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Atomos Sumo HDR/High Brightness Monitor Recorder

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Sumo unit, Master Caddy II x 1, AC power supply. The first production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR, plus 1080p60 live switching and recording

Mfr PN:

Our PN: MOS-SUMORECORDER

Manufacturer: Atomos

Platform:

Mac &

Win

Availability: Usually ships in 1-2 business days.

Product Type: Electronic Download

Availability: Usually ships in 1-2 business days.

Availability: In stock

As low as $1,995.00

Description

SUMO19

THE MOST ADVANCED HDR PRODUCTION MONITOR/RECORDER/SWITCHEREVER. REALLY SEE WHAT’S GOING ON IN YOUR IMAGE!

Record ProRes RAW

Unlock the true potential of your RAW cinema camera with theSumo19. Preserve your sensor’s pristine pixels in ProRes RAW at up to 5.7kp30,4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Sumo19 iscompatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/VaricamLT. Record up to 4kp30 in CDNG.

HDR in the field and in the studio

HDR really comes to life on the Sumo19. It’s 19” 1920 x 1080LCD panel with 10-bit processing takes the RAW/Log/PQ/HLG output from camerasor games consoles and precisely maps to display 10+ stops of dynamic range inreal time. Use as a director or client monitor in the field, or an affordableHDR studio monitor.

10-bit ProRes/DNxHR up to 4Kp60

Video from any camera or digital video source can becaptured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecsat 4Kp60 or 2Kp240, depending on the camera’s capability. The depth and qualityof the image is preserved with data rates of up to 1.8Gbs, 220MB/s.

Live quad channel HD switching and recording

Live switch four 1080p channels and record each as separateISOs. Switch between feeds intuitively on-screen with hard cuts. Save space byreplacing several boxes in your rack with a single Sumo19.

Two stereo balanced XLR inputs with 48V

Use full size XLR connections with 48V Phantom power toconnect two external microphones with balanced analogue audio recording andmonitoring. The Sumo19 has dedicated meters, gain controls and adjustments forframe delay on each channel. Mic or line level audio can be seamlesslysynchronized with embedded audio from HDMI and SDI sources.

Quad SDI & HDMI 2.0 In/Out

Seamlessly connect any SDI or HDMI device for monitoring andrecording. Cross convert between HDMI 2.0 and 1.5G/3G/6G/12G/Quadlink &Dual link 12G SDI in almost any combination and eliminate the need forspecialist converters.

