Up to 6K RAW recording via HDMI and SDI!
The Ninja V Pro Kit has been designed to bridge the gap between compact cinema and mirrorless cameras that can output RAW via HDMI or SDI. Pro Kit also pushes the limits of these cameras, recording up to 6K 12-bit RAW* externally on the Ninja’s onboard SSD. Pro Kit also provides the ability to cross convert signals providing a versatile solution for monitoring and playout/review.
* with compatible cameras.
Everything you'd expect from Ninja V
The robust aluminium 5″ monitor-recorder allows for a compact rig set-up for camera owners and operators to work with all the latest cameras. Perfect for run and gun productions, documentary filmmaking and for those close-up shots that require the camera operator to be flexible or mobile.
The Ninja V’s compact 5″ 1000nit screen is designed to provide a foundation for scalability and modularity. Combined with the AtomX SDI module and some serious tuning under the hood the Pro Kit provides the ability to record RAW via SDI from some of the best compact cinema cameras on the market.
No RAW, no problem. The Ninja V monitor-recorder is a flexible tool that can work as a HDMI/SDI ProRes monitor-recorder. Worry less when it comes to battery management and excess weight as the Pro Kit is designed to be powered via DTap from your camera battery or rig. Pro Kit also includes a AtomX 5″ Sunhood providing increased monitoring options outdoors, and reduced ambient light for when monitoring in HDR.
Powerful & versatile I/O
Adding dual 12G SDI connectivity expands the compatibility with other cameras to provide offboard 10-bit 422 recording in edit ready codecs or as proxy files from RED or Arri cameras allowing the file naming and timecode from the camera to also be carried via SDI to the recorded files.
And of course the Ninja V also provides support for RAW over HDMI from our evergrowing roster of mirrorless cameras including the Sony Alpha 7S III, Z CAM E-2 Series, Nikon Z-Series, Lumix S Series, Olympus OM-D EM-1X, Olympus OM-D M1 MkIII and more.
The flexibility to suit any production
In playback mode the Ninja V Pro Kit provides a lossless signal distribution with 2 x 12G SDI and 1 x HDMI 2.0 for simultaneous outputs up to 4K p60. When used in combination with the Ninja’s playlist functionality it provides a fast and convenient way to review content or show a highlight reel. RAW inputs can also be de-bayered in real time and non-standard high resolutions are processed to SMPTE standard output formats. Convert to HLG, PQ or your choice of 3D LUT can also be applied allowing for RAW or LOG content to be viewed with the correct application of artistic intent.
Existing Ninja V and SDI module owners
For existing Ninja V and SDI module owners you will have the opportunity to upgrade your monitor and module with a paid upgrade of $99 to enable RAW over SDI from the selected cameras. The paid upgrade will be available in early 2021 via the Atomos website.
Accurate and reliable
daylight viewable HDR or SDR
With 1000nits, high pixel density the 5” screen provides clear and accurate monitoring for HDR and SDR. Using the AtomHDR engine the Ninja V provides a managed colour pipeline, matching the camera Gamma and Gamut on the input and select to view this as 709, Log with a 3DLUT or utilise the engine to accurately map the dynamic range of your camera LOG to HLG or PQ HDR standards
Whilst other monitors might boast a brightness of over 2000nits, the perceptual benefit can be limited. Simply opting for an increased backlight with no regard for the quality of the image can defeat the point in an external monitor. The Ninja V focuses on image integrity but to increase the perceived brightness in the most difficult bright conditions or to dial out ambient light to increase the view in HDR, the Pro Kit includes the AtomX 5” Sunhood. Simply clip on the mount frame and insert the hood, even leave the frame in place to provide added protection for your monitor.
HDMI-to-SDI cross conversion
Adding the SDI module to the Ninja V Platform more than doubles it’s I/O functionality. To complement the inputs, HDMI or SDI connections can be cross converted, DCI cropped and 4k to HD down converts for video signals to provide a bridge between equipment such as EVFs, wireless TX/RX without the need for additional convertors.
Ninja V Pro Kit power options
The Pro Kit offers 3 ways to power your Ninja
In the Studio you can use the included DC power supply with lockable jack to connect to the Ninja V and with the international power plugs you’ll be covered wherever your work might take you.
On-set via the included DTap cable to connect to your choice of battery with a DTap output meaning your camera rig can run from a single power source.
On the move with a compact rig you also have the choice to run the Ninja directly from an optional NPF battery or any 4 cell NPF you might have in your kit bag.
The ProRes RAW Advantage
ProRes RAW is now firmly established as the new standard for RAW video capture, with an ever growing number of supported HDMI and SDI cameras. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes.
The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported.
Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut Pro, Adobe Premiere Pro, Avid Media Composer 2020.10 update, along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight and Grass Valley Edius.
What’s in the Ninja V Pro Kit box?
The Ninja V Pro Kit is a pre-assembled monitor kit which ensures you are production ready and consists of the Ninja V, AtomX SDI module, AtomX 5″ Sunhood, RAW over SDI Pre-Activated and other accessories to enhance the performance of your monitor-recorder in the field.
Dimensions (W x H x D mm) 151 x 91.5 x 31mm (Ninja only)
Weight 360g / 12.7oz
Mount points 1 x Anti rotation 1/4" / 3/8 top and bottom
Ambient operating temperature Up to 40 Celsius
Construction and Control
Body Aluminium with ABS plastic
Cooling Actively controlled fan and heat sink
Tally light Rear and front
Multi-function button Power / lock Screen
AtomXpansion slot Yes
Input voltage 6.2V to 16.8V
Operating power 5.8-7.2v
Compatible batteries NPF L series
Battery Run time (Record) 5200mAh - up to 2hrs (monitor & record 4K 60p)<br/>7800mAh - up to 3hrs (monitor & record 4K 60p)
Continuous power Via Optional AtomX SYNC Module
DC in connector Via DC Jack on Battery eliminator
Dtap via battery eliminator and optional DTap to DC cable
Touchscreen SuperAtom IPS panel (capacitive touch)
Resolution 1920 x 1080
PPI 1920 x 1080
Bit depth 10Bit (8+2 FRC)
Backlight Type Edge lit
Brightness (cdm2 / nits) 1000
Aspect ratio 16:9
Color Gamut Rec.709
Calibration support Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)
Gamma Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
Gamut BT2020, DCI P3, PDCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut"
3D LUT Display .Cube Format
3D LUT Down Stream Loop out
3DLUT 50/50 Yes
Monitoring Modes Native / HLG / PQ / 3D LUT
HDR output Conversion Log / HDR to HLG / PQ / Dolby Vision
HDMI 1 x HDMI (2.0) 4k p60
HDMI RAW ProRes RAW up to 6k
SDI 2 x 12G SDI Backwards compatible Auto detection via included AtomX SDI module
SDI RAW ProRes RAW up to 6k
Bit Depth 8/10Bit Video / RAW up to 16Bit
Video Chroma Subsampling 4:2:2
HDMI RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
SDI File Name from Arri, RED
SDI loop out 1 x 12G SDI Backwards compatible Autodetection via included AtomX SDI module - level A and B selectable
SDI Play out 2 x 12G SDI Backwards compatible Autodetection AtomX SDI module - level A and B selectable
Bit Depth 10-bit video
USB UVC Optional via Connect 4k
Video Signal Conversion
HDMI to SDI Yes - Video and RAW
SDI to HDMI Yes - Video and RAW
Audio Quality 24/48kHz
Audio Codec PCM
HDMI 8ch 24Bit, input dependent
SDI 12ch 24-bit, input dependent
Analogue Audio in 3.5mm 2ch.
Headphone out 3.5mm 2ch.
Timecode / Sync
Embedded HDMI and SDI
Time of day Yes, Time and Date
LTC via 3.5mm audio Jack input (Requires post processing)
Wireless SYNC via 3.5mm audio Jack input (Requires post processing)
Resolution and Frame Rates (Record, Monitor & Playback)
6k RAW Only up to 30p via HDMI and SDI (Camera dependent 5.9k HDMI and 5.7k SDI)
4k DCI 23.98/24/25/29.9/30/50/59.94/60p
4k UHD 23.98/24/25/29.9/30/50/59.94/60p
2K DCI 2046 x 1080 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p
Anamorphic 3.5k: RAW up to 60p (from supported cameras only)
FHD 1920 x 1080 Progressive 23.98/24/25/29.9/30/50/59.94/60/100/120p
FHD 1920 x 1080 PsF Converted to P and looped out PsF
FHD 1920 x 1080 Interlaced 23.98/24/25/29.9/30/50/59.94/60i
1280 x 720p 50/59.94/60p
Apple ProRes RAW ProRes RAW, HQ
Apple ProRes LT, 422, 422HQ
Avid DNxHD DNxHD 220x,220,145,36
Avid DNxHR LB, SQ, HQ, HQX.
Playlist Yes, Create customer play lists from full or sub clips
Loop Yes, with user customisable in / out markers
Apple ProRes Raw Yes, recorded clips
Apple ProRes Yes, with Linear PCM audio
Avid DNx Yes, with Linear PCM audio
Pre-roll record Yes (HD 8s, 4K 2s) - Not available in RAW
Multi Input / Switching
SDI A/B toggle Yes, Up support up to 12G SDI per input
Master Caddy I Not compatible
SSDmini Native Size and Fit
CFast II via Supported cards via optional SSDmini CFAST II Adaptor
File Naming Unit Name - Scene/Shot/Take, Arri & RED via SDI
File System ExFAT
On screen tools
MultiScope Analysis View Yes, 3 size / Position
Histogram Yes, 3 size / Position
RGB parade Yes, 3 size / Position
Vector scope Yes, 2 size / Position
1 x Zoom Yes. 1:1 Pixel mapping for 4k
2 x Zoom Yes
Focus peaking Colour selected / threshold setting / colour / Mono / edges only
False colour Yes, with Scale
Zebra Yes, Adjustable
Isolate color channel Blue Only
Cine Frame Guides 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides 9:16, 1:1, 191:1, 4:5
Safe areas Action and Graphic
Grid markers 9 grid
Anamorphic desqueeze 1.25x 1.33x , 1.5x ,1.8x ,2x
Display Flip Vertical Only
Onboard Signal Processing
Pulldown Removal 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown)
4K UHD Downscale for HD Loop out - 4K UHD to FHD
DCI Crop Loop out - 17:9 to 16:9 Crop
HDMI Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
Serial 2.5mm Jack LANC control and calibration via optional USB to serial cable
Bluetooth LE via optional AtomX SYNC module
Wireless RF via optional AtomX SYNC module
External Device Control
Serial 2.5mm Jack Camera control for supported cameras via Optional USB to Serial Cable
Bluetooth LE Via optional AtomX SYNC module to compatible devices
Wireless RF Via optional AtomX SYNC module to compatible devices
XML Cut tag EDL in FCPX XML
Apple ProRes RAW Apple FCPX, Adobe Premier, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light.
Video Codecs All Applications with support for ProRes and Avid DNX in .MOV wrapper
Whats in the box
Accessories included Ninja V with SDI RAW Pre-Activated, AtomX SDI module, 1 x Battery eliminator, 1 x international DC power supply,1 x DTap Cable, 1 x AtomX 5 Sunhood, QuickStart Guide
Optional extras Power kit, HDMI cables, USB to serial cable, AtomX SYNC module
Standard 1 year. Extended to 3 years on product registration
Target use / User
Target use / User Mirrorless cameras, compact cinema cameras, cinema, director monitor, games capture, streaming, pro video, gimbal, crane, hobbyist, wedding videographer