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DaVinci Resolve 17 Studio (License Key Card) with FREE Speed Editor

Home Video & 3D Utility Software Blackmagic Design DaVinci Resolve 17 Studio (License Key Card) with FREE Speed Editor
DaVinci Resolve 17 Studio (License Key Card) with FREE Speed Editor
DV/RESSTUD/SE/BUN
BMDN0330017
Blackmagic Design
Mac & Win
Usually ships in 1-2 business days.
Electronic Download
Usually ships in 1-2 business days.
Availability: In stock
$295.00

Blackmagic Design DaVinci Resolve Studio (License Key Only) with FREE DaVinci Resolve Speed Editor

 

DaVinci Resolve Studio, from Blackmagic Design, is a renowned advanced color correction software and now also a full-fledged, non-linear editing system — it even allows to you to import projects from other NLEs, such as from Premiere Pro, as XML files. You can edit, color correct, finish, and deliver all from one system. Moreover, Resolve is highly sophisticated and oriented at the same time toward the individual user, large collaborative teams, and the growing studio owner. It's completely scalable and resolution independent, so it can be used on set, in a small studio, or integrated into large production pipelines.

 

 

Resolve is a node-based color grading system — nodes being similar layers — where each node can have color correction, isolated areas (power windows), and effects, and in which unlimited numbers of nodes can be joined together sequentially or in parallel. In all, you can combine grades, effects, mixers, keys, and plug-ins in any order to create limitless color effects and unique looks. This is the core of Resolve's color grading functionality, and there are hundreds of advanced features and capabilities in addition, such as grading from raw Files, automatic color matching, and 3D tracking.

 

 

The editing functionality in Resolve is designed to handle TV dramas, commercials, multi-camera productions, and all other project types from the smallest to largest. The trimming tool is context sensitive, meaning that based on where you position the mouse cursor on the timeline, Resolve will automatically switch to the trimming function you need, so you can ripple, roll, slip, slide, or extend and shorten your footage without having to manually switch tools. As for collaborative support, Resolve allows multiple people to work together on the same timeline at the same time. This is a major time benefit when each user is assigned a specific task. As with the grading side, the editing side also has hundreds of other features and capabilities.

 

 

Resolve is scalable and supports multiple GPUs all working together. You can use multi-GPU systems such as the Mac Pro or build a dedicated Windows system with up to 3 GPUs. Resolve also features advanced media management tools designed for editorial and color workflows. You can move, copy, consolidate, relink, and archive media, timelines, or entire projects. Resolve's clone tool will back up your valuable camera files on location so you can copy camera files to multiple destinations with checksum validation for safekeeping while you're still on set.

 

 

Resolve is also capable of editing metadata, syncing sound, and prepping footage for editing, grading, or visual effects. Resolve supports almost any format, and also includes powerful delivery options for versioning, finishing, and delivery at any resolution and format, so you can export for various destination types. Resolve works from your camera originals so your finished master is a first generation graded copy of the original camera raw files. Additionally, exporting can take advantage of remote rendering, using another Resolve on the network to render the job.

 

 

All image processing is at 32-bit floating point and Resolve uses a unique YRGB color space for grading. These two features combine to give you a dramatically wider color correction range, and you'll be able to adjust the luminance gain of your video without rebalancing the color of your whites, mids, or blacks.

 

 

Resolve was designed with the ability to integrate with dozens of other applications so that you can focus more on your project. Resolve can share sequences and round trip projects with Final Cut Pro X, Media Composer, Premiere Pro, and other editing, audio, and VFX and motion graphics software. You can edit your project on any system, then link back to your full quality camera raw files using XML, AAF, or EDL and finish in greater bit depth with Resolve. You can also use AAF export to send a project to ProTools with discreet audio clips and a single layer video mix down for audio finishing. Get support for multiple GPUs, 4K output, motion blur effects, temporal and spatial noise reduction, 3D tools, remote and multi-user collaboration tools, and more with DaVinci Resolve Studio. For an even more enhanced workflow, you can incorporate the optional Resolve Advanced Panel, which is an award-winning control surface for more precise color correction.

 

 

Note: Your purchase will provide you with the most recent version of Resolve Studio. Resolve Studio is compatible with Linux only when an optional Resolve Advanced Control Panel is incorporated. In such case, dedicated Linux features will also be available .

New Features

 

 

Color

 

Automatic Processes

 

 

Automatic color match grade from one to many clips

 

Automatic 3D perspective object multi-point tracker

 

 

User Interface

 

 

Offline clip icon displayed if media is missing from media pool orstorage

 

 

Custom Curves Grading

 

 

Custom Curves with bezier handle control

 

Image contrast adjustable with flexible curve end points

 

HDR curve control for extended dynamic range images

 

 

Secondary Grading

 

 

Additional advanced 3D keyer with multiple additive isolationqualifiers

 

Keyer Finesse controls also include Clean Black and Clean White

 

 

Power Windows

 

 

Conversion of Circle, Linear, and Polygon windows to PowerCurve window

 

 

Automatic Object Tracking

 

 

3D Perspective object tracking

 

Support for insertion and deletion of window shape points even aftertracking analysis

 

Automatic keyframe blending between PowerCurve/Polygon window controlpoints

 

 

Internal and External Key/Matte

 

 

Connect RGB to KEY node and KEY to RGB node for extended key gradingcontrol

 

 

Fully Nodal Processing Architecture

 