Specifications

Weight
- Without batteries, media and stand 5.45kg / 12.0lb
- With stand 6.0kg / 13.2lb
Dimensions (W x H x D mm)
- 504 x 310 x 63mm, 19.8in x 12.2in x 2.5in (without stand)
- 504 x 330 x 180mm, 19.8in x 13in x 7.1in (with stand)
Construction Aluminium alloy chassis with built in armor protection
Mounting Points
- 1/4-20 screw; 4 x top, 4 x bottom, 2 x side
- 3/8-16 screw; 2 x top, 2 x bottom, 1 x side
VESA mount rear
Power
- Operating power 75W
- Compatible batteries
  - V-Lock / Anton Bauer via XLR terminal (optional mounting plates available)
  - 95Wh or larger recommended.
- Input voltage (battery) 14.4V nominal
- Battery time Depends on Watt Hours specification of battery used
- DC In 1 x DC in (12 - 16.8V)
- Continuous power * Patent pending Primary-secondary battery system.
  - Change batteries without losing power
  - Loop batteries continuously
Size
- 19in
- Resolution 1920 x 1200
- PPI 120
- Aspect ratio 16:9 native
- Color Gamut REC709 HDTV
- Look up table (LUT) support 3D LUT (.cube format)
- Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
- Technology
  - SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
HDR
- AtomHDR Yes
- Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm
- Supported Gamuts
  - Sony SGamut / SGamut3 / SGamut3.cine
  - Canon Cinema / BT2020 / DCI P3 / DCI P3+
  - Panasonic V Gamut
  - Arri Alexa Wide Gamut
- Bit depth 10-bit (8+2 FRC)
- Brightness 1200nit (+/- 10% @ center)
- HDR input (PQ/HLG) Yes / Yes
- HDR output (PQ/HLG) Yes / Yes
Video Input/Loop Out
- HDMI 1 x HDMI (2.0)
- SDI Quad link 4 x 3G SDI* or up to 12G single link SDI
- Signal Uncompressed true 10-bit or 8-bit 422 (camera dependent)
Video Output (Play Out)
- HDMI 1 x HDMI (2.0)
- SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
- Signal Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
Supported Loop Out Formats
- HDMI to HDMI
  - 720p 50/60, 1080i 50/60,
  - 1080p 24/25/30/50/60/100/120
  - 2160p 24/25/30/50/60
- SDI to SDI
  - 720p 50/60, 1080i 50/60
  - 1080pSF 24/25/30
  - 1080p 24/25/30/50/60/100/120
  - 2160p 24/25/30/50/60
Video Signal Conversion
- HDMI to SDI 720p
  - 50/60, 1080i 50/60,
  - 1080p 24/25/30/50/60/100/120/200*/240*
  - 2160p 24/25/30/50/60
- SDI to HDMI 720p
  - 50/60, 1080i 50/60,
  - 1080p 24/25/30/50/60/100/120/200*/240*
  - 2160p 24/25/30/50/60
Supported Codecs and Frame Rates (Record and Playback)
- Sony FS5/FS7^^/FS700 CDNG
  - 4K DCI; 24/25/30p
  - 4K UHD;
  - 2K; 24/25/30/50/60/100/120p
  - 1080; not supported in camera
- Canon C300MKII/C500 CDNG
  - 4K DCI; 24/25/30p
  - 4K UHD; 24/25/30p
  - 2K; not supported in camera
  - 1080; not supported in camera
- Panasonic VaricamLT CDNG
  - 4K DCI; 24/25/30p 10/12 bit
  - 4K UHD; 24/25/30p 10/12 bit
  - 2K HD; 100/120p 10 bit
  - 1080 HD; 100/120p 10 bit
- Arri Alexa Mini .ARI*
  - 2880x1620; 24/25/30/50/60p
  - 2880x2160; 24/25/30/50/60p
Raw to ProRes / DNxHR
- Sony FS5/FS7/FS700
  - ProRes (HQ, 422, LT)
  - DNxHR (HQX, HQ, SQ, LB)
  - 4K DCI; 24/25/30/50/60p
  - 4K UHD;
  - 2K; 24/25/30/50/60/100/120/200/240p
  - 1080; not supported in camera
- Canon C300MKII/C500
  - ProRes (HQ, 422, LT)
  - DNxHR (HQX, HQ, SQ, LB)
  - 4K DCI; 24/25/30p
  - 4K UHD; 24/25/30p
  - 2K; not supported in camera
  - 1080; not supported in camera
- Panasonic VaricamLT
  - ProRes (HQ, 422, LT)
  - DNxHR (HQX, HQ, SQ, LB)
  - 4K DCI; 24/25/30/50/60p
  - 4K UHD; 24/25/30/50*/60p
  - 2K DCI; 100/120/200/240p
  - 1080 HD; 100/120/200/240p
Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper) Codecs
- Apple ProRes HQ, 422, LT
- AVID DNxHR HQX. HQ, SQ, LB
Frame rates
- 4K DCI; 24/25/30/50/60p
- 4K UHD; 24/25/30/50/60p
- 2K; N/A
- 1080p; 24/25/30/50/60/100^/120^/200/240p
- 1080i; 50/60i
- 720p; 50/60p
Onboard Processing
- Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)
- 60i > 24p (3:2 pulldown)
- 4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in RAW)
Audio In/Out (48kHz PCM Audio)
- HDMI 2 or 8ch 24-bit, camera dependent
- SDI 12ch 48kHz 24-bit
- Audio
  - 2ch balanced XLR analog in/out (direct XLR connection)
  - Dynamic range >90dB
  - Max signal level +24dBu
  - Max analog gain +52dB
  - 48V Phantom Power for Mic
- Headphone Out 3.5mm
- Built-in Speakers Yes
Remote Start/Stop
- HDMI
  - Auto HDMI Trigger
  - Supported Protocols - Canon, Sony, Atomos Open Standard
- SDI SDI trigger camera selectable
- Other LANC control - Slave
Playback
- Paylist / Genlock Yes / Yes
- CDNG (Recorded content) No support
- ProRes (Recorded content) All recorded files can playback. Playback in slow motion >= 100fps
- DNxHR / DNxHD (recorded content) All recorded files can playback. Playback in slow motion >= 100fps
Recording
- Pre-roll record Yes (HD 8s, 4K 2s)
- Custom timelapse Yes
- Meta data tagging Yes (10 tags available)
- Supported media 2.5in SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
- Master caddy case Master Caddy II (included) 75mm x 105mm x 12mm
- Master caddy dock 2.5in SATA to USB 2.0/3.0
Supported Applications
- FCPX/FCP7+
- Media Composer 5.0+
- Premiere 5.5+
- EDIUS 6.0+
- Vegas Pro 10+
- Lightworks /
- Autodesk Smoke 2015
XML support FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
Warranty 1 year. Extended to 3 years on product registration