluetooth LE       Via optional AtomX SYNC module to compatible devices

Wireless RF         Via optional AtomX SYNC module to compatible devices

Supported Applications  

XML       Cut tag EDL in FCPX XML

Apple ProRes RAW           Apple FCPX, Adobe Premier, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light.

Video Codecs     All Applications with support for ProRes and Avid DNX in .MOV wrapper

Whats in the box            

Accessories included        Ninja V with SDI RAW Pre-Activated, AtomX SDI module, 1 x Battery eliminator, 1 x international DC power supply,1 x DTap Cable, 1 x AtomX 5 Sunhood, QuickStart Guide

Optional extras  Power kit, HDMI cables, USB to serial cable, AtomX SYNC module


Standard              1 year. Extended to 3 years on product registration

Target use / User             

Target use / User              Mirrorless cameras, compact cinema cameras, cinema, director monitor, games capture, streaming, pro video, gimbal, crane, hobbyist, wedding videographer

Ninja V (RAW over SDI Pre-Activated), AtomX SDI module, 1 x Battery eliminator, 1 x international DC power supply , 1 x DTap Cable, 1 x AtomX 5 Sunhood.


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