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Damage 3.0 Upgrade (from any Digieffects Product)

Damage 3.0 Upgrade (from any Digieffects Product)

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Our PN: DIIN0290027
Manufacturer: Digieffects
Platform(s): Mac & Win

Product Type: Electronic Download
Time to Delivery: After 3PM CST electronic products may not be invoiced until next business day. Please allow up to 24 hours for delivery.

List Price:$49.00

You Save: $4.01 (8%)


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Damage 3.0$89.99


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Quick Overview

Spread destruction with Damage the industry standard for bad video effects including Artifact, Blockade, Destablize, Interference, Overexpose, Skew, Wave Displace, Channel Offset and Aged Film.



Manufacturer Part Number: DE-DMG-UP

9 Tools Included In Damage

Damage Interference
Create the interlaced look of a television broadcast or a Cathode Ray Tube monitor. Adjust the parameters for the even (E) and odd (O) fields.

Damage Skew
Create bad video artifacts including image shearing, visual noise or static, from weak analog antenna signals to consumer VCR tracking hopelessness.

Damage Artifact
Simulates digital image decode or transmission errors usually associated with dropped data from satellite transmissions or digital video playback errors.

Damage Channel Offset
Simulate chromatic aberration and channel misalignment. Create quick color glitches or twitches on footage or motion graphics.

Damage Aged Film
Emulate the looks of 8, 16, and 35mm films stocks. Roll your footage through a time machine with scratch, dust, grain and jitter controls.

Damage Wave Displace
Get advanced control over wave distortion with a robust tool for creating video transmission displacement. Works great for glitchy transitions.

Damage Destabilize
Emulate a practical camera shake or a more conceptual feed twitch for motion graphics work involving color channel compositing and separation.

Damage Blockade
Simulate low fidelity camera feeds. It creates random blocks of slightly tinted color, common in low resolution camera video or highly compressed transmissions.

Damage Overexpose
Overexpose processes the image in way that mimics an optical response. Overdriven whites bloom, affecting neighboring areas and luma values proportionate to their relative brightness. Add in the ability to vary a wide variety of parameters, and your ability to portray iris indecision on the part of your videographer is absolute.


  • Mac OSX or higher
  • Windows 8 or higher
  • Our software works with After Effects CC, FCPX, Premiere CC, and Motion 5. We also support After Effects CS5, FCP 7, Premiere CS5, and Motion 4.


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