 

Quick and simple node graph clean up tool

 

 

Compound Node Flexibility

 

 

Multiple nodes can be combined and displayed as a single node

 

Compound nodes include one full featured downstream corrector

 

Compound nodes can be opened and edited and saved

 

Store Memories, Stills, and PowerGrades as Compound Nodes

 

User locks of Compound Nodes permit sharing without revealing internalstructure

 

 

Clip Version Grading

 

 

Delete unused version option

 

 

Clip Group Grading

 

 

Pre or Post clip group grade can be collapsed into the main clip nodegraph

 

 

DaVinci Managed Colorspace Grading

 

 

User selection of Source, Timeline, and Output color space

 

Mix REC.709, BMD Film, Linear, 2.2 gamma, etc. with a consistentmonitor and output color space

 

REC.709 timeline default simplifies grading with multiple source colorspaces

 

 

ACES Colorspace Grading

 

 

ACES Colorspace v1.0 transform support

 

 

Panasonic Varicam Grading

 

 

Real-time decoding and playback of Panasonic Varicam 35 clips

 

Automatic color space and decode config using camera metadata

 

 

Copy Grades Between Clips

 

 

Add Correction and Add Correction With Keyframes can be selected fromone thumbnail to multiple

 

 

Ripple Grades Between Clips

 

 

Ripple from one clip to many

 

Ripple from one clip to selected group

 

Ripple and append new node to many clips

 

 

 

 

Edit

 

Editing

 

 

Support for audio plug-ins

 

Simplified Option click single track Auto Track selection

 

Enhanced Edit/Media playback to prioritize audio for slow codecs orcomplex grades

 

 

Flexible Full Featured User Interface

 

 

Flexible User Interface with top down selections of display layout

 

Select just Timeline and viewers or add Inspector, mixer, media pooland effects as you need

 

Fit to screen toggles on Edit and Color pages with position memory

 

Title and transform motion paths are visible and editable on the viewer

 

Motion paths include bezier handle control

 

Reference video comparisons to timeline with SDI output

 

 

Multi-Cam Editing

 

 

On-the-fly optimized media for smooth multi-cam playback

 

Sync clips by timecode, in/out point, audio, or manually

 

User selection to switch or cut to alternative angle

 

User selection to for video only, audio only, or both

 

Angle selection by mouse or keyboard

 

Cuts honor Link Selected modes

 

 

Timeline and Viewers

 

 

Option clicking to split video and audio during roll

 

 

Trim Edits

 

 

Multi-selection trimming of edits or clips

 

Asymmetrical trimming of multiple clips on the same track

 

Double click trim modes to place in source viewer

 

 

Audio

 

 

Real-time audio playback of multiple audio channels even in reverseplay

 

Smooth audio playback for frame-by-frame playback, nudge, and JKL fastand slow stepping

 

Smooth audio playback for JKL and dynamic JKL trimming

 

Constant Audio sync with video for easy to the word editing

 

Re-sampled audio for speed changed clips

 

Support for 32, 44.1, 48, 88.2, 96, 192 kHz audio

 

Audio only clips can be edited and rendered

 

Support for audio Automation controls

 

 

Audio Plug-In Support

 

 

Support for a wide range of VST and AU plug-ins

 

Multiple plug-ins can be applied per clip or per track

 

Support for a wide range of VST and AU plug-ins

 

Edit page inspector used for most plug-in controls

 

Support for plug-in user UI controls

 

 

Timeline List

 

 

Timelines can be nested and edited just like compound clips

 

Nested Timelines can be decomposed and re-edited

 

Timelines and timeline folders consolidated into Media Pool for simpleselect all operations

 

 

Transitions

 

 

Curve editor for transitions provides ultimate flexibility and effectcontrol

 

 

 

 

Scalable Power

 

Quality Image Processing

 

 

DaVinci Color Managed Color Science

 

 

Dynamic Multi-Point Render Cache

 

 

User selectable render cache of clips in multiple layer composite

 

User selectable Render Cache for final render option

 

 

 

 

Media

 

Real-Time Mixed Image and File Support

 

 

Optimized media and proxy support for using the same project on systemswith different performance

 

 

Media File Flexibility

 

 

Media Storage Favorites to quickly find commonly used folders

 

Generation of subclips from the Media Storage or within the Media Pool

 

Media Pool Smart Bins with non-destructive sort filters and nestedselection criteria

 

Display name column in Media Pool offers simple-to-advanced tag basednaming on any or multiple clips

 

Drag and drop clips from desktop to Media Pool bins or Timelines

 

Simple one folder re-link operation for offline clips

 

 

Media Management

 

 

Clips and Timelines can be copied, transcoded, moved, and deleted viamedia management rules

 

Copied, transcoded, and moved clips can be automatically relinked tocurrent timelines

 

Full source clips, as used or used with handle controls for mediamanagement operations

 

LUTS, stills, and cache can also be archived and restored

 

 

Camera Codec Support

 

 

Panasonic Varicam v35 and HS

 

 

 

 

Delivery

 

Delivery

 

 

Export to ProTools with separate audio clips, single layer videomix-down, and AAF

 

Render Audio only clips

 

Render Sony XAVC Intra

 

 

 

 

Control

 

Multiple Panel Support

 

 

Supports Tangent Devices Wave and Elements, JL Cooper Eclipse, AvidArtist Color, and Oxygentec ProPanel control panels

 

 

